Being different is a complicated business.
A waiter pours a glass of wine for a restaurant customer.
Mary Stuart and Elizabeth I return as undead, washed-up drag queens when a powerful force opens the gates to the present.
Have you ever wondered what it is like behind the scenes for circus performers? Have you ever wondered what happens to them when they reach middle age? This engaging, funny and mov…
I’ve always hated sculling, and synchro.
The story of one of country music’s most iconic voices: June Carter Cash.
This incredible show is mind-bogglingly thought-provoking; it is also a lot of fun.
A high-risk, high-return dance show.
In 1974, Jimmy Connors was the greatest tennis player on Earth.
Fairy Sprinkles isn’t your average fairy.
‘This is just the start.
Mother is in prison.
We might swing by Satchmo’s, blow out of town on aeolian pipes, hammer blow, tapping toe, jam with the Lotos-Eaters.
Surrender yourself to a comedy-thriller experience inspired by the classic game of deception.
There’s an irony in James Rowland Dies at the End of the Show being performed in what was once an anatomy lecture theatre.
‘This company truly are the best at storytelling’ ***** (ThreeWeeks).
When tasked by her tech CEO fiancé to explain the four times she has cried in public since they started dating, overachieving journalist Anya Samuel can’t help but bring her A-gam…
Resistance, resilience, and the development of revolutionary consciousness lie at the heart of Apphia Campbell’s Through the Mud.
A routine day at a rundown bookmakers on an Edinburgh high street.
Join performance-maker and foodie Sean Wai Keung as he explores fortune cookies as well as his own mixed-race identity.
Julieta tells the story of a woman – full of experiences and quirkiness – and the multiple layers that old age brings.
A mother dies.
Does the way you see someone change how you see their story? Does the way you hear someone change whether you are even willing to hear the story at all? HYPER presents a confrontin…
Written and performed by award-winning comedian, actor and writer Anna Morris, Son of a Bitch is a brutally honest and darkly funny monologue about a woman who is caught on camera …
Take a step back in time to the lively 1920s at our hidden bar, nestled away from the hustle and bustle of Summerhall’s courtyard.
Sergio Blanco’s latest offering with Tangram Theatre Company, which he directs, is radically different from his other works.
The Disappeared – A wild, fun and sexy burlesque cabaret that tells the true story of a queer Latinx voice robbed of their freedom and forced into exile during a government coup …
A traveller arrives at a border with a stack of battered cases.
1984 is a compelling physical theatre adaptation of George Orwell’s classic, performed by Slavic actors.
BirdWorld attend their inaugural Fringe run on the eve of releasing Nurture on Dugnad Records (Norway).
Turn on the radio, have a cup of tea – and don’t forget to take your pills! Get ready for an action-packed journey through the imagination of a playful, solitary old man as he di…
For over 30 years Hegley has brought a show to the Fringe with a spattering of favourites, alongside new work, to present to festival-goers.
Jeanette Peh – a highly Westernised Singaporean junior college valedictorian – decides to abandon law school to follow her dreams of studying acting in London, where she will h…
‘Incredibly powerful.
‘Hilarious, moving, provocative.
Gamble is a glittering, glamorous peek into the spectacular world of online gambling.
Love at first sight is easy, letting it through the front door is a goddamn Odyssey.
Emotional, environmental, and existential crises collide in the whirlwind hour or so of the Brian Watkins-penned Weather Girl.
FAMEHUNGRY is a helter-skelter nose-dive into the TikTok universe, the attention economy, and what it means to be an artist now.
Nick Cassenbaum’s two-hander comedy heist, directed by Emma Jude Harris, romps through 2018 Jewish Essex.
There’s a band set up on stage, but this is no ordinary music show.
Fern doesn’t get invited to dinner parties anymore.
A comedy drama… or “dramedy” about Ade, a successful writer, or so it seems.
I wanted to be able to recommend this performance.
Presented initially as a lecture on the paranormal by self-confessed skeptic, Dr Ouida Burt PhD, Piskie is really about one person’s struggle with childhood trauma and the easily…
There lived a certain man in Russian long ago….
In the wake of a relationship, a woman attempts to contain the overflow of her thoughts.
Inside Chekhov’s masterpiece, Olga, Masha, and Irina are trapped in a cycle of disappointed hopes, heartbreak, and inertia.
Sometimes a dance production is so stunning it leaves your brain unable to engage with your tongue: this is such a show – Lost Connection is a fitting name in more ways than one.
How do we uncover our true colours in a world full of reasons to hide? A life-affirming, thought-provoking comedy about trying to blend in everywhere yet belonging nowhere, from en…
To say this is the funniest RomCom I've seen about Primary Sclerosing Cholangitis might be faint praise; to say this is one of the funniest shows I've seen about death is a…
Do you believe in true love? Meet Odette, a chain-smoking half-swan, half-ballerina stuck in limbo, looking for someone to give her an undying vow of love to free her.
A chicken’s brain is the size of a walnut.
The duo, Louise Mothersole and Rebecca Biscuit are having their turn to folk moment.
