There’s a version of Heart of the Country that I’d love to have seen.
Murder at the Manor starts strong with a witty nod to 1940s film noir, complete with detective narration and moody intrigue.
Starting with a child discovered locked in a trunk in 1919, this one-woman show tells a hard-hitting story of triumph over adversity.
When the historically worst ever book-to-film adaptations for Percy Jackson are your frame of reference (so bad they were disavowed by the author) the bar is set very low.
Birthday Fish is an absurdist physical exploration of the feeling of being a ‘fish out of water’.
Written and directed by L.
Wrong Tree’s Too Close to the Sun follows three groups of people on the edge of apocalypse.
In a weird way, this Fringe (and this year) has seemed to be a bit of a moment of reflection.
They are called Edinburgh Tales but are not really about Edinburgh, in the same way the model for this show, The Canterbury Tales, is not actually about Canterbury.
The show is an intelligent, serious meditation on the most serious of subjects: the climate crisis.
Charity shops are amongst the last bastions of recycling society’s unwanted items for one to stumble across a precious find.
Nardone’s Academy of Performing Arts has brought its production of Alice in Wonderland to theSpace’s thrust stage in the Upper Theatre this year.
These young actors have energy and plenty of charisma and the script has many flashes of originality and fun – the death scene of the older sister Joan is cleverly done, as is th…
This bill consists of two conceptual pieces, connected by an emphasis on the body in space.
I was intrigued by the idea of a feminist interpretation of Pygmalian myth because it's seen now as one of the classic stories about men being pigs; and by modern standards it …
If you’re bringing improvised sketch comedy to Fringe, it has to be truly exceptional to compete with the multitude of renowned acts that return year after year.
I wanted to be able to recommend this performance.
A couple has thirty minutes to decide whether to erase the memory of their failed relationship.
If you're known for impersonating a particular public figure, it can be difficult to shake that typecasting; a fact Nerine Skinner is all too aware of.
A routine day at a rundown bookmakers on an Edinburgh high street.
Jessie Cave says she would like to be remembered as a “fun mum”, which we certainly get aglimpse of in An Ecstatic Display at Assembley Roxy.
The game is afoot, this time it’s not murder that Holmes is solving but a case of deceit perpetrated against his own creator - Arthur Conan Doyle.
What if Mary Shelly’s gothic horror classic Frankenstein was resurrected as a campy one-man musical? An interesting premise explored by LampHouse Theatre in their new show playin…
Drawing from their research into UK communities affected by coastal erosion, Coin Toss Collective’s Freak Out! investigates the small town of ‘Portsford’, which is fighting a…
Hailed by the company as ‘loud, obnoxious and darkly humorous’, one is left wondering what happened to those elements in You Can’t Escape an Aussie Boy.
Wouldn’t it be lovely to place the blame for all the world’s current woes, from war and inequity to the threat of the climate crisis, at the feet of an almighty creator? Gloria…
A white man saying he has many black friends is a poor defence against racism.
As the Summer Olympics approach, the UK première of Lucas Hnath’s Red Speedo at the Orange Tree Theatre, Richmond comes with timely prescience of the almost inevitable doping sc…
Described as a supernatural rom-com, Getting Over Hugh might better be expressed as a fabulous hot mess of a show.
We meet George Coleridge-Taylor terrified and hiding while bullets are heard loudly around him.
The Elagabalia explores the idea of where we all belong as people.
Bribery and corruption, greed and stupidity dominate Nikolai Gogol’s The Government Inspector.
Standing ovations, once reserved to acknowledge only the highest calibre of performance, are now part of the theatre routine.
Hanif Kureishi’s adaptation of his screenplay for My Beautiful Laundrette was at the Liverpool Playhouse as part of its UK tour, courtesy of the Theatre Nation Partnerships conve…
Harry McDonald’s Foam, at the Finborough Theatre, is a chronological series of snapshots that capture events in the life of Nicky Crane (1958-1993).
