A curate’s egg, flashes of brilliance but with a first third of tedious mire, Kidd Pivot company’s Assembly Hall, about an amateur medieval re-enactment society, will divide au…
Nigamon/Tunai is an inspirational immersive ritual created by indigenous artists, Émilie Monnet from Canada and Waira Nina from Columbia who seek to draw attention to the destruct…
Not to be missed, hugely inventive, an extraordinary show, This is Not Romeo and Juliet choreographed by Danish Palle Granhøj is experimental but with broad appeal.
Impressive dancers and choreography by Mathieu Geffré in Rendezvous Dance’s What Songs May Do should have had everything going for it.
Absurd, joyful and breath-taking, this brilliant wee gem might be the dance/physical theatre show of the fest.
Imaginative and atmospheric with striking visual images, there is much to recommend in Jajack Movement’s Sleeper, choreographed by Kim Yumi.
Mesmerising and minimalist in style, this quadruple bill of dance and light will stay in your memory as dance, lighting, and music all meld into an exquisite whole.
A sure fire winner, a tear-jerker with comedic appeal, Mathew Bourne’s New Adventures’ Edward Scissorhands, is based on Tim Burton’s 1990 film but reimagined for dance.
Heartfelt, feel-good, this is a highly enjoyable performance.
The delightful wit with its dark undertow of Murial Spark’s The Girls of Slender Means is caught brilliantly in this adaptation by Gabriel Quigley, directed by Roxana Silbert.
A brilliant gem, witty, gallus (cheeky) James V: KATHERINE by Rona Munro (a Raw Material and Capital Theatres Production) pulls no punches.
For charisma, no other male dancer can beat Carlos Acosta, one of the greatest classical dancers of our times, still spell-binding at fifty.
Is Cinders a male or a female? Audiences won’t know until the curtain rises on a particular night.
Rape, homophobic bullying, knife crime and murder in a mental health/correctional institute, Mathew Bourne’s Romeo+Juliet is probably the most shocking and bold of his re-imaginin…
Pioneers: Ballet Black is an inspired pairing of dance pieces, both in terms of subject matter and in their exploratory choreography.
Usually The Nutcracker means it is the Christmas season but here we are in March.
Giselle, the Gothic-Romantic iconic classical ballet of love, betrayal and forgiveness is one of the few ballets to have come down to us from the 19th century.
Ballet Rambert’s Peaky Blinders: the Redemption of Thomas Shelby is male swagger, jaw-dropping, edge of your seat dance as pyrotechnics with all the cool of the TV gangster drama…
Magic, glitter, snowflake fairies, Jack Frosts, snow wolves and innocent love winning out, what more could you want? Circus acts, Romani travellers? A revival of its 2019 productio…
One of the excitements for an audience is to spot future stars.
Navy Blue, the colour of workers’ overalls is an existential cry of protest, a dance/voice-over/visual performance choreographed by Oona Doherty and cast to Rachmaninov’s Piano…
Breathtaking projections of animation by YeastCulture steal this show and a set which is largely conveyed by lighting.
An electrifying production, Scottish Ballet’s Coppélia, reimagined with robots and a new story that only nods to the original, is not just for sci-fi fans but addresses the seri…
Interminable, intellectually pretentious and self-indulgent, former circus performer James Thiérrée’s Room produced by his own Swiss Compagnie du Hanneton, is presented as phys…
Virtuostic, one dark, the other light bursting with irrepressible humour, this contrasting double bill Us choreographed by Zoë Ashe-Browne and Stroke Through the Tail by Marguerit…
Ice Age is a life-affirming show celebrating and bringing much-needed visibility to what disabled people can achieve as performers on stage despite being confined to a wheelchair.
See You is must see.
Cool with underlying passion and deceptively simple choreography by New Yorker/San Franciscan Stephen Pelton, End Without Days gets under your skin.
Alan Cumming is a tour de force as ever.
A magical, charming show of dance and acrobatics which will delight children and adults alike.
