3 Star Shows

Trench Brothers

Trench Brothers opens with a lone Indian Army First World War soldier walking slowly in spotlight through the audience. Above the stage sit over 100 primary school children, flanked on both sides by other primary school children…

To Have To Shoot Irishmen

To Have To Shoot Irishmen opens the Irish Theatre Season at the Omnibus Theatre, Clapham. It’s a spellbindingly bleak seventy minutes or so, but there is a historical inevitability about that when telling the story of (Frank) Francis Sheehy-Skeffington…

The Lover / The Collection

Alongside Pinter One – nine individual texts that together create something that is as exciting as it is dark – is the altogether different, though not surprisingly named Pinter Two…

Wine

Wine makes a return to the Tristan Bates Theatre following its successful run earlier in the year. It is one of three plays by Jack West currently showing as part of the LAGO Theatre Season…

Nests

Review
★★★
Paul F Cockburn
Scotland
Multiple Venues
12th Sep, 2018

Within a cluttered clearing in some woods that's neither town nor countryside and so somehow feels like nowhere, an unnamed Man (David McKay) sleeps the sleep of the just-finished-a-bottle-of-gut-rot-cider…

The Yellow on the Broom

Review
★★★
Paul F Cockburn
Scotland
Dundee Rep Theatre / Macrobert Arts Centre
6th Sep, 2018

It's just four years since Pitlochry Festival Theatre put on a production of Anne Downie's 1989 play The Yellow On The Broom, based on the autobiographical novel by Betsy Whyte about Scotland's Travellers in the 1930s...

Year Without Summer

Cast Iron Theatre have rocked a minimalist set – an intimate three chairs and floor space surrounded by a ring of audience members – and have stretched it expertly to the peak of its credibility...

One Woman Alien

Heather-Rose Andrews skilfully acts out this minimalist stage version of cult classic Alien. In the heady depths of the Grassmarket, this parody of a Hollywood blockbuster is the backdrop for Andrews to explore some key questions we all have about the original...

Karaoke Saved My Life

All month I have spotted Scott Swinton, star of Karaoke Saved My Life, on the streets of Edinburgh, flyering for his show. He’s hard to miss in his starry black suit – like a disco themed Steve Martin, he generates smiles wherever he goes...

Haggis, Neeps and Burns

Haggis, Neeps and Burns is about as Scottish as tartan and the trinity. Sit down for a delicious plate of Haggis, Neeps and Tatties while listening to the well-sung poetry of Burns...

Losing My Mindfulness

Losing My Mindfulness offers an amusing and uncomfortable send-up of the self-help nation we have become. Alongside an array of ‘Improve Your Life’ books, Katie McLeod plays an HR representative running a workshop for her colleagues on staying positive under stress...

Por Favor

Set against the backdrop of a school production of West Side Story, this is the story of Mr Taylor, a teacher in charge of putting on the production. It also features Jodie, a troubled pupil at the school, who nevertheless turns out to be the most naturally gifted actress that Mr Taylor (Jeff) has ever worked with...

Much Ado About Nothing

Shakespeare is an easy sell at the Fringe, namely his comedies, and this production of Much Ado is no exception. It is fundamentally inoffensive- the aesthetic is strong, the acting is competent and capable, and the script is cut in a way that makes it feel quick, but not threadbare...

Liz

There is no denying the writers’ talent; both Louis Pattison and Harry Style have created a highly enjoyable script and score rich in farcical humour and lighthearted silliness, but in a theatrical world so bent towards the revision, reclamation and reimagining of historical narratives (Hamilton, SiX and Something Rotten all being examples), their talents seemed to be misdirected, and one has to wonder why this particular subject matter was chosen in the first place...

Beep

Beginning in a frightening dystopia with five people wearing surgical masks manhandling one other as the audience enters, then as the show starts transforming to a happy young party student crowd is a little unsettling...

A Generous Lover

A Generous Lover is La JohnJoseph’s heartfelt account of caring for a bipolar partner. Orpheus and La JohnJoseph pass through various institutional limbos including health services, art therapy seminars and medication focused recovery plans...

The Other Guys: Reigning Men

The Other Guys are an all-male all-student a cappella ensemble from St Andrews, with a balanced programme of medleys, mashups and straight songs, as well as plenty of dad dancing, dad jokes and awkward chat...

Shakespeare Catalysts

Before I begin this review, I would like to clarify, as James Beagon (co-director and actor) did at the start of the show, that Aulos Productions’ Shakespeare Catalysts is a work in progress...

