Acne Romeo opens in a noisy bar, where we are introduced to two characters: R (played by Callan Ridgwell) and J (played by Luc De Freitas).
There’s a moment early in Little Drops of Rain – a Taiwanese import from Bon Appétit Theatre – when you realise you’re in for something delightfully different.
After last year’s wonderfully chaotic Getting Over Hugh, I made a point of catching Acting Out’s return to the Prague Fringe with Stealing Stories.
Some performances—especially those featuring circus and juggling—can only truly work in a large space.
If you put on a show about a man with a huge following, his devotees are almost guaranteed to turn up in droves to honour their hero - which probably explains why Marc Burrows play…
I’ve often wondered why both the rural and urban landscape is not littered with dead birds.
Shame around love and sexuality remains a stultifying and challenging part of self-acceptance, especially for gay men.
A tragic romance story about dementia set to the backing track of Frank Sinatra’s Fly Me to the Moon, In Other Words is a veritable tearjerker.
Isaac Freeman’s Medium offers an intriguing glimpse into the fascination with Victorian spiritualism.
"Are you having a stroke?" Not exactly what inventor Jim (Paul Richards), pitching an idea to his long-term girlfriend Alison (Ruby Florence), wants to hear.
“Call me Ishmael” is one of the most recognisable opening lines in literature, and the story of Moby Dick isn’t a mystery to many people.
A teacher lingers between life and death and wonders what it was all for, while the Angel of Death decides his fate in a liminal waiting room, longing to realise her dream of becom…
Anxiety.
An actress alone on chaise reminiscing about her life suddenly becomes much more interesting at a pivotal point in the show where the penny drops as to what is going on.
Nicholas Collett tells a moving true story of his father, who served in the Royal Navy during the second world war, almost as an oral history encounter in this one-person show.
If recent productions are anything to go by, the RSC of 2025 season will be characterised as the summer of great spectacle.
Some 12 years ago, Stephen Rea contemplated the possibility of performing Krapp’s Last Tape.
Ari Freed (Ilan Galkoff) strolls down the side aisle of the Marylebone Theatre and casually addresses us as though we were friends.
Living with the Dead, a new play by Cosette Bolt, at Augustine Church Theatre, is Not So Nice Theatre's latest production.
It’s a special year for Perth Theatre as the grand old lady of Scottish theatre celebrates her 125th anniversary.
Conor McPherson’s latest play, which he also directs, might benefit from a more intimate setting than the Old Vic, but The Brightening Air retains an element of claustrophobia as…
One of Shakespeare’s most problematic characters, Shylock the Jewish moneylender has undergone polarised interpretations since The Merchant of Venice was first performed.
This is not Hitchcock’s Psycho.
Andy Arnold brings his production of Arthur Miller's modern classic Death of a Salesman to Scottish theatres, impressively with an all-Scottish cast.
Nick Payne’s One Day When We Were Young is a neatly crafted trio of vignettes, each of which provides an insight into how the lives of Violet (Cassie Bradley) and Leonard (Barney…
Edinburgh University Theatre Company’s rendition of Road is an ambitious undertaking, that bravely attempts to capture all the gritty, raunchy realism of Jim Cartwright’s 1980s…
This is, without a shadow of a doubt, a handsome production.
If you are looking for an antidote to the virus of Disney musicals, this show could have been designed in a laboratory for that specific task.
Alexis Sakellaris has a P.
This year marks a decade of Bard In The Botanics pantos at the Byre as the Glasgow-based company journeys east again with its special brand of festive fun.
This charming re-telling of Robert Louis Stevenson’s classic tale, set in Leith and Orkney, by Duncan McLean, directed by Wils Wilson, is a festive, yo ho ho version full of prat…
Any prudishness will need to be left at the door as Sleeping with Beauty certainly delivers on its promise of a vulgarity-filled night that delivers every pantomime trope, starting…
Written by Eleanor Tindall (Before I Was A Bear, Soho Theatre) and directed by Emily Aboud (Lady Dealer, Bush Theatre), Tender is a turbulent sapphic meet-cute searching for stabil…
The strength of this refreshingly original and subtly chilling production is the evocation of an almost overwhelming sense of the uncanny.