Tomatoes erotic? Yes, erotic, silly, surreal, constantly surprising, Tomato, a physical theatre piece by dancer/choreographer Chou Kuan-Jou is brilliant.
Riotous, hilarious, alternately bonkers and clever The Strange Undoing of Prudencia Hart written by David Greig and co-created with Wils Wilson, has it all: folk music, especially …
Powerful psychodrama elevates Scottish Ballet’s The Scandal at Mayerling from what might have been mere melodrama, a skull and pistol its signature symbols, into an outstandingly…
The convulsive pain of grief, a languorous classical quartet and an exuberant party piece undercut with darkness; these three pieces superbly contrast each other in mood and style,…
Manic parties and manic dance, glorious swirls of colour, Chanel-inspired floating dresses and jazz from the Roaring Twenties, contrasted with the green light throbbing in the dist…
Disconcerting, both humourous and visceral, Kontakthof performed by Tanztheater Wuppertal continues to shock.
A love triangle, passion, jealousy, the colour of red roses and bull-fighter capes: just what you would expect in this stunning contemporary dance version of Bizet’s Carmen, re-i…
A heart-warming show of joy and magic at Christmas time, Catherine Wheels’ Christmas Dinner, written by Robert Alan Evans and directed by Gill Robertson, is particularly welcome …
Snow falling, Christmas baubles, glitz and magic - Scottish Ballet’s The Nutcracker to Tchaikovsky performed by the company’s live orchestra is like a box of chocolate treats.
Glitz and glamour, fun and frolics, Scottish Ballet’s Starstruck is a delight, just what we need after 18 months of closed theatres.
Mercurial, subtle and rousing Starting from First Position is a blend of dance and poetry performed by Nigerian born poet Ben Okri (also 1991 Booker prize winner for his novel, The…
A charming, funny and touching interactive video installation, Family Portrait by Natasha Gilmore’s Barrowland Ballet features Natasha herself as mother and single parent and her…
A man falls from the side of the screen onto the floor.
Tai Gu Tales was created by Hsiu Wei Lin, formerly a principal dancer with the iconic Taiwanese Cloud Gate company.
Amina Khayyam’s Catch the Bird Who Won’t Fly, a Kathak dance piece using animation and green screen is beautiful, subtle and moving despite its grim subject matter: domestic vi…
Challenging, daring, with longeurs but also explosive moments, this makes for uncomfortable viewing but is a much-needed and to be applauded show.
Music-theatre with solo cello plus dance, Iconnotations is extraordinary: surreal, wry, expressionistic, at times baffling, profoundly sad but at the end joyous.
How do we interpret the world through our senses, particularly through sight? A mesmerically beautiful triptych of two solos and one duet, choreographed by Finnish Johanna Nuutinen…
If Carl Knif’s Fugue in Two Voices is a joke, then it’s a dud.
We need heroes in these strange times is the thesis of this show, and Les Petites Choses’ Fighters brings us five.
Ai~sa~sa meaning ‘Get over yourself’ is brilliant.
Where is the glitter and magic, our annual Christmas treat, without the Sugar Plum Fairy or the Snow Queen? With theatre doors closed during these sad times, Scottish Ballet have c…
Experimental, inventive and hugely daring, Antigone, Interrupted is Sophocles re-imagined, the first production by Joan Clevillé since becoming Artistic Director of Sc…
A wintry tale of fire and ice where selfless love wins, The Snow Queen, choreographed by Christopher Hampson, is a dangerous journey encountering bandits and snow creatures.
Full of good cheer, fun and jokes, carols under falling snow, spooky ghosts and glitter, what better way to get into the Christmas spirit than go to An Edinburgh Christmas Carol, D…
Both humourous and sad, Juliet and Romeo by Lost Dog company, presented by The Place, written with sensitive forensic analysis and directed by Ben Duke, is a subversion of Shakespe…
A brilliant Scandi noir of the psyche, spoken in gibberish in a surreal world, Norwegian Jo Strømgren Kompani’s The Hospital, is gripping; moving from bizarre, black humour to d…
Billed as part Brazilian street dance and part Scottish ceilidhe with everyone invited to share the dance floor and a whisky, this suggested a rather more joyful, carnivalesque exp…
If you have ever wondered how contemporary dance choreography is created (as opposed to classical ballet) this fascinating show, CoisCéim Dance Theatre’s Body Language directed …
How do we face dying if we know we have a terminal illness? And also how do we live in the face of death, imminent or not? Losing several friends in the same year, Kally Lloyd-Jo…
Floating Flowers by B.