Alan Bennett's Say Something Happened

Alan Bennett is a national treasure, and his writings are justly well respected. Say Something Happened was originally broadcast on BBC television in 1982, and this production manages to capture the feel of the 1970’s incredibly well...

Drip

I can’t imagine that anybody has nostalgia for life in their early teen years. You’re an awkward bundle of nerves so tightly wound that you can’t make a smart decision if you try, and even when you do, you can barely look someone in the eye to acknowledge them...

Barry Ferns: Barry Loves You

Barry promised he would "share [his] soul with you" at the start of the show, and golly, he really does. In an hour that takes us from South African robots to family revelations, via flapping meat bags and biscuit addiction, Ferns presents an always engaging, sometimes profound stand-up show...

Nowt as Queer as Folk

Set in rural England, this pale ale drenched parable explores village life juxtaposed with urban sprawl. Topical issues of sexual impropriety, love lost, love rediscovered and fiddling finances are interspersed with song and slapstick scenes...

Like a Sturgeon

Edinburgh-raised drag queen Ripley makes his Fringe debut this year with Like A Sturgeon. This is a perfect drag homage to some of the world’s leading females in politics. The show is perfectly lip-synced to an array of popular music, as well as Ripley’s own original lyrics...

Kill the Beast: Director's Cut

Acclaimed comedy troupe Kill the Beast returns to the Fringe with a new show that is a bizarre mash up of Poltergeist and The Room. The performance is at times hysterical, even if it isn’t always able to hit the mark...

Job-Cher

Two struggling Cher impersonators are disrobed and disheartened in Job-Cher. Waiting in their dressing room between costume changes, Sandra and Donna stare at the empty diary and wonder how on earth to revitalise their tired double act...

Grace Notes

Becky Williams delivers an emotionally charged monologue about murderess Grace Miller somewhat reluctantly seeking a second chance at series of rehab sessions entitled Notes. She mocks the facilitator – the “Otter” as she calls her and the painfully awkward motivational language that cling to these schemes...

Hello Georgie, Goodbye Best

Manchester United fans old enough to remember 1971 may recall the strange weekend George Best went missing. Three quarters of the Metropolitan Police were ordered to stand guard at Sinead Cusack’s flat in Islington as word spread like wildfire that Best was hiding there, overcome with the pressures of fame and skiving a match against Chelsea...

Dangerous Giant Animals

Dangerous Giant Animals is a one-person show about growing up with a disabled sibling, based on writer/performer Christina Murdock's real life experiences. As she says at the end of the show, this kind of 'everyday tragedy' is rare to see portrayed on the stage or screen...

Man Down

Review
★★★
Richard Beck
Edinburgh Fringe
Venue 13
18th Aug, 2018

Man Down emerges from three years of research and hours of interviews and discussions with people in Baltimore, USA. It is steeped in the politics of today and the #BlackLivesMatter movement...

Jericho

Jericho is a show about internet journalism, liberal hot takes, and professional wrestling, which is to say that it's managed to be about a lot of my niche interests. It uses the concept of Kayfabe – the division between reality and fiction in the Pro-Wrestling Universe – to tackle ideas of modern media serving as entertainment more than fact, and also as a way for the performers to exist both within and without the story...

Everything Not Saved

Review
★★★
Liam Rees
Edinburgh Fringe
Summerhall
18th Aug, 2018

What can you remember from five years ago? Or five days ago? Five minutes ago, even? What can you be absolutely sure, beyond all doubt that you remember? MALAPROP Theatre’s new show Everything Not Saved takes the scientific theory that on a neurological level memory and imagination are exactly the same, open to endless manipulation with sometimes amusing, sometimes chilling results...

Cepacia – Love Takes His Breath Away

The story of Romeo and Juliet receives medical treatment in Cepacia from Durham School and Shadow Dreams. A boarding school and a foster home constitute the houses of Montague and Capulet, though in this case they are hardly ‘alike in dignity...

Alfred Hitchcock's Writers' Room

You do not often look around an audience during a show and see barely any unsmiling faces; scarcer still, there is unanimous overheard praise afterwards.And yet, Alfred Hitchcock’s Writers’ Room is a funny little play from the Reading University Drama Society that achieves both of those things...