‘I learned how to vomit silently…’ When these words are uttered midway through Lia Locatelli’s performance, it’s clear that this show isn’t going to pull its punches.
Schalk Bezuidenhout’s Keeping Up is a showcase of how far comedy and performance can be pushed to make people laugh.
Alan Gottlieb (Chris Brannick) has spent forty years on the back row of the second violins, but changes are afoot that threaten everything that gives meaning to his life.
The Cubic Theatre inside the London Transport Museum, Covent Garden, provides the most fitting venue for Natural Theatre Company’s The Truth About Harry Beck, which commemorates …
Greenwich Comedy Festival, London, has all the trappings expected of a festival and features 45 comedians across five days in the gardens of the National Maritime Museum.
The Dundee Fringe provides the perfect context for Maybe This Time, a story of love, frustration and delusion rooted in the city.
There is an enduring theatrical interest in witch trials.
A curate’s egg, flashes of brilliance but with a first third of tedious mire, Kidd Pivot company’s Assembly Hall, about an amateur medieval re-enactment society, will divide au…
Straddle, subtitled A fantasia on gay rage, follows the story of the unnamed Him, played by the energetic and engaging Peter Todd.
When Vincent Met John is a historical encounter few could have anticipated.
The Archdiocese of Glasgow Arts Project (AGAP) was founded in 2006 to engage people of all backgrounds through faith-inspired arts events and activities often through dramatic prod…
Oxbridge and its debating unions are known to be places of political intrigue, where the future politicians of the day test their mettle and learn the skills they will be using whe…
In this new work from Fringe favourite, Rebecca Vines, the talented young cast explores the vivid imaginary worlds of Glass Town.
A woman sits centre stage, wrapped in thick wools that appear to be knitted and crocheted from a myriad of red yarn.
"It takes two to tango" is a saying many of us have heard but perhaps have never fully experienced.
This production makes me feel like Disgusted of Tunbridge Wells.
I’ve always hated sculling, and synchro.
Heart, a one man show written and performed by Reece Lewis, is the story of Tyler, an upbeat 24 year old gay black man navigating the challenges of the London queer scene and tryin…
Vibrance is a passionate display of art and dance from an up-and-coming generation of artists, dancers, and choreographers.
Poppy and Freddie wake up in the 'honeymoon suite' of a bed and breakfast in Slough.
History can do strange things to a person’s reputation, and Sarah ‘Sallie’ Lockwood Winchester (née Pardee,1839-1922) has probably not fared too well in those stakes.
As a smiling Nina Rose Carlin appears on stage with a suitcase, she asks for a one-way ticket to Tinseltown.
Set in modern-day America, this Broadway style musical does not hold back on ambition.
“What does it mean to be a prince?” This question is at the heart of To Be A Prince, the latest production by Grownup Playhouse, featured at Paradise in The Vault @ The Annexxe…
Make the Bed is an exploration of anxiety and paranoia based on writer and performer Ariela Nazar-Rosen’s own experience—in particular, a bed bug scare that pushed her to break…
Impressive dancers and choreography by Mathieu Geffré in Rendezvous Dance’s What Songs May Do should have had everything going for it.
When that I was but a little tiny dot, I would sit with my grandfather and solemnly play both the Owl and the Pussycat whilst he transformed into a pig, a turkey and a runcible spo…
James Barry was born Margaret Anne Bulkley, but she fooled the world in order to become a doctor in the British army, which in the very early nineteenth century was an unthinkable …
In my home, the first thing you encounter is two tall Billy bookcases from IKEA.
Writer/performer Elena Mazzon presents an unusual piece of theatre in The Popess: Instructions for Freedom, directed by Colin Watkeys at The Carbon Lounge as part of PBH’s Free F…
The two acrobats in this show must be from the future – ordinary humans cannot be so strong, hawk-eyed, and flexible, with senses of spatial orientation, balance and bravery so o…
This is a Rock Opera mixed with a nineteenth century play about the lengths people will go to for lust.