A delight, witty but profound exploration of the power relationship between choreographer and dancers, From the Top, choreographed by Hong Kong-based Victor Fung, is a send-up of a…
Christine Devaney’s And the Birds Did Sing is a gentle, moving meditation on the loss of her father, expressed through story-telling and some expressive physical movement to an e…
Monster choreographed and performed by Yen-Cheng Liu of Dua Shin Te Production is a show about the monster within us but the trouble with alienation is that it alienates the audien…
If this was billed as Music and took place in a concert hall, the MP4 Quartet’s perfomance of three pieces by Steve Reich, Pendulum Music, Different Trains and WC 9/11 would earn…
Another is a quadruple selection of dance pieces by the fledgling company Ballet-works founded by a former soloist of Stuttgart Ballet, Robert Robertson and comprises both contempo…
What a delight to hear the giggles and laughter, sometimes hysterical, of children, aged four and up in the audience throughout Heroes, a circus, acrobatics and aerial dance show a…
Breath-taking, Blizzard produced by Flip Fabrique from Quebec, is so much more than a circus show.
A landmark for female empowerment, She Persisted is a trilogy by three female choreographers celebrating female icons.
Stylish, elegant and magical, Scottish Ballet's Cinderella, choreographed by Christopher Hampson, at times takes one's breath away.
Rumbustious, fast, furious and funny, yet full of magic and fairy dust, Wendy and Peter Pan will delight all ages: an awfully big adventure and the perfect Christmas show.
Blinding with science comes to mind in Autobiography, choreographed by Wayne McGregor.
Love Chapter 2 by L-E-V, choreographed by Sharon Eyal and Gai Behar, is a twin-piece to OCD Love, both part of the Edinburgh International Festival.
Hocus Pocus, by the Philippe Saire company, didn't live up to its initial promise.
A profoundly disturbing show, OCD Love (part one of Love Cycle) is produced by Israeli L-E-V dance company with original and technically difficult choreography by Sharon Eyal in c…
Tibetan Monks Sacred Dance is a special experience, not quite a religious rite and not quite a performance show as five Tibetan monks from the Tashi Lunpo Monastery in South India …
This version of Giselle, re-imagined by Ballet Ireland in modern dress is bound to cause controversy between traditionalists and modernists.
Varhung- Heart to Heart will touch your heart.
The Spinners is a collaboration between Lina Limosani of Limosani Projekts as choreographer and Al Seed as director.
This exquisite, delightful show by Chang Dance Theatre riffs on the childhood memories of four boys growing up together and, surprisingly, mangoes.
WRoNGHEADED is a collaborative dance, poetry and film piece produced by Liz Roche Company about the devastating effects of a repressive society in Ireland, particularly on women.
Jungle by the Bernese company Pink Mama under the direction of Slawek Bendraf and Dominik Krawiecki, purports to be about post-colonialism and in particular who survives but how do…
It’s Not Over Yet… choreographed and performed by Emma Jayne Park (aka Cultured Mongrel) is a heart-stopping autobiographical show about cancer.
A dazzling white floor space sets off Nigerian/Finnish Ima Iduozee’s black skin and his grey and black outfit perfectly in This Is The Title, a production in association with Fro…
Every now and then a sparkling gem comes bubbling to the surface of the Fringe.
Once Upon a Daydream, produced by Sun Son Theatre, bursts with life and colour.