Schalk Bezuidenhout: Leopard Print

Schalk Bezuidenhout steps out dressed like an East London hipster, all bright, quirky knits, socks printed with bananas and a distinguishable moustache and hairstyle. His look would imply that maybe we’re in for 40 minutes of millennial-observation, quips about being hipster but it couldn’t be further from this...

Grace

Nigel (Jonny Davidson) and his wife Sarah (Ella Dorman-Gajic) are sitting down to a dinner of soup and parsnip wine when they are interrupted by a knock on the door. The couple are initially hesitant about answering in the midst of a storm, with Nigel worried that the stranger may be a robber or a "loony"...

Falling With Style

Technical issues hampered the comic on more than one occasion, and one occasion too long to forget. But to give Jones his due, he was confined to a cramped room that made the Chokey from Matilda look comfortable...

Clay Nikiforuk: Fun to Be Around

Review
★★★
Annabel Pribelszki
Edinburgh Fringe
Just the Tonic at The Grassmarket Centre
17th Aug, 2018

Fun to be Around is an authentic, no-holds-barred narrative about triumphing over psychosis. This well-written, thought-provoking show is an honest account, as Clay shares her personal experience of ‘coming back from the edge’...

Artcoholic

As you enter the cavernous, tunnel-like venue, the scene is set with cool music playing, whilst the stage is strewn with various artistic accoutrements: an easel, paints, brushes and Warhol images...

Queer Words

Three performers on stage present an intriguing blend of poetry and dance. The piece is split up into clear scenes, addressing different issue with relationships and gender through a queer lens...

The Jungle Book

Anyone unfamiliar with Rudyard Kipling’s The Jungle Book could have been conceivably raised by the same wolves that adopt man-cub Mowgli at the heart of this century-old collection of stories that have woven themselves into the consciousness of children around the world...

Ailsa Benson Is Missing

The synopsis of this intriguing one-woman drama can more or less be summed up by its title: Ailsa Benson Is Missing. Schoolgirl Nina, played by Samara MacLaren, is fascinated as the police arrive at school and she appears on local news...

Skin a Cat

Rive Productions are shining the light on a condition more common than many realise: vaginismus. In this performance written by Isley Lynn and directed by Blythe Stewart, teenager Alana has a feeling she might be different...

Dan Simpson: Worried Face Emoji

It's what Dan Simpson would want. The complexity and nuance of a finely wrought review, reduced to a few simple emojis. I'm going for: 'thumbs up' + 'slightly smiling face'...

A Fortunate Man

Review
★★★
Tom King
Edinburgh Fringe
Summerhall
15th Aug, 2018

There are books which are called seminal largely because so many people have read them. The Complete Works of Shakespeare. Pride and Prejudice. Harry Potter and the Philosopher’s Stone (hush you - we're in Edinburgh - show some respect…)Far more intriguing, however, are those texts which are largely unknown outside of a specific community but, for those communities, are touchstones for their profession...

Eat Your Heart Out

Anorexia takes centre stage in this emotional piece devised by eating disorder sufferers and survivors. Bel is a typical teenage girl studying in the lower sixth. She excels at school and loves to gossip with her close group of gal pals...

Alice Fraser: Ethos

What does it mean to be human? Can a machine learn to be human? Or failing that can it at least learn how to be funny? That’s Alice Fraser’s main objective and constitutes the basic framework for her new show and though Fraser herself admits it’s a tad gimmicky, her monotone AI companion (called Ethos) proves to be the ideal straight man in this unconventional comedy duo, or rather the ideal straight robot...

HMS Pinafore

The University of St Andrews Gilbert and Sullivan Society makes their regular contribution to the Festival Fringe, this year with HMS Pinafore. Performing at their regular studio location of Paradise in Augustine’s, the infamous centre-stage support pole serves adequately as a ship’s mast and with the wheel behind it and the sailors around it everything is set to ‘sail the ocean blue’...

The Bacchae

You may think you’ve seen The Bacchae – but have you seen Dionysius wreaking havoc upon his namesake play in an attempt to modernise it? This is the premise of Mermaids: The University of St Andrews Performing Arts Fund’s performance of this iconic Euripides play...

89 Nights: An Original Musical

The magic of New York is effectively captured in 89 Nights, a new musical from Troubadour Stageworks. Alice, a Brit on her gap year, arrives with excitement in New York. She is ready to explore the city of her dreams...

The Gin Chronicles in New York

The Gin Chronicles in New York is the latest saga in this well-established series that by now has something of a following. On this occasion detective duo John Jobling and Doris Golightly visit the Big Apple on holiday but are soon drawn away from sightseeing and find themselves investigating a mysterious case involving the manufacture of fake gin in Hell’s Kitchen...