Two best mates.
Four performers mount four treadmills.
Join Australian musical comedian Darby James for his multi-award-winning cabaret about the process of sperm donation.
A queer clown goes to therapy to help them through their breakup.
Winner of eight Australian Fringe Festival awards.
It’s the Black Women Curse.
Sparked by a conversation with a childhood friend that unearthed a long-forgotten obsession with football, Bryony wondered why all the girls she knew stopped playing football in th…
As children they were evacuated from a war zone.
Darkfield are back at the Fringe with Arcade, their latest shipping container based adventure in the dark.
Welcome to Microsteria.
Edinburgh-based cult-indie songwriter Withered Hand (Dan Willson) is back with his first new album in nine years.
Based on the book by Édouard Louis, translated by Lorin Stein.
Spoken word and performance artist Subira Joy explores their experiences being targeted by the police as a Black, queer and trans person in the UK.
The current BBC Alba Folk Band of the Year, Breabach are securely ranked among Scotland’s most skilled and imaginative contemporary folk acts, uniting deep Highland and Island trad…
“Have you ever trauma dumped? TikTok says this show might do that but don’t worry we can just trauma bond.
On stage is a small sound booth; inside sits a woman, alone.
Glaswegian musician, producer, DJ and curator Rebecca Vasmant, leads a live ensemble featuring some of the movers and shakers of the new Scottish jazz scene.
Are you ready to groove your stuff to motown, a little Northern soul with a sprinkling of disco? Then hold on to your Detroit vinyl, as this band are right up your alley.
Francis Daulerio is a poet and teacher from Blue Bell, Pennsylvania.
Eigg-based independent label Lost Map celebrates its 10th year with full band performances from Pictish Trail, L T Leif.
Blending collected sounds of nature with harp, voice, piano and French horn, Aurora Engine presents a series of environmentally inspired electroacoustic compositions.
Mass Effect is an award-winning, high-intensity performance.
It’s hard to know how much to say about the content of Nomad, a physical theatre piece by Gözde Atalay, because disorientation was such a strong part of my experience.
Part theatre, part stand-up, part PowerPoint Presentation.
Relating the most horrible experience a woman can go through portrayed in the most beautiful form, Amina Khayyam Dance Company return to the Fringe with a stage version sequel to t…
Do Rhinos Feel Their Horns or Can They Not See Them Like How We Can't See Our Noses may be in the running for the Fringe’s wackiest title and the show itself is an equally pl…
You are on stage, giving a lecture about neuroscience.
Occasionally emotional, mostly ridiculous, How to Drink Wine Like a Wanker is a delightful story involving a fabulous flight of South Australian wines and 12 months of sobering sel…
SAY Award winner, Kathryn Joseph returns to Summerhall’s Dissection Room playing songs from her new album, For You Who Are the Wronged.
Revered jazz drummer Sarathy Korwar and global dance music pioneer Auntie Flo present their debut collaborative project – a bold sonic exploration of propulsive, tabla-infused rh…
WRIGHT&GRAINGER fling wide the doors and invite you to come rip up the dance floor in a euphoric party full of wall to wall bangers, special guests and freaking good times.
May contain flashing lights.
Celebrated indie favourites We Were Promised Jetpacks formed in Edinburgh back in 2003 whilst still at school.
Theatre Haddangse has returned with Wait!, a heartwarming children’s play about a girl (Bada) creating a vibrant adventure of her own while she yearns for her fisherman dad to retu…
Having led a bit of nomadic existence since the closure of The Electric Circus in 2017, the club famed for its spinning wheel of musical categories returns to Summerhall.
The London Astrobeat Orchestra have ignited a movement where cult western band repertoires are blended with African influences.
The duo of JD Twitch and JG Wilkes return to Summerhall’s Dissection Room with another one of their eclectic and euphoric sessions which has made them legends in the Glasgow and in…
12-year-old Ashmol lives in the Australian Outback with his mum, dad and his little sister Kellyanne.
Colin MacIntyre is a multi award-winning musician, producer, author for adults and children, and playwright, who has been voted Scotland’s Top Creative Talent.
A true story of deception, magic and torture.
Award-winning performance artist and comedian of Fringes gone by, Ben Target, welcomes us with coffee on arrival into the Anatomy Lecture Theatre at Summerhall, a delightfully old-…
Developed alongside climate scientists from UEA’s Tyndall Centre and The Barn Aberdeenshire, this is an intense, profoundly emotional and affecting climate chaos wake-up call.
DARKFIELD presents Arcade: an interactive narrative that uses the nostalgic 8-bit aesthetic of 1980s video games to explore the evolving relationship between players and avatars.
Soldiers of Tomorrow tells the story of Itai Erdal’s conflicted relationship with Israel, specifically his time as a soldier and the prospect of his nephew’s future as a soldie…
Insomniac’s Fable is a delicate love story with a Hitchcockian glint in its eye.
From the makers of KlangHaus, InHaus is another extraordinary leap in the journey of destroying the rule book of gig-going.
