How well can you ever really know anyone? How much do we fundamentally understand about someone, and what are the masks and defences we all employ?
A triumphant and challenging smorgasbord of theatrical activity
A stage solely occupied by a keyboard and microphone greets us at the BN1 Arts Centre. But the Dubious Company’s eclectic cast - Emily Hawkins, Jasper Price, Lex Bluecairn, Aoife Pallister Begadon, Annalena Lipinski, Amber Williams and Aisling Hanrahan - soon fill the space, singing and playing, leaning into the style of the modern troubadour. It is immediately charming.
During the hour-long performance, they deliver a mix of original songs and familiar numbers with aplomb. Scenes shift between clowning, comedy, and poignant observations, touching on gender fluidity. The guitar and viola playing are simply excellent, and the group’s palpable energy and collective synergy elevate the show. Some comedic moments land more effectively than others, but the overall effect is strong.
The acting is impressive: to do little or nothing on stage with poise and intention requires great skill, and the scene in which make-up is carefully removed is mesmerising.
The standout moment is the self-penned Bodycount scene, in which the uneasy and awkward interactions so often seen at a wake are laid bare. Dubious Company explores the concept of false memories while the group reminisces about a departed friend, delivering a scene that leaves the audience unsure whether to laugh or cry. There is likely a full-length Fringe production to be developed from this segment if the company chooses to do so.
Dubious Company’s stated aim is to explore human connections and prompt audiences to question their own assumptions and belief systems. With As If You Know Me, they have undoubtedly achieved their goal.
A triumphant smorgasbord of theatrical forms - comedy, music, drama, dance, and clowning - this ambitious production challenges our view of the world. The highly talented ensemble shows great promise for the future.