InValid Voices

Review
★★★
Richard Beck
Edinburgh Fringe
Army @ The Fringe in Association with Summerhall
13th Aug, 2018

When the soldier goes to war what of those left behind? This is the question posed by InValid Voices, a new theatre piece based on interviews with women serving as and married to Commonwealth soldiers in the British Army...

Achilles

Review
★★★
Katie Rose
Edinburgh Fringe
Summerhall
13th Aug, 2018

With roots in Grotowski’s theatrical style and the laboratory theatre of 1970s Poland, Company of Wolves are known for their striking, collaborative work that fuses dance, physical and experimental theatre...

Really Want to Hurt Me

Self identity, depression, sexual awakenings and The Smiths are all topics central to writer/director Ben SantaMaria’s incredibly touching and heartfelt play about growing up gay in the 1980’s...

Orpheus

Review
★★★
M Johnson
Edinburgh Fringe
Summerhall
13th Aug, 2018

Alexander Wright, our poet for the evening, tells us that this piece was written in The Meadows – the park not very far from Summerhall where they are performing now. Both the barefoot boys, Wright, with his long hair and hat, and Phil Granger with his patchwork harem pants and acoustic guitar, look like they could have been freshly plucked from the locals regularly seen strewn across the grass...

Arthur Smith: Syd

Arthur Smith presents this heartwarming tribute to his dead father, Syd. Rather than narrate from his own perspective, Smith takes on the persona of his father, reading from the memoirs he’d written prior to his death...

The Lost Things

Visual theatre company Tortoise in a Nutshell aim to inspire the imagination of their audiences with their creations. In this respect, The Lost Things does not disappoint. Winning awards across the globe for its 2015 debut, the revival of this tale about a lost boy and his adventures appears to be just as enchanting as the original...

Sob Story

Six friends. Five can sing. One most definitely cannot. Set in a barn, the women struggle to agree on their winning strategy to wow the judges at Yorkshire’s Got Talent, and win stardom along with a Matalan gift voucher...

Flight

Review
★★★
M Johnson
Edinburgh Fringe
Summerhall
12th Aug, 2018

Darkfield – creators of last years Séance – have brought their shipping container back to Summerhall for their latest aeronautically themed immersive audio performance, Flight...

Warhol: Bullet Karma

Warhol: Bullet Karma invites you to meet everyone’s favourite eccentric pop artist. We bear witness to Andy Warhol as he tells of his Pennsylvania roots, his move to New York and the establishment of the famous ‘Factory’...

The Cat's Mother

One of the most valuable functions of theatre is to offer us a way to explore difficult issues without fear of blame without fear of censure. By creating a fictitious character and charting their path through a tricky situation, we offer a way to gather reactions and opinions without making it personal...

Nigel Slater’s Toast

One of the hardest calls for a reviewer to make is where to draw the line between production and play. Can a problematic text be completely redeemed if the production is good or, for new pieces where the audience may not know what to expect, do we have a duty to comment on the work, script and all, so everyone goes in with their eyes open?It’s a quandary I find myself in after stepping out of Nigel Slater’s Toast at the Traverse theatre...

Mairi Campbell: Auld Lang Syne

If you’re wandering around Edinburgh this August looking for a glimpse into year-round Scottish culture, it might be worth popping into the Scottish Storytelling Centre on the Royal Mile for Mairi Campbell’s second solo show, Auld Lang Syne...

Juliet Meyers: Year of the Dog

Juliet Myers and Homer, the rescue podenco, deliver their second Fringe comedy run in which we are regaled with tales of life with an anxious dog. Homer is now possibly the most famous dog of the Fringe, and can regularly be spotted about festival haunts expertly posing for photographs...

Broken Romantics: A Unicorn's Quest for Love

This is one woman’s tale of the many heartbreaks in her life and the lessons she learned from each that allowed her to be able to love herself instead of seeking it in others. It’s a well-worn subject for cabaret and will very likely continue to be so as long as the human race has to deal with all those messy emotions...

Cock, Cock... Who's There?

Review
★★★
Liam Rees
Edinburgh Fringe
Summerhall
12th Aug, 2018

Cock, cock… Who’s there? is a multimedia, autobiographical documentary-cum-social experiment all about writer-performer Samira Elagoz’s relationship with men after being raped...