Weathervanes is an immersive-multimedia exhibit and ritual dance-theatre experience – a re-thinking of the beautiful and what is holy.
Blub Blub is a story about two fish chaotically cohabitating in an aquarium.
The not-so-distant future; an investigator comes across an old manuscript that illustrates a new way to tell stories.
This is how theatre should be.
After co-directing Edinburgh Fringe-favourite turned international sensation Six The Musical, Jamie Armatige's latest creative project is writing and directing a promising and …
Language is the springboard for fun and games in this interactive, family-friendly production.
Scotland has the highest rate of drug-related deaths in Europe.
Real-life events of a first-generation immigrant navigating the duality of two cultures, Habesha (Eritrean/Ethiopian) heritage and British identity.
In 2021, Hannah Maxwell moved back to the Home Counties to care for her recently bereaved grandmother.
You’re invited: twin orphans, The Creepy Boys, are throwing their 13th birthday party.
Hidden within our secret workshop and tucked away from the courtyard in Summerhall you will find The Speakeasy Experience.
Stuntman is a high-action piece of physical theatre mixed with reflective storytelling and real heart.
Chris and Christine are a seasoned seaside double act.
He’s dead, and it’s her job to prepare and present his body for his family’s final goodbye.
Imagine the moment of waking up is actually the moment when your dream begins.
Includes a guided tasting of three small batch spirits and a tour of our Still Room.
In A Spectacle Of Herself Laura Murphy slides the serious and the silly up against each other as she successfully weaves the philosophical, the personal and the political together …
The meteorite shook the ground as it landed, igniting a chorus of barking dogs.
Take a seat at BLINK’s table as the cast spill the tea on their food stories.
Have you ever felt like you didn’t have the words? Have you ever felt like you wanted to say the exact right thing, but couldn’t? Have you ever wanted to make someone stop crying a…
Fierce, feminist, and f*cking funny.
James has been touring his storytelling theatre shows for half his adult life.
Adam Scott-Rowley, creator of the award-winning ***** (Independent) THIS IS NOT CULTURALLY SIGNIFICANT presents, YOU ARE GOING TO DIE.
Helios is a solo show written and performed by Alexander Wright of Wright and Grainger.
Experience the beauty and complexity of human interaction with A Couple of Humans.
Gusla is based on the second part and excerpts of the fourth part of Adam Mickiewicz’s drama Dziady (Forefathers’ Eve).
Mixing documentary footage, storytelling, and live music, The Death & Life of All of Us is a funny and poignant exploration of family secrets, shame, and embracing our imperfection…
This show is a love letter to unique families, queer self-discovery and devoted fathers.
It is a triple-bill of three Hong Kong female choreographer-dancers: PK Wong, Alice Ma and Justyne Li.
The Blond (Emily Allan) and The Dark Haired One (Leah Hennessey) attempt to transcend the banality of identity and the terror of consciousness through cosplay, anglophilia, critica…
A musically driven experience from the creators of My Beautiful Black Dog and Parakeet.
HIGH STEAKS is a show about labia, labia-shaming, cosmetic surgery and fundamentally, body lovin’.
Journey into the underbelly of queer culture and experience a sweaty pulsing dance theatre show exploring the complexities of desire, intimacy, isolation and addiction.
Club Life is club promoter Fred Deakin's personal autobiography.
An Alternative Helpline for the End of the World is a 15-minute consultation delivered through a 1 on 1 phone call, in which the solo audience members’ responses through a yes or n…
Witness the highly anticipated international premiere of the multi award-winning Oat Milk and Honey.
The touching, engaging tale of a shattered body trying to gather itself in a time of war.
LUNG Theatre’s Woodhill is not an easy watch but a worthy one.
If you need to restore your faith in what Fringe theatre has to offer, look no further than Eva O’Connor’s Chicken, showing in the Former Women’s Locker room at Summerhall �…
Mozart, via blues, tango and rock’n’roll.
Baklâ: noun, Tagalog.
Sprouting out from a geyser of the primordial soups o' being comes Growler – The 82-year old drum banging, shamanic vulva.
Do you have what it takes to be a successful Latinx? Half stand-up, half Latinx grab bag of stereotypes, this fun, politically incorrect seminar will coach the audience on how to b…
A good story is surely one that absolutely demands to be told.
The Early Word.
Good Morning, Faggi is a vulnerable and hilarious autobiographical musical where a gay actor in his prime tries to understand why he suffered a sudden nervous breakdown.
Knowing nothing about Papillon is how I entered… it’s also exactly how I left.
Monster vs Hero, TV Camera vs Reporter, Husband vs Husband: their battles and rituals.
When Adam Lenson was diagnosed with cancer in 2019; it caused all past, present and future versions of him to collide in the oncology department.
Man meets man.
A brutally honest, hilarious and heartbreaking one-woman show navigating the impossibly confusing gender dynamics of modern love.
‘17 minutes.
How does a person with dementia experience the world? How can we better connect with people in the often challenging environment of aged care? This award-winning experimental theat…
Welcome to the (near) future.