To Be Me pairs a recording of Kate Tempest’s poetry and live dance choreographed by Julie Cunningham; it’s a risky undertaking which is both fascinating but, at times, teeters …
It is brave to reimagine Shakespeare, in particular arguably his greatest tragedy but Lear by John Scott Dance is a deeply moving, subtle and superbly performed interpretation of …
Keira Martin’s Here Comes Trouble contains some impressively executed Irish dancing to music which is a meld of Irish melodies and Jamaican beats in a memorable piece about ident…
Profundis choreographed by Israeli-born Roy Assaf, is amusingly and slickly performed by the National Dance Company Wales but is more of a ‘five-finger exercise’ for dance stud…
Folk is Caroline Finn’s first piece for the Cardiff-based National Dance Company Wales since becoming its Artistic Director two years ago.
Thisis a solo show where the Korean dancer and choreographer Lee Kyung-eun, inspired by the shamanic gut or rite to expel ‘goblins’ or evil spirits, aims to turn this around an…
A double-bill of extraordinary power and originality, Hope Hunt & The Ascension into Lazarus performed by Belfast-based Oona Doherty, gets beneath the hard exterior of disaffected …
This is a curate’s egg of a show.
Majuli is a gentle piece, beguiling in its simplicity in which the dancer and choreographer, Shilpikda Bordoloi evokes the world’s largest river island, Majuli in Assam’s…
A one-woman dramatic monologue performed with great storytelling skills, Green Knight is an enthralling show.
Leviathan, inspired by Melville’s Moby Dick is choreographed by James Wilton to a pounding score by Lunatic Soul.
If you want a bit of light relief from Fringe shows taking themselves too seriously, come to this hilarious, technically mind-blowing piece which calls itself physical theatre but …
038 is the telephone code for Hualien, a small city on the east coast of Taiwan and it is the first few numbers the many emigrants to the bigger cities must dial to phone home.
This show is a delight.
In Korea when somebody dies, people say they have gone ‘over the moon’ or ‘crossed the river’.
Three male dancers perform Company Chordelia & Solar Bear’s Lady Macbeth: Unsex Me Here choreographed by Kally Lloyd-Jones and cast.
Founded by Avalon Rathgeb, Fall Out is tap-dancing like you’ve never seen before.
An exquisite piece, Together Alone, danced nude by Zoltán Vakulya and Chen-Wei Lee of Art B&B, is a profound meditation on relationships through a sensitive exploration of the bod…
Kokdu: Soul Mate is physical theatre with charm, humour and a supernatural frisson inspired by Korean shamanistic rites and belief in the Kokdu, a spirit guide who accompanies the …
Derevo are a legend.
A psychic journey, through physical theatre and music, Sun Son Theatre’s Heart of Darkness explores the damage inflicted on a woman by arranged marriage.
The Backyard Story, directed by Chen-Chieh Sun with lively music composed by Chien-Hsun Chen, is a charming black-light theatre show for children aged 5+.
Stunning, visceral and heart-breaking, pitting light against dark, superstition and hysteria against the steady flame of truth and love, Scottish Ballet’s The Crucible choreograp…
Kalakuta Republik will stay with you, for good or bad.
White hot, stripped down to its essentials, this searing version of Sophocles’ Oedipus, adapted and directed by Robert Icke may well be the defining drama for our times, where f…
Kiinalik, in the Inuktitut language, means when a knife is sharp.
Who owns the land? What if the land you think is yours already ‘belongs’ to someone else? The tragedy that is Australian history, the encounter between the ‘savages’ and th…
Hard to be Soft: A Belfast Prayer choreographed and directed by Oona Doherty is at times an explosive, visceral and overwhelming experience.
Jackie Kay’s memoir Red Dust Road, adapted for the stage by Tanika Gupta, is a huge disappointment.
"Hear Word!" is how Nigerians start a story, a sort of town crier’s call and Hear Word! Naija Woman Talk True co-written and directed by Ifeoma Fafunwa is definitely at…
Luscious colours, hypnotic dance, the exotic (to westerners) Chinese/Tibetan interpretation of Stravinsky’s Rite of Spring should make Yang Liping’s Peacock Contemporary Dance …