Beaker's Place

Beaker’s only friend in the world, his cat, is dead. With nothing left to live for, Beaker decides to end it all, but not before work comes calling. And he doesn’t have just any old job, he disposes of dead bodies for those who drop them at his door...

Silence

Bandolier-clad gladiators on stilts rampage through the performance space, brandishing burning wheels and wreaking havoc on the lives of terrified refugees. All of this is to the discordant tones of a heavy and loud industrial soundtrack...

Rose Matafeo: Horndog

As the audience file in Rose Matafeo is playing table tennis with members of the front row, in a gimmick that does not factor into the later story at any point. This transparent effort to endear herself to the audience as literally approachable is one that pays off, breaking down the initial barrier between comedian and crowd and allowing Matafeo to thrive off the energy of the vocal audience...

Extremism

Set in a class of sixteen year olds, Extremism explores the impact of counter-terrorism legislation PREVENT and growing Islamophobia in the UK. Upon entering the venue, a stern teacher calls for a straight line and good behaviour while handing out a quiz on PREVENT, immediately setting the scene...

Tessa Waters: Fully Sik

Tessa Waters is an experienced Fringe act, falling into a large group of fantastically-exuberant physical comedians who enliven any number of venues from large to small over the month with a mixture of clowning, audience banter and swift one-liners...

menoPAUSE

Harriet Beveridge’s show menoPAUSE could be considered uncomfortable by many. She opens with the reaction received by mums at the school gate on revealing the theme. However, Beveridge creates a space where the subject of periods (or lack of) does not feel awkward...

Hot Brown Honey

Hot Brown Honey is a high-energy, ‘fuck the patriarchy’ exploration of everyday racism and sexism which promises to ‘tease and interrogate all your views’. In this aim, it does not disappoint - with a slick-as soundtrack, high energy performances and unashamed queer feminist delight...

Arr We There Yet?

When a show opens with the introduction of Captain Skidmark sailing the seven seas upon the good ship, Red Rubber Duckie, you know exactly the level of humour to expect for the next hour...

Toujours et Près de Moi

Toujours et Près de Moi is a holographic puppet opera by multi-disciplinary arts company, Erratica. At the heart of the piece stands the 150-year old technique of Pepper’s ghost – a process whereby images are projected onto the downstage floor and reflected by a large two-way mirror, carefully angled between the actors and the audience, on which the ethereal visions exist...

Adam Larter: Boogie Knights

Adam Larter plays Sir Dance-a-lot, one of the Boogie Knights who has been exiled from a land where disco lovers are persecuted, and where rock ‘n roll and the evil King Gary now rule...

Shackleton's Stowaway

Making their debut at the Festival Fringe, Stolen Elephant Theatre bring to life one of the great voyages of the Heroic Age of Antarctic exploration in Shackleton’s Stowaway. In 1914, young welshman Perce Blackborow stowed away on Shackleton’s ship, Endurance, despite having been rejected as a crew member...

Wrecked

There are a lot of innovative and unique venues at this year’s Festival, but Wrecked might be just one of the most original and weirdest, as this entire performance takes place in a battered up car...

Romeo and/or Juliet

Ryan North’s hilarious choose-your-own-adventure-style version of Hamlet, To Be Or Not To Be, first published in 2013, proved so successful that in 2016 Romeo and/or Juliet followed...

Pickle Jar

Pickle Jar takes us on the journey of an egocentrically flawed central character as she struggles to find her place in the world. Plagued by a lack of confidence, she is just about surviving as an English teacher in this one-woman play written and performed by Maddie Rice...

NEON

Patrick Swain’s new play is a strange one in terms of genre. It seems to open as a skilful psychological thriller with a touch of horror, before entering sitcom territory with nutty flatmates and arguments over Capri-Suns, then hurtling into sci-fi, fantasy and social commentaries, and finally landing on a rather saccharine note...

Lauren Pattison: Peachy

Pattison explodes onto the stage in sparkly hot pants, boots and a crop top. It's a high energy introduction during which she barely draws breath, setting the scene for the next hour...

Jamali Maddix: Vape Lord

Jamali Maddix strides on the stage and immediately takes some shots at the easier targets in the front of the audience. It marks an entertaining kick off to a show, which starts and finishes strongly but sinks with an uneven middle section...