Emily’s life is falling apart.
An innovative solo multimedia theatre piece from Welsh-Iranian performer Roshi Nasehi inspired by her real-life experiences of funny, surreal and intimidating racism.
The world is in crisis and so is Sian Clarke.
SYBMAP? is a lecture-performance that investigates Faizal’s Muslim-Malay-Singaporean identity and his relationship with each noun, especially the latter two.
Trapped in the Peruvian rainforest, having survived a plane crash and a fall of 10,000 feet, Juliane is utterly alone and hopelessly lost.
Have you ever fallen in love with someone across the globe only to be held captive in your own country? From award-winning artist Britt Plummer comes a painfully relatable and hear…
A contemporary confessional for the modern sinner.
Ground-breaking, chart-topping, genre-bending, globetrotting, instantly enthralling.
Mediterraneo brings South America, Southern Italy and Greece crashing into Summerhall for a huge 2022 festival edition of their live world music concert series.
For over twenty years, Efterklang have been pushing the barriers of experimental, electronic, emotional chamber-pop.
From 2009 to 2018, Tune-Yards (Merrill and her partner and collaborator Nate Brenner) released four critically acclaimed albums on 4AD, travelled the world relentlessly to play liv…
He’s Dead is a dark fantasy choreography asking the unanswerable question: Was Tupac depressed? This conceptual group work uses dance, live action and sound to unearth the unspoken…
Kakatsitsi are a group of traditional drummers, dancers and singers from Ghana.
I Am From Reykjavik.
Having run a series of successful nights in 2021 and 2022, dynamic duo Petfood and Harley Beentjes present their Fringe edition of Revolt; non-stop techno and high-octane beats on …
James Yorkston is a singer/songwriter and author from the East Neuk of Fife, Scotland.
Norwegian musician and novelist Jenny Hval unveils her new, critically acclaimed album Classic Objects, focusing on things Hval missed throughout lockdown; imagined, future places,…
Cate Le Bon is a celebrated musician and producer who since 2009 has been a singular voice in the UK’s musical community.
Four individuals who perceive and interact with the world slightly differently meet on stage to dance together and alone, to surrender to motion that arises from their own uniquene…
A performance of thrilling extremes: lots of performers, lots of singing and lots of dancing.
Two gay men are here to perform for your pleasure.
10 years on from its 2012 Fringe debut, La Merda remains raw and relevant.
Hopefully hopeful, The Rest of Our Lives is a joyful morning dose of dance, theatre, circus and games.
A performance of thrilling extremes: lots of performers, lots of singing, lots of dancing.
How did a Pakistani family cope when arriving in cold and wet Scotland? Like many migrants they used food to make friends.
Writer, actor and theatre-maker, Alice Mary Cooper, presents new show The Bush, following the success of her previous solo work Waves, described by the Observer as ‘a miniaturist g…
Algorithms are art.
Gavin Lilley is a deaf comedian who’s performed his signed shows to audiences across Europe.
A group of Scotland’s leading young musicians perform a selection of albums from Start to End.
100% Soul! With Voices of Virtue Gospel Choir.
Brian d’Souza is an award-winning sound artist, DJ, producer and performer ‘taking world music into the future’ (Guardian).
Withered Hand is Edinburgh based singer-songwriter Dan Willson, who started writing songs and singing in his thirties following the birth of his first child and the death of a clos…
Taking inspiration from dark and cloudy 90s indie rock luminaries like PJ Harvey, Sonic Youth, and Throwing Muses, Honeyblood is the project of Scottish singer/songwriter Stina Twe…
Rura, an award-winning act are one of Scotland’s most popular folk-based bands.
Sacred Paws don’t take things too seriously.
Celebrate the return of the Fringe at Summerhall with the legendary wheel of musical chance! Every 30 minutes at Magic Nostalgic, we’ll invite someone from the crowd to come up ont…
Christian Löffler’s art is heavily inspired by his environment.
Our guests receive a perfectly poured gin and tonic upon arrival at the Royal Dick Pub before heading to our workshop and into our working distillery to learn about Pickering’s Gin…
A twisted, memoiristic fairytale, blending theatrical storytelling, with Flore Gardner’s animated and live (on-stage) drawings.
A tender, furious and fragile reimagining of Moby Dick from Fringe-First Award winning writer and storyteller Casey Jay Andrews.
After the highly successful Us/Them, Carly Wijs returns to Summerhall with Boy.
In Vegas, a magician performs a final disappearing act.
A study on what it means to be Black in Brazil.
Amit Patel discovered a secret hidden in our data that made Google $1.
Gabriel Garcia Marquez’s darkly comic tale brought to the stage for children and adults to share.
Cyclist Vee has no idea why she’s woken up in hospital.
An autobiographical musical adventure that promises mischief and mash-ups, dresses and divas, and a whole lot of heart.
Nightlands is a play about how authoritarianism weaponises nostalgia, about Russia today.
