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HYPER

Does the way you see someone change how you see their story? Does the way you hear someone change whether you are even willing to hear the story at all? HYPER presents a confronting look at trans identity through the lens of hyper pop.

An authentic trans story being told with artistry and audacity

Saoirse and Connell, our two central characters, are returning to the live gigging scene after a hiatus during which Saoirse transitioned. Although it is set in a gay bar, not everything is plain sailing and not everyone is as accepting as you would hope. When LGBTQ spaces fail to be inclusive for one part of the community, are they really safe spaces at all?

HYPER was shortlisted for this year's Popcorn Writing Award and it's easy to see why. Ois O’Donoghue is the writer of the piece and fills it to the brim with provocative dialogue and rich character relationships. O’Donoghue is also the director of the piece and fills it to the brim with powerful visual metaphors within physical movement sections and audience interaction intended to unsettle and raise questions. O’Donoghue is also an actor in this piece and fills her role with guttural emotion, giving a sophisticated and disarming performance - what I’m trying to say here is that Ois O'Donoghue really is that girl. She appears as one version of Saorise trapped behind a curtain for the majority of the performances, sometimes breathing, sometimes narrating and sometimes sharing the dialogue with the other Saoirse who is on stage - in front of the curtain. Much of her curtained dialogue is performed using a vocoder, an ever present vocal modulation within the world of hyper pop. Either side of her are two DJs, together the three of them provide an electrifying backing track to the production which builds the excitement and tension throughout, making the club the play is set in feel completely immersive.

Within the context of the often dizzyingly high levels of moral panic and transphobia whipped up by sections of the media and wider population, it is wonderful to see an authentic trans story being told with artistry and audacity. This is important, urgent theatre that deserves your attention.

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Reviews by Gillian Bain

Gilded Balloon Patter House

PALS

★★★
Summerhall

HYPER

★★★★
Summerhall

In Defiance Of Gravity

★★★★
Pleasance Dome

Frankenstein (On a Budget)

★★
Assembly George Square

Chokeslam

★★★

Since you’re here…

… we have a small favour to ask. We don't want your money to support a hack's bar bill at Abattoir, but if you have a pound or two spare, we really encourage you to support a good cause. If this review has either helped you discover a gem or avoid a turkey, consider doing some good that will really make a difference.

You can donate to the charity of your choice, but if you're looking for inspiration, there are three charities we really like.

Mama Biashara
Kate Copstick’s charity, Mama Biashara, works with the poorest and most marginalised people in Kenya. They give grants to set up small, sustainable businesses that bring financial independence and security. That five quid you spend on a large glass of House White? They can save someone’s life with that. And the money for a pair of Air Jordans? Will take four women and their fifteen children away from a man who is raping them and into a new life with a moneymaking business for Mum and happiness for the kids.
Donate to Mama Biashara now

Theatre MAD
The Make A Difference Trust fights HIV & AIDS one stage at a time. Their UK and International grant-making strategy is based on five criteria that raise awareness, educate, and provide care and support for the most vulnerable in society. A host of fundraising events, including Bucket Collections, Late Night Cabarets, West End Eurovision, West End Bares and A West End Christmas continue to raise funds for projects both in the UK and Sub-Saharan Africa.
Donate to Theatre MAD now

Acting For Others
Acting for Others provides financial and emotional support to all theatre workers in times of need through the 14 member charities. During the COVID-19 crisis Acting for Others have raised over £1.7m to support theatre workers affected by the pandemic.
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Performances

Location

The Blurb

For decades trans people have been using hyperpop to shatter standards of genre, gender and good taste. Right now, the only thing Saoirse wants to shatter is her own f*cking voice. Told through live vocal modulation and manipulation, this is a rip-roaring and unabashedly queer theatrical deep dive into trans identity and music. What it means to speak, sing and, for the audience (yes, you babe), to listen.
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