WRoNGHEADED

WRoNGHEADED is a collaborative dance, poetry and film piece produced by Liz Roche Company about the devastating effects of a repressive society in Ireland, particularly on women. Although this show was devised before the recent repeal of the 8th amendment to the constitution concerning abortion, many issues remain and WRoNGHEADED is still hugely relevant...

Nine Foot Nine

Nine Foot Nine is a clever piece of dystopian theatre highlighting gender imbalance, produced by the Sleepless Theatre Company. It features the characters of Cara, Nate and their daughter Sophie, whom we visit in a chronology which transcends time and space, allowing us to dip in and out of their lives in no particular order...

Circolombia

Circolumbia returns to the Underbelly Circus Hub, bringing its high-octane cast of singing, dancing circus artists with it. The performers, graduates of the Circo Para Todos school for Colombia’s disadvantaged youth, have an electric stage presence and a wide set of skills demonstrated in this exciting hour of classic circus acts...

After Hours Cabaret Club

Entering the Underbelly Fresian, we were enticed by the melodious notes of a live band playing. These talented musicians manipulated the crowds and warmed us up as hostess Tash York enthused at us to take our seats, as she performed a phenomenal jazzed up tribute to Welcome to the Jungle...

This Is the Title

A dazzling white floor space sets off Nigerian/Finnish Ima Iduozee’s black skin and his grey and black outfit perfectly in This Is The Title, a production in association with From Start to Finnish...

The Spinners

The Spinners is a collaboration between Lina Limosani of Limosani Projekts as choreographer and Al Seed as director. Readers may remember Al Seed’s tremendous physical theatre show Oog from the 2015 Edinburgh Festival Fringe...

Paper Dolls

Paper Dolls is advertised as a one-man show, but the person standing in front of us for the next hour isn't the show’s performer, writer, director and producer Shaun Nolan; rather it's Billy, a young man who apparently decided to become a politician and sprouted his first pubic hair on the same day...

Mark Thompson's Spectacular Science Show

Mark Thompson is quite clear about what his (modestly) titled Spectacular Show isn't: "It's not a science lecture," he insists. "It's all about having a bit of fun with science...

The Turn of the Screw

In Underbelly’s Big Belly, the slow dripping from a leak in the roof onto the stage has never been a more apt presence in a production. The biggest strength this production has is its slow dripping of tension, successfully capturing the mood of the original 1898 classic gothic horror...

Loud Poets: The Fantastical Game Show Spectacular

For anyone who isn't already familiar with Loud Poets, you really should be. This group are truly on the forefront of a shift in the way we digest poetry today. A change from their 2017 show, this year's Loud Poets: The Fantastical Game Show Spectacular is deliberately deceiving...

Elise

Elise Cowen. The poet who disappeared from history, leaving little more than an envelope of burnt verses as her legacy. In these dramatised interviews which were recorded after her suicide, various figures from Elise’s life struggle to put the writer into words...

Assassins

Assassins is a show of rich thematic complexity, difficult harmonies and challenging characterisation. Performers are asked to get inside the minds of would-be presidential murderers and audiences need to be convinced that they are allowed to enjoy these criminals portrayed as all-singing and all-dancing...

Hymns for Robots

As you arrive in the space, the audience is serenaded by a cacophony of sounds which are not precisely music (this is a theme that will become repeated throughout the hour), and once the show begins, the sounds simply stop, as a lone, somewhat bookish-looking individual arrives, and quite literally sets the tone...

Brenda's Got a Baby

Brenda’s Got a Baby was birthed from a concept created by Molly Rumford, financed via Crowdfunder and the culmination of interviews and news stories from real people. The audience joins Amy and Brenda in the intimate setting of their living room, as a voiceover narrates the attitudes and experiences of working class girls reflecting on their life destinations...

Brain Rinse

Entering the room for Brain Rinse, the audience are engulfed by eerie music and the lurking of an arabianesque ninja creeping about the studio. There is a pantomime element to the performance by Mike Raffone (say it quickly) and as the music stops, we are promised ‘a transcendental experience’...

Providence

"Life is a hideous thing," we're told by the lean figure of Simon Maeder, dressed for dinner and sitting in a leather armchair like some classic teller of ghost stories...

Starfish

I’ve never seen a play in a 20-seat theatre before but, with the gentle storytelling of Starfish, a small venue seems right. Newly written by Luna Rose and performed by a bright-eyed cast of three, it’s the story of a romance and the bumps along the way...

Massaoke Mixtape

Listing
Edinburgh Fringe
Assembly George Square Gardens
2nd - 26th Aug 2018

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