Theatrical innovators Darkfield are back at Summerhall, inviting Fringe-goers to once more step into absolute darkness for Eulogy, their latest immersive narrative experience conju…
Catriona has a history of making stuff up.
In this one-woman thriller, we see how a loving relationship can sometimes be anything but.
North Wales, 1995.
There’s significant anger in One of Two; a sense of injustice felt by a young man whose experience of the not-so-subtle cruelties and discrimination endured by disabled people is…
Zinnia Oberski’s arresting body doesn’t shy away from being seen, hanging like a carcass from her trapeze in the clinical Demonstration Room of Summerhall.
Still Floating is a brand-new piece of warm-hearted comic storytelling by BBC award-winning writer/performer and Fringe favourite Shôn Dale-Jones.
Fifteen-year-old Reece is roughly accosted by the police outside M&S.
John Hegley’s Biscuit of Destiny.
The Silent Treatment.
Inspired by Dýrafjörður in the Westfjords of Iceland, SHHE presents D Ý R A; a sonic journey evoking landscapes and liminal states.
A new show from James featuring his captivating mix of theatre, comedy and music.
One day, a magpie comes into a little girl’s house by mistake.
Amit Patel discovered a secret hidden our data that made Google $1.
A powerful production telling the remarkable story of the short life and lost work of Kerala writer PM John, shortly before India’s independence from British rule.
‘And I heard, as it were the noise of thunder, one of the four beasts…’ A girl plays ponies while her mother cooks, a teenager jumps the barrier to ride a funfair carousel, a wom…
Hate your job? Come work for us.
A graduate of London’s National Centre for Circus Arts, Sadiq Ali brings humour, sensuality, and skill to this tale of boy meets boy, boy gets into the club scene and chemsex, bo…
Still Floating is a brand-new piece of warm-hearted comic storytelling by BBC award-winning writer/performer and Fringe favourite Shôn Dale-Jones.
A feel-good love story.
An audio walk through the streets of Edinburgh.
A fresh and thrilling take on a modern love story from the composer of critically acclaimed Electrolyte.
Two Fingers Up.
Waterloo is a whacky, one-woman show by Bron Batten detailing her affair with a conservative military official.
What happens when you train for something your whole life, only to fail at the crucial moment? This question is the stimulus behind False Start, from acclaimed French-German theatr…
The ephemeral beauty of a flower in bloom carries the unspoken narrative of decay and death.
In the summer of 2020 as a pandemic raged, Yoshika was processing the death of her beloved grandmother, Ann.
You can be ashamed of many things.
Shinehouse Theatre returns to Summerhall with a beautiful balancing act of social issues and theatrical poetry.
The Receptionists is a physical comedy show about customer service by two Finnish female clowns.
‘2019.
Life is Soft – Martin Creed, Turner prize-winning artist.
Mary, Chris, Mars tells the story of two astronauts who share a Christmas Day together after a chance encounter pushes them away from the crippling isolation of their solitude and …
A dark comedy for the end of days.
Shortlisted for Adrian Pagan Playwriting Award and BBC Writersroom.
Kazumi is hunting a sea monster.
Playwright/director James Ley first gained some attention as a co-producer and writer of Leith-based The Village Pub Theatre, which provided performing space to a fresh band of act…
‘I love you I love you I love you I love you I love you.
Dance is meant to be about self-expression.
Triple Fringe First and Olivier winning Fishamble, in association with Fringe First winning Sunday’s Child, return to Summerhall with the 2019 hit show Mustard by Eva O’Connor.
This is a visceral and vitally important piece in which playwright Eliza Gearty and director Alex Kampfner have wrought an exquisite little nugget of social political theatre: subl…
A choreography for several polystyrene shapes and one human.
Mama Love is a one-woman show in which Lea Blair Whitcher plays with the absurdities of the idealised and toxic images of motherhood in which she finds herself enmeshed.
A bold exploration into chronic pain experience by Sarah Hopfinger, which unashamedly celebrates the rich complexities of living with pain.
Tomatoes erotic? Yes, erotic, silly, surreal, constantly surprising, Tomato, a physical theatre piece by dancer/choreographer Chou Kuan-Jou is brilliant.
‘Enter into a wacky world of sea monsters in high heels and angry mobs with tiny pitchforks’ (InDaily.
Puppetry, shadow theatre, mime and music all contribute to this charming oddity, which Caravan Theatre do indeed perform in a caravan.
A riotous romp through the history of the female body, the patriarchy and the bad science behind the titular gender myth.
‘What’s going on…??’ Rosana Cade cries, with their head in the seat of a swivel chair, spinning slowly in front of a fixated and silent audience.
Phosphorus Theatre works with refugees and asylum-seekers to create original collaborative autobiographical storytelling.
If you can make it here, you can make it anywhere.
In Traumboy, his one-man show about his experiences as a gay male prostitute, Daniel Hellmann emerges as a performer that is as eloquent with his voice as he is with his body.
