Isaac Freeman’s Medium offers an intriguing glimpse into the fascination with Victorian spiritualism. Set in 1875, the play unfolds while preparing for a séance where two renowned mediums confront unsettling truths. Freeman’s script captures the era’s language and atmosphere with commendable authenticity, immersing us in a world where belief and deception intertwine.
Atmospheric setting and strong performances
The production’s attention to period detail is evident, from the set design to the costuming, effectively transporting viewers to a bygone London. The addition of the smell of incense is a lovely touch. The performances are intense, with the actors delivering their roles with conviction, particularly in the more suspenseful moments, although sometimes the words spoken seem incongruent with the actions.
The play is based on accounts written at the time and the people referenced in the play are all real, which adds to its fascination. It also leaves open-ended answers as to whether there is any truth to the spiritualism of the time.
However, while the tension builds steadily throughout the play, the climax doesn’t quite deliver the emotional payoff one might expect. The pacing occasionally falters, and certain elements feel drawn out, leading to a conclusion that, while intriguing, leaves some questions unanswered.
Medium is a commendable effort that showcases Freeman’s potential as a playwright. The production’s strengths lie in its atmospheric setting and strong performances, though the narrative’s resolution may leave some seeking a more definitive conclusion.
