Science fiction as a genre takes many forms.
On paper, transposing The Merry Widow from Belle Époque Paris—with diplomats and Ruritanian princes—to 1950s New York and Sicily, with Mafia gangsters, looks like a bold move.
Fear of what the neighbours will say, fear of the priest’s penance and fear of God’s judgement hang over a fun-loving and somewhat rebellious young girl in The Red Shoes at Pra…
It's 24 years since Gareth Armstrong opened the first Prague Fringe with his monodrama Shylock.
Siobhán arrives, or, as she puts it, is “chucked off” the airport bus, in central Paris.
Some people simply don’t have a filter, managing to say the wrong thing at the wrong time.
Acclaimed Indian actor Vkinn Vats brings his highly anticipated monodrama The World of Madness to premiere at Prague Fringe, and it certainly lives up to its title.
Pip Utton is a self-styled "strolling player," a point he emphasizes by noting that he has performed in venues "ranging from London’s Royal Albert Hall to Prague�…
Some performances—especially those featuring circus and juggling—can only truly work in a large space.
In End Game, Katie Reddin-Clancy’s mesmerising one-woman play, cabaret performer Joanie is having a difficult day.
Scottish Opera delivers a gleefully cynical goodie bag of the old and new in this double bill of operettas – Gilbert & Sullivan's Trial by Jury and the brand-new A Matter…
There’s a moment early in Little Drops of Rain – a Taiwanese import from Bon Appétit Theatre – when you realise you’re in for something delightfully different.
Tea is for every occasion, and in India it comes in an array of flavours with glorious perfumes that waft from the cup.
It doesn’t seem so long ago that, to go shopping, you’d head for your nearest town centre or mall.
House of Life is back – and this time it’s bigger, bolder and more euphoric than ever.
Nigel Miles-Thomas is no stranger to the Prague Fringe.
Christopher Sainton-Clark has scored another triumph with his new monodrama, The Night That Ali Died, which makes its debut at Prague Fringe.
Grand Guignol de Milan presents three vignettes inspired by real-life events.
After last year’s wonderfully chaotic Getting Over Hugh, I made a point of catching Acting Out’s return to the Prague Fringe with Stealing Stories.
I almost didn’t see Hemlines.
There’s a version of Heart of the Country that I’d love to have seen.
If you put on a show about a man with a huge following, his devotees are almost guaranteed to turn up in droves to honour their hero - which probably explains why Marc Burrows play…
Letters have power.
Blip is charming in its simplicity, telling the story of a father, a son, and a mysterious portal in a mirror.
The delightfully engaging Simar Singh and Priya Malik from the company UnErase Poetry return to Prague Fringe with their new show Love, Laughter & Longing after another highly …
Actors as messengers.
I’ve often wondered why both the rural and urban landscape is not littered with dead birds.
“There is a light and whistle for attracting attention.
Murder at the Manor starts strong with a witty nod to 1940s film noir, complete with detective narration and moody intrigue.
It has become a cliché to say that George Orwell’s 1984, published more than 75 years ago, is relevant to our turbulent times.
Fraternities are an integral part of university life in the USA.
A memorable, hugely exciting double bill, Passing and Frontier, performed by Ballet BC – the leading Canadian dance company – feels as if it’s at the forefront of contemporar…
A teacher lingers between life and death and wonders what it was all for, while the Angel of Death decides his fate in a liminal waiting room, longing to realise her dream of becom…
A tragic romance story about dementia set to the backing track of Frank Sinatra’s Fly Me to the Moon, In Other Words is a veritable tearjerker.
Shame around love and sexuality remains a stultifying and challenging part of self-acceptance, especially for gay men.
A big cast, a challenging text, and a very small stage.
Identity confusion sits at the heart of this re-telling of G.
Tish (Letitia Delish) is stuck.
Isaac Freeman’s Medium offers an intriguing glimpse into the fascination with Victorian spiritualism.