The International Union for the Conservation of Nature has, for many years, produced and maintained a “Red List” of species which are either already extinct or in danger of bei…
Green and Blue is a touching and thoughtful production about two police officers patrolling opposites sides of the border between Northern Ireland and the Republic of Ireland durin…
Eva O’Connor’s one-woman show about heart break and madness is crammed with life, wit and tragedy.
An abandoned party; a neglected bedroom; a cluttered AV desk.
Bystanders begins with staging reminiscent of a police detective’s office – plain desks, a few chairs, and piles of boxes full of paperwork and evidence.
A body is washed up on the shores of the Faroe Islands, rain softly splatters on a coat, a video projection comes into view and live music fills our ears.
As I write this review I find myself enveloped by a certain degree of caution.
Biographical performances like LipSync, produced by Cumbernauld Theatre as part of their Invited Guest project, don't always have some obvious, political point to make; they…
So, you think you’re cool? The stage is non-existent, you’re stood beneath the pseudo-stage lights and it seems as though you might be a part of the performance… So, what exa…
Something special is about to happen - we know this deeply and cerebrally as we enter stage to the mesmerising image of Maisy Taylor intricately entwined in shibari ropes, barely v…
Leyla Josephine presents us with 'Daddy', a seeming parody of Rab C Nesbitt, oozing toxic masculinity.
If you’re here at the Fringe for a good time, don’t let the word ‘science’ cancel out the word ‘sesh’.
What happens when your mum abandons you at the age of 12 to join a cult and move to Canada? That’s exactly the predicament Anoushka Warden found herself in, subsequent to her par…
What makes a home? It’s one of a number of questions that Victor Esses asks of audience members as they come in, taping their responses for use later on in his show.
The black box space in Summerhall is perfectly suited to Zanetti Productions’ new one-woman show My Best Dead Friend, at once intimate and epic in its proportions.
Bunk beds line the walls, a sterile cream colour melting into plastic mattresses.
Traumgirl explores the myths and stereotypes around sex work, laying bare the women behind the industry in a bold narrative which will change the preconceptions of anyone who didn�…
The Afflicted, a startling theatre-dance piece produced by Groupwork and performed at the Summerhall Demonstration Room, is a brilliant re-definition of the docu-drama format.
This one person play, written and performed by Sarah-Jane Scott, introduces us to Sorcha who is fresh from fleeing her wedding.
"Poor Fellow.
We’re told that ‘Max needs a firm hand’, as the performance launches with three actors clad in balaclavas.
Hold On Let Go sets out to address memory loss and forgetting on both a personal and political scale, asking the question: 'What if we forget something important?' Despite …
Who Cares is a stunning, fast paced piece of verbatim theatre about the plight of three young carers living in Salford.
Ejaculation - Discussions of Female Sexuality is a raw, visceral exploration of female pleasure, boldly confronting the many themes which act as barriers to this rarely discussed t…
A dimly lit stage, five women and their leader, to whom they will give everything until there is nothing left to give: this is the basic set-up for Reetta Honkakoski Company’s ca…
This is definitely not the first time I have seen a play about being gay or about the AIDS epidemic, but it is the first time I have seen an eclectic and moving look at life post H…
At the Edinburgh Festival Fringe it can often feel very hard to be alone.
For All I Care is, first and foremost, the story of two women.
Through a series of slightly disjointed comic scenes, two actors, Pete and Kim, tell the story of three different relationships.
Phrases is an inventive and open-minded solo performance from dance artist Lewys Holt, honouring and making space for the confusion and miscommunication which we often seek to avoi…
Void is really intense, in the best possible way.
Sh!t Theatre’s sell out show from last year returns for a limited run at Summerhall, in what is perhaps the most bizarre, strange and utterly hysterical hours of performance art …
It’s very rare that you go to ‘the theatre’ and feel as though you are witnessing a moment in history; with Riot Days, Pussy Riot successfully creates this feeling.
Cock, cock… Who’s there? is a multimedia, autobiographical documentary-cum-social experiment all about writer-performer Samira Elagoz’s relationship with men after being rape…
With roots in Grotowski’s theatrical style and the laboratory theatre of 1970s Poland, Company of Wolves are known for their striking, collaborative work that fuses dance, physic…
It seems that Cardiff-based Hijinx Theatre Company are happy to take risks.
Backup, a mix of puppetry and gestural object theatre, is a half hour of pure delight.
Alexander Wright, our poet for the evening, tells us that this piece was written in The Meadows – the park not very far from Summerhall where they are performing now.
Darkfield – creators of last years Séance – have brought their shipping container back to Summerhall for their latest aeronautically themed immersive audio performance, Flight…
“Have you ever fantasised about someone like me?” Katy Dye asks the audience, not as an adult woman, not as a performance artist, but as a 15-year-old school girl.
Once Upon a Daydream, produced by Sun Son Theatre, bursts with life and colour.
Willy Hudson’s heart-filled, charming and hysterical one man show storms the stage at Summerhall and sheds light on the hugely under-discussed areas of gay sexual politics with d…
Chris Thorpe's solo show for this year is about grappling with national identity as a white british man.
