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Showtime!

Em Hoggett brings her twist on the one-woman cabaret show to C Venue. She’s certainly got a story to tell and from the very beginning, she, or should I say The Master, has us hooked.

Em Hoggett is one of the freshest faces on the cabaret scene

It’s a testament to Hoggett’s talent as a performer that she’s able to keep up an insane level of energy for this wild ride of a show. It’s not just her acting chops that are put through the ringer. Her musical talent shines through. Classically trained on piano, Hoggett keeps a keyboard in the corner, seemingly becoming a comfort to her during this dark narrative. The keyboard appearances are always a highlight (I’ve never seen someone play the piano behind their back before, quite a mean feat.)

Hoggett’s story is a personal and intense one. The final ten or so minutes are particularly harrowing, evidence of Hoggett’s ability to keep an audience hooked. It’s very powerful. I’m not here to critique her own story – that’s not for me to do. The hour itself is a great start for Hoggett, who has much greater plans for the show going forward. On the whole, Showtime! does suffer from some structuring issues, however, the show demonstrates why Em Hoggett is one of the freshest faces on the cabaret scene.

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Reviews by James Macfarlane

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Since you’re here…

… we have a small favour to ask. We don't want your money to support a hack's bar bill at Abattoir, but if you have a pound or two spare, we really encourage you to support a good cause. If this review has either helped you discover a gem or avoid a turkey, consider doing some good that will really make a difference.

You can donate to the charity of your choice, but if you're looking for inspiration, there are three charities we really like.

Mama Biashara
Kate Copstick’s charity, Mama Biashara, works with the poorest and most marginalised people in Kenya. They give grants to set up small, sustainable businesses that bring financial independence and security. That five quid you spend on a large glass of House White? They can save someone’s life with that. And the money for a pair of Air Jordans? Will take four women and their fifteen children away from a man who is raping them and into a new life with a moneymaking business for Mum and happiness for the kids.
Donate to Mama Biashara now

Theatre MAD
The Make A Difference Trust fights HIV & AIDS one stage at a time. Their UK and International grant-making strategy is based on five criteria that raise awareness, educate, and provide care and support for the most vulnerable in society. A host of fundraising events, including Bucket Collections, Late Night Cabarets, West End Eurovision, West End Bares and A West End Christmas continue to raise funds for projects both in the UK and Sub-Saharan Africa.
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Acting For Others
Acting for Others provides financial and emotional support to all theatre workers in times of need through the 14 member charities. During the COVID-19 crisis Acting for Others have raised over £1.7m to support theatre workers affected by the pandemic.
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Performances

Location

The Blurb

If Tim Burton met Stephen Sondheim in the KitKat Club… and they were a woman… This twisted one-woman musical is an electric exploration of the life of the artist. As Amelia's prime source of inspiration, her charismatic alter-ego, The Master, gradually becomes her sadistic captor, we travel through the depths of workaholism and the lengths one will go in pursuit of "the dream". A frantic Dad, dodgy agent, oh… and that 65-year-old boyfriend, all come to life through The Master's larger-than-life 'Show Dahling!', while Amelia believes one thing is more important than entertaining an audience: the truth.
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