Spring Awakening is a musical like no other.
Cirquework is a relatively new name in contemporary circus and, in their debut show at the Fringe, have brought a slice of Japanese inspired mythology combined with some spectacula…
Magician Sean Alexander is fascinated by moments in time.
A year after the death of their mother, with her fiancée Mark (Jack Huckin) in tow, Saskia (Eleanor Griffiths) and Sarah (Florence Lace-Evans) reunite for a party to commemorate t…
Imaginative and atmospheric with striking visual images, there is much to recommend in Jajack Movement’s Sleeper, choreographed by Kim Yumi.
Musical theatre appears to thrive on some of the most unexpected subject matters – the lives of poetic cats, the founding fathers of America, The Jerry Springer Show – so a new…
Psyche is the first English translation of a one-woman show from Sandor Weores' collections of letters, poems and various documents that chronicle the life of a fictional 19th-…
Jaz Mattu goes back home to live with his dad in Kent to focus on his comedy career.
Squires is a very funny play, perfect for its 11:45 morning slot.
I’m a fan of classic drag.
When it comes to Night Owl Shows, one is never disappointed with the array and gravitas displayed by the musical tributary company, who have gone the extra mile this year to featur…
From the signature guitar riff that accompanies the opening of Dr.
As the daughter of one of the most influential political and philosophical figures ever to have lived, Eleanor Marx was cursed to travel through life and death shackled by her fath…
There’s less Quasimodo and more Quasi-oh-no in Daisy Hall’s somewhat uneven belltower-based exploration of climate catastrophe in England’s green and pleasant back garden.
A nation, according to the political theorist and historian Benedict Arnold, is an imagined community.
Na Dihnang Circus presents Of The Land on Which We Meet.
There’s an irony in James Rowland Dies at the End of the Show being performed in what was once an anatomy lecture theatre.
Tom Lawrinson has a manic energy that can barely be contained by an Underbelly stage.
Lyndon Chapman’s debut play directed by Will Armstrong, Is The Wifi Good in Hell? is an evocative coming of age play where identity and environmental displacement collide.
What’s the weirdest thing you’ve ever brought up on a date? For Bobby Sheehan, it seems, it’s a fascination with the sex lives of the American Presidents.
It’s not often you get to be in the audience for a pilot TV show, let alone a live chat show witha warm-up act, special guests, commercial breaks and several references to pastco…
Hello and welcome to Cynthia’s fabulous party! Meet our generous host as she greets each and every audience member with a chocolaty hors d'oeuvre.
Battle Counters by John Chisham and Christian Loveless is a humorous adventure about friendship, family and being the best counter, poking fun at a very specific genre of kids tele…
There’s a great deal to admire in Apricity, the blend of contemporary circus and dance from Australian outfit Casus Creations.
Before I even enter the venue, there’s a man with a huge pink microphone advertising Raul Kohli’s show, the noise blasting up and down Blair Street.
Dom Chambers bursts on stage, pumped up for a night that promises magic.
Ask a Stripper challenges you to rethink everything you know about stripping and sex work.
These Barbies are fun! As you walk in, you'll notice a podium featuring the bottom half of a mannequin.
Threepenny Collective’s Corpse Flower at C Venues Aquila is a weird piece, though not in a negative sense, but in its amalgamation of multiple elements and curious happenings tha…
If your idea of entertainment is brutal violence, the rattle of hi-falutin’ Jacobean verse, pervy sex and lots and lots of blood, then this is the show for you.
When Thomas first tumbles into the stage you'd be forgiven for thinking he's your perpetually late friend who always manages to make up for his tardiness with a series of e…
Darkfield are back at the Fringe with Arcade, their latest shipping container based adventure in the dark.
An overture of The Jam’s A Town Called Malice rings in the opening of Rory Aaron’s one-man play as we begin in the dingey local, soon to be an upscale café, as old compatriots…