In an empty and decaying room four performers armed only with limited props, a beat up collection of instruments, and a selection of microphones bring to life a tale of anger, rage…
“Bitter Sweet Symphony” by The Verve.
I’ll begin by noting that this particular viewing was unfortunately tarnished by a very inconsiderate audience, where both latecomers and six mid-show phone calls bombarded the f…
Knaive Theatre’s reworking of Czech author Karel Capek’s 1937 novel War with the Newts is a striking adaptation of an unfairly forgotten sci-fi masterpiece that will leave you …
Le Gateau Chocolat has brought his background in drag to this kids show, which is a solo act loosely based on Hans Christian Andersen's The Ugly Duckling.
What can you remember from five years ago? Or five days ago? Five minutes ago, even? What can you be absolutely sure, beyond all doubt that you remember? MALAPROP Theatre’s new s…
“Welcome to Blackpool!” Cockburn beams as her audience files into Summerhall’s Anatomy Lecture Theatre.
Alma: A Human Voice is a one-person performance focused on portraying and contrasting two characters from the early 1900s.
There’s a line in How to Keep Time that sat very deeply in my heart: “All my memories have been rewritten for who you are now.
Two Destination Language are encouraging audiences to see the personal narrative behind history with their performance Fallen Fruit.
Through the thick haze and wash lights, the three piece band of performers that make up Valerie can just be seen, shimmering like figures from the past.
People Show have been producing work for more than 50 years which, given the self-indulgence of People Show 130 (or The Last Straw, to give its more Fringe-friendly title), is some…
Make sure you arrive at Notorious Strumpet & Dangerous Girl a few minutes early; performer Jess Love is thrilled to offer you a coffee, a tea, or a biscuit in the queue.
Single person monologues have long been a fringe staple, but nevertheless they are incredibly difficult to successfully pull off.
There are books which are called seminal largely because so many people have read them.
James Rowland may not strike you as a sperm donor if you met him in the street, but this is a man prepared to go to the ends of the earth to help his best friend and her wife find …
When the cast of Closed Doors were taking their bow, they mentioned that this show existed as a book and as an album, and I immediately wished I had listened to the album.
On a train heading south, the eyes of a tired man meet those of a woman weeping, if only for a moment.
Cleaning out her grandmother's old basement after her death, amongst the usual detritus a woman finds a tape recorder and an accompanying tape which tells the kind of story usu…
The Edinburgh Fringe is the sort of place where you expect to see experimental, strange and unusual performances, and Paper Doll Militia’s Egg will certainly satisfy audiences lo…
With the advent of the internet, smartphones and social media, today’s politics happens under an unprecedented level of scrutiny.
A Generous Lover is La JohnJoseph’s heartfelt account of caring for a bipolar partner.
We in the L.
Never Vera Blue is a brave and commendable production, which interrogates the effects of gaslighting in an emotionally abusive relationship.
Erewhon: or, Over the Range is a fantasy novel by Samuel Butler which, first published anonymously in 1872, presented itself as the experiences of its narrator on discovering the m…
Kieran Hurley works towards an overwhelming state of urgency with the audience in his solo show Heads Up.
The audience were completely absorbed by Proto-Type Theater’s exposition of global mass-surveillance in A Machine They’re Secretly Building, the title aptly born from whistlebl…
Our Carnal Hearts is a wicked and totally absorbing cathartic purging experience, exalting the darker shades of humanity that dwell within us all.
Hanane Hajj Ali is a Lebanese performer with French citizenship who jogs daily to prevent osteoporosis, depression and obesity.
A dirty, disused room, empty except for a box with lots of holes in it.
Locus Amoenus is a poignant, slightly absurdist masterpiece in dramatic irony, in which the audience watches three strangers on a train slowly, unknowingly, going towards their de…
A few ideas structure Josie Long’s new show, the central one being simply that “not everything is for everyone.
This startling, if indistinct production from Mind the Gap, England’s largest learning disability theatre company, gets straight to its point, with cast members slipping into ‘…
Antler Theatre are no strangers to the Edinburgh Fringe, making their debut with This Way Up and Maria, 1968 in 2012.
Five hours is a long time for everyone – it’s a long time for a viewer, it’s a long time for an actor, and it’s a long time to have an excruciating conversation about your …
There is nothing more personal that the truth, and to present the truth of stage is an invariably brave act.
Arm is the spooky exploration of junkyard puppetry you never thought you wanted.
Following a turbulent year of politics and current affairs, this year’s Fringe programme is unsurprisingly loaded with all manner of shows trying to make sense of the world in 20…
In her opus Regarding the Pain of Others, Susan Sontag explores the ways in which images of conflict can be altered for the benefit of a particular social cause or political group.
Joanne Ryan’s ode to motherhood, Eggsistentialism, is emotionally poignant and amusingly informative.
A psychic journey, through physical theatre and music, Sun Son Theatre’s Heart of Darkness explores the damage inflicted on a woman by arranged marriage.
Oh no.