As a title, there’s something intriguing about Dear Octopus, now playing the National Theatre’s Lyttelton stage.
Before digital TV made it a thing, “watching on catch-up” used to mean spending your Sunday afternoon in front of the EastEnders omnibus.
There’s a famous quote by Winston Churchill that says that Russia “is a riddle wrapped in a mystery wrapped in an enigma”.
The Homecoming, as with much of Harold Pinter’s work, is a timeless play, charged with machismo, pride and tension.
There are four strong performances in I’m Sorry Prime Minister I Can’t Quite Remember at the Cambridge Arts Theatre, written and directed by Jonathan Lynn, following the passin…
Written and directed by “l’auteur du naturalisme”, Alexander Zeldin, The Confessions feels like a too-small show on a too-big stage.
Writer Simon Stephens has taken Max Frisch’s 1953 Biedermann und die Brandstifter, variously translated as The Fireraisers or The Arsonists and given it a heightened absurdist in…
Taking on The Threepenny Opera can be a precarious business, as OVO demonstrate, without flinching from the challenge.
Thirty years ago I stood on The Strand in a queue for eight hours intent on getting my hands on early tickets for the first production of Sunset Boulevard.
The extent to which you appreciate James Graham’s adaptation of Boys from the Blackstuff might depend partly on how well you know Alan Bleasdale’s original television series.
After all the hype from it’s reception elsewhere in Europe combined with the legacy of the original film version, the intriguing yet simple plot and the clear characterisation in…
Who has not experienced a situation in which a surmountable incident escalates out of all proportion? Then, on the way to resolving it, further baggage accumulates around the subje…
A Teacher’s Lament is not the revolutionary political statement that we would expect a show of this nature to be.
It isn’t easy representing old age on stage.
Steelworks A Cappella group presents a murder mystery, Vocal Vengeance, which is like an musical version of Cluedo.
My Life Online is an incredibly well performed piece of modern opera, with an unfortunately lacklustre story.
Creating an effective vehicle for performers, be it musical, play, comedy set or improv format, is arguably the most challenging task a creative artist can undertake.
Losing The Plot is a new queer jukebox musical comedy, jam-packed with top hits from the 70s and 80s, Originally performed in Manchester and has now come to the Fringe this year.
Lewis Carroll is turning in his grave at Tim Nelson’s Alice in Wonderland.
Written and composed by Bethany, Cameron and Natasha Lythgoe, Pandemonium is a biblical musical of mundane proportions built upon a confusing amalgamation and re-telling of stories…
The true judges of any show aimed at children are the children in the audience, and the kids at Lucky Pigeons at Underbelly’s Circus Hub seemed to have a good time.
Peer Gynt: A Jazz Revival by Cambridge company Phonofiddle! comes with an intriguing proposition: taking Ibsen's complex work and transmuting it into an hour of jazz-infused th…
Report To An Academy is not Franz Kafka’s best work, but Robert McNamara brings the elusive central character with precision and animal rage that is very watchable.
People You Know Productions are going for a cross between Posh, and an Agatha Christie novel, except that nobody here actually wants to work out who the killer is.
Ripper is an unfortunate example of a show that may have promise, but not quite the ability to realise it.
As comedian Stephen Catling ambles onto stage, clad in a novelty dog head, it's apparent that we're sitting in an absurdist comedy show.
Sophie Santos…Is Codependent details Santos’ journey through their breakup, narrating the tale combining both comic storytelling and song, embodying conversations with their pe…
The company Darkfield are a Fringe regular now, known for their shows housed in completely dark shipping containers.
A good story is surely one that absolutely demands to be told.
Ottisdotter theatre company’s production of Lady Inger provides a rare opportunity to see one of Henrik Ibsen’s earliest, least performed and less well-known works.
From the outset the jazz club on the top floor of Toulouse Lautrec appears to have a cosy rustic atmosphere, like one that we'd associate with a gazebo.
Charlie and the Chocolate Factory is one of Roald Dahl’s best known books, which is why the expectations are high for James Brining’s tour.
Jonas (Michael Batten) would ideally like to be in full-time employment as an actor on stage.
The myth of Robin Hood has been told and re-told through the centuries, and in the oral tradition, each storyteller has put their own spin on the tale.
Opera della Luna's latest production of Sweeney Todd will show you the barber as you have never seen or heard him before.
In a rather surprising debut choice, Stella Powell-Jones has commenced her incumbency as Artistic Director of Jermyn Street Theatre with Timberlake Wertenbaker’s uninspired adapt…
Given the vast repertoire of plays available to theatre companies one often wonders how they decide on what to perform next and why: in this case, the somewhat lesser-known work by…
The National Theatre continues its support of new writing at the Dorfman with Dixon and Daughters: an emotional play dealing with the far-reaching effects of historic child abuse.
A Macbeth that features only the eponymous hero and his wife is an opportunity to define the characters and chart the shifting balance of power between them as the tragedy unfolds.
The Queen’s Theatre, Hornchurch has opened its Spring 2023 season with the world premiere of Ian Rankin and Simon Reade’s Rebus: A Game Called Malice.
Too many cooks, so the saying goes, can spoil the broth.
The Mill at Sonning is a quaint venue that provides all the amenities for a great theatre trip.
There are time when you wonder, “Why?” Lazarus Theatre Company’s Hamlet at the Southwark Playhouse, Borough, is one of those.
Being dead, the great maestro of late baroque composition has the hope of being raised incorruptible.
When you’re a child, Christmas is all about that one big day.
Opening the London Coliseum festive season is the UK premier of It’s a Wonderful Life, based on the classic 1946 Frank Capra movie.
A note on the back cover of Peter Gill’s latest play, Something in the Air, at Jermyn Street Theatre, claims that the stories of the two old protagonists “flow like mist down t…
Mixing survivalism with psychoanalysis, Dave Bain’s Last Sales Conference of the Apocalypse is a fractured and confused trip that leaves us with more questions than answers.
It’s a classic David and Goliath, if by the end, rooting for Goliath seemed like a reasonable thing to do.
Hailing all the way from the bright lights of New York, Sarah Sherman’s self-described horror comedy show - with the emphasis on the horror - is incredibly ghastly and overly gra…
Interminable, intellectually pretentious and self-indulgent, former circus performer James Thiérrée’s Room produced by his own Swiss Compagnie du Hanneton, is presented as phys…
Madagascar Jr is the stage musical version of the 2005 children’s movie, a charmingly simple story of friendship amongst lovable animals.
The After-Dinner Joke doesn’t quite land.
Prometheus Bound (Io’s Version) finds itself in a double bind.
For regular Fringegoers who aim to tick all the most talked-about and cultest shows off your list, I’m going to make a prediction: you’ve seen Spank! before.
The Edinburgh Fringe may have a porn addiction.
Whilst it may be apt to stage John Montgomery and Derek Batchelor’s Flesh - a musical about Burke and Hare - at Surgeon’s Hall, the novelty stops there.
Today I Killed My Very First Bird, a piece of new writing by poet, playwright and performer Jason Brownlee and directed by Lee Hart, is a strange beast.
A Dark Place by Boreas Productions at Pleasance Courtyard is an insight into the relationship between friends, Ash and Sam, and how Sam’s mental health struggles have twisted the…
Waterloo is a whacky, one-woman show by Bron Batten detailing her affair with a conservative military official.
The end of show speech to an audience.
Adaptation can do more than reproduce.
You can have too many carrots in one show.
Whether it was the book or movie, C.
Shakespeare knew what it took to pen a romantic tragedy when he wrote Romeo and Juliet and hence carefully structured all the ingredients to meet the demands of the genre and creat…