A quintessentially London musical by Craig Adams and Ian Watson, with new arrangements by Sam Young, Dean Johnson’s Lift at the Southwark Playhouse is a complex musical experien…
From hand-jiving to slicked hair, Nikolai Foster’s Grease at the Dominion Theatre is a sprint down memory lane with extra twists.
Most of us will be familiar with Arthur Miller’s character Abigail; the seductress who caught John Proctor’s eye and led a group of girls that sent innocent women to their demi…
Julie Atherton’s production of Ordinary Days at the Cockpit is a work of art.
One of the best things about theatre, and art in general, is the space it creates for difficult conversations and analysis.
An odd combination of nostalgia and existentialism, American Idiot continues to remain incredibly current.
If we ever needed more proof as to why second wave or white feminism should no longer be considered relevant, here it is.
There are a few infinite things in the universe: greed, love and the elite’s ability and desire to protect the status quo.
Having a gun - albeit a fake one - pointed at my face has never been at the top of my list of fears.
Considering how much Anyone Can Whistle flopped in 1964, it is a bold, brave (and some may say hubristic) move on the part of Grey Area Theatre Company to revive the show at the So…
Modern opera is difficult to execute well, because no matter how good it is it will always be judged against the classics.
Homecoming is the word that comes to mind when watching this musical.
High energy, fun and witty, The Bean Spillers’ Improvised Musical showcases a wide range of talent, musical knowledge and general mischief.
After years of turmoil caused by politics and pandemic, nostalgia is exactly what Doc ordered.
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