Do not be misled by the headline descriptions of this new play.
Magic, puppetry, dance, aerial acts and snowflakes inside an illuminated circle fill this musical version of C.
It’s the new season at Pitlochry and it is off to a flying start with the world première of Milly Sweeney’s debut play.
"Are you having a stroke?" Not exactly what inventor Jim (Paul Richards), pitching an idea to his long-term girlfriend Alison (Ruby Florence), wants to hear.
How well can you ever really know anyone? How much do we fundamentally understand about someone, and what are the masks and defences we all employ?A stage solely occupied by a keyb…
Brian Rix, the Whitehall Farces, and their successors from the 1950s were part of my life growing up, as they must have been for almost everyone packed into what felt like a matine…
Who knows what lies beneath the seemingly respectable, very ordinary, and rather bland lives of those who occupy suburban London? Jez Butterworth’s Parlour Song, at Greenwich The…
Ari Freed (Ilan Galkoff) strolls down the side aisle of the Marylebone Theatre and casually addresses us as though we were friends.
“Call me Ishmael” is one of the most recognisable opening lines in literature, and the story of Moby Dick isn’t a mystery to many people.
As befits one of his earliest plays, Titus Andronicus has all the hallmarks of a Shakespeare honing his craft in a studenty troupe full of bold ideas, incautious language, over-wee…
Some 12 years ago, Stephen Rea contemplated the possibility of performing Krapp’s Last Tape.
A nervous young man stands on stage with a guitar at a microphone, ready to perform.
Starting with a child discovered locked in a trunk in 1919, this one-woman show tells a hard-hitting story of triumph over adversity.
An actress alone on chaise reminiscing about her life suddenly becomes much more interesting at a pivotal point in the show where the penny drops as to what is going on.
Mags’s mum has recently died.
Anxiety.
This is your second chance to see the Olivier award-winning Giant in its 14-week limited run on the West End: a gripping new play that brings to light the dark views of children…
It’s rare to find a show that has absolutely everything, is literally all singing, all dancing, with copious handfuls of magic sprinkled on it – yet here it is.
Nicholas Collett tells a moving true story of his father, who served in the Royal Navy during the second world war, almost as an oral history encounter in this one-person show.
Scottish Ballet’s revival of Helen Pickett’s The Crucible is a sensation.
It’s a special year for Perth Theatre as the grand old lady of Scottish theatre celebrates her 125th anniversary.
Benjamin Britten was not the easiest person with whom to form an attachment, much less a friendship and to work for, but Imagen Holst, a focussed, determined and eccentric woman wi…
Conor McPherson’s latest play, which he also directs, might benefit from a more intimate setting than the Old Vic, but The Brightening Air retains an element of claustrophobia as…
If recent productions are anything to go by, the RSC of 2025 season will be characterised as the summer of great spectacle.
Living with the Dead, a new play by Cosette Bolt, at Augustine Church Theatre, is Not So Nice Theatre's latest production.
Great fun, at times hilarious, Pride & Prejudice, sort of by Isobel McArthur is a high energy spoof which will appeal to both Jane Austenites and those who’ve never read a wo…
Saying a show is ‘not for everybody’ has never been higher praise.
Bigfoot in Plain Sight is the latest from theatre company A Handful of Bugs.
Mark Lockyer gives a remarkable and compelling performance in Fiona Laird’s shrewdly abridged version of Shakespeare’s Danish tragedy, The Play’s the Thing: A One-Person Haml…
Based on the much loved novel by James Leo Herlihy which inspired the triple Academy Award-winning 1969 film starring Jon Voight and Dustin Hoffman, Midnight Cowboy – A New Music…
One of Shakespeare’s most problematic characters, Shylock the Jewish moneylender has undergone polarised interpretations since The Merchant of Venice was first performed.