Early in his Fringe show Mark Thomas reveals the impressively religious character of his upbringing.
The beginning of Last Resort definitely hooks you in.
Workshy is a performance art piece by Katy Baird, a lady more experienced in customer service roles than theatrical ones.
Amy Conway’s Super Awesome World is a hidden gem of the Fringe that starts off all fun and games (literally) before delving into an account of living with depression that is so h…
Tucked away in a decently sized room at the beautiful venue of Summerhall, Eaten stars Mamoru Iriguchi as both Mamoru, Lionel the Lion, and, believe it or not, Dr.
I’m not sure where to begin in dissecting Sasquatch: the Opera.
We all saw the coverage of the Egyptian revolution in 2011, but who can say they’ve been in the same room as someone personally involved? Ramy wasn’t just a participant in the …
Sh!t Theatre are excited to present their ‘mainstream crossover’ hit following their 2016 show Letters to Windsor House that earned them a Fringe First.
Tripadvisor meets Pokemon Go in this absurd, fantastical tour that proves how liable we are to being led.
How to Act is set up as a masterclass in acting with a fantastic twist that brings questions of race and gender into a topical debate.
China Plate’s The Shape of the Pain is an innovative artistic and scientific collaboration combining words, sound and projection to start a conversation about Complex Regional Pa…
Fifty years ago, Roland Barthes told us to forget what we know about an author when reading a text.
The Backyard Story, directed by Chen-Chieh Sun with lively music composed by Chien-Hsun Chen, is a charming black-light theatre show for children aged 5+.
Slut tells a story which is sadly the experience of many women; girls who have the benefit of naivety during their younger years, which is then destroyed when they face the reality…
“I’m aware there isn’t much art made about love, so I thought I’d nip in and nail the definitive article before anyone else could.
No Show is perhaps the perfect show: one that claims to be nothing at all.
Poignant and humorous, this is a semi-autobiographical piece of writing which roots itself in Co-coism director Hung Chien-Han’s upbringing.
Theatre today increasingly falls into one of two broad camps.
Almost at the start, Gilchrist Muir—here inhabiting the tweed suit of our lecturer, Glasgow University-based Theoretical Zombiologist Dr Ken House—insists that Zombies are no…
“Reason is, and ought only to be, the slave of the passions.
For many people unaffected by it, the debt crisis in Greece is a distant, vaguely distressing situation, failing to provoke public outcry due to a misapprehension that it is someho…
As hilarious as it is poignant, Lost in Blue is an individual and gripping story from one of the UK’s top storytellers.
Bildraum is part of the ‘Big in Belgium’ series, featuring six of the country’s many outstanding theatre and performance companies.
Here’s what happens in order: A parody of bourgeois conversation by actors in black morphsuits; a light show to the gaiety of the Ode To Joy; unembellished description of said pi…
The Lady Vanishes is one of those shows that doesn’t fit into simple categories.
Stories to Tell in the Middle of the Night is both exactly what it says it whilst also proving to something rather different altogether.
Sometime in between Jak Soroka cracking eggs on her naked body and Sam Reynolds dry humping someone in the audience, you realise nights at Dive’s C U Next Tuesday cabaret can get…
Lithuanian director Arturas Areima mounts an adaptation of Falk Richter’s play of the same name, Under Ice.
The premise of the show is deceptively simple, and the clue is in the title: what a woman would do or go through for a man who she wholeheartedly loves, even though he has already …
Following the story of an Irish emigrant’s relationship with her father, Remember to Breathe is quietly affecting rather than arresting; assured and well-rounded rather than boun…
A documentary style piece of storytelling which merges fact and fiction, past and present in an interesting tale, that sadly fails to curdle the blood.
On the Conditions and Possibilities of Hillary Clinton Taking Me as Her Young Lover definitely wins the title of most intriguing show title at the Fringe, and it’s definitely wor…
Stephanie Ridings does a lecture on state homicide with drama.
Nassim Soleimanpour is known for his intelligent plays that have no need for a director, designer or even rehearsals.
We meet Fred as he wakes up - cute little puppet stretching and yawns ensue.
In a previous show, we witnessed Robert Newman intellectually tear down Dawkin’s view of evolution.
Death is a funny thing when you think about it: it’s the only certain thing in this world yet the majority of us deny its existence, but as performer Liz Rothschild points out, i…
Being both a chronic worrier and a huge fan of television from the 1990s, I had high hopes for Don’t Panic! It’s Challenge Anneka: a one woman show that uses the programme, Challen…
Jeremy Weller, known for his use of drama as a tool for social intervention, presents a new Fringe offering with a powerful actor and message at its core, but a weak execution that…
La Pire Espèce have been rummaging in the cupboards: in Ubu on the Table coffee pots, cutlery, a glass jug and drawers full of unassuming objects populate the cast in an energetic…
Mikey and Addie is a story about two pre-teen kids who couldn’t be more different – Mikey’s life is all about imagination and play, while Addie’s is focused on enforcing rule…
Two large basement rooms in Summerhall have been