Hilarious, slick, moving and deeply powerful, it is clear why Mathew Bourne’s Swan Lake has become a legend, with thousands of performances all round the world and now celebratin…
This is not Hitchcock’s Psycho.
After 18 years of pious, puritanical rule, theatres could at last re-open their doors when Charles II came out of exile and assumed the throne.
Andy Arnold brings his production of Arthur Miller's modern classic Death of a Salesman to Scottish theatres, impressively with an all-Scottish cast.
Based on the award winning 2018 film of the same name by Nicole Taylor, Wild Rose has line danced its way to the stage.
Nick Payne’s One Day When We Were Young is a neatly crafted trio of vignettes, each of which provides an insight into how the lives of Violet (Cassie Bradley) and Leonard (Barney…
If location is everything, Teatro dei Giordi at the Coronet Theatre have espoused this sentiment in their latest work, Pandora, which transforms the stage into a unisex public lava…
The greatest operatic soprano in the world, with an irresistible beauty, who is 300 years old, preserved by an occult elixir – that is some role.
Edinburgh University Theatre Company’s rendition of Road is an ambitious undertaking, that bravely attempts to capture all the gritty, raunchy realism of Jim Cartwright’s 1980s…
Rober Bolt’s A Man for All Seasons, is steeped in the politics of the age, but the dispositions of its characters have a timelessness that inescapably leads us to reflect on the …
Impressively adapted for stage by Matthew Zajac, The Testament of Gideon Mack is transformed from James Robertson's original, and brilliant, novel into a robust and highly refl…
For those of us who lived through the era of Larry Grayson, What a Gay Day, at the Bridge House Theatre, Penge, is a joyous walk down memory lane.
This is, without a shadow of a doubt, a handsome production.
Four major elements combine in Pina Bausch's Vollmond at Sadler's Wells to create an intriguing two-hour, two-act production of contemporary dance from Tanztheater Wupperta…
If you are looking for an antidote to the virus of Disney musicals, this show could have been designed in a laboratory for that specific task.
At times deeply shocking, sugar-coated with goofy humour, this is an extraordinary must-see production of Shakespeare's The Merchant of Venice, relevant to our dark times so fi…
It’s adult pantomime season again – oh no it’s not! - and with it comes a selection of x-rated jokes, filthy humour and songs a-plenty.
An exquisite production, bringing glitter and joy to lighten the wintry dark.
When the historically worst ever book-to-film adaptations for Percy Jackson are your frame of reference (so bad they were disavowed by the author) the bar is set very low.
My heart will go on for quirky shows that have their roots in the fringe but make it to a West End stage.
This year marks a decade of Bard In The Botanics pantos at the Byre as the Glasgow-based company journeys east again with its special brand of festive fun.
Any prudishness will need to be left at the door as Sleeping with Beauty certainly delivers on its promise of a vulgarity-filled night that delivers every pantomime trope, starting…
This charming re-telling of Robert Louis Stevenson’s classic tale, set in Leith and Orkney, by Duncan McLean, directed by Wils Wilson, is a festive, yo ho ho version full of prat…
Written by Eleanor Tindall (Before I Was A Bear, Soho Theatre) and directed by Emily Aboud (Lady Dealer, Bush Theatre), Tender is a turbulent sapphic meet-cute searching for stabil…
Oor Wullie is back on stage, looking no’ bad for a spiky-haired loon who first started entertaining the public in 1936 in the cartoon pages of The Sunday Post newspaper.
Perth Theatre has made a festive name for itself over the years with its traditional panto played out in the perfect setting of its beautiful Edwardian auditorium.
Inspired by a photograph and an article on women of the waterways in the Second World War, Busy Lizzies Theatre Company and Long Way Home Productions collaborated in creating this …
There is no way to suitably introduce a show that ticks all the boxes in the way that it provides us with everything that we might want from a stand-up hour.
Alexis Sakellaris has a P.
Every so often a show comes along that is just so transcendental that it changes your frame of reference and raises the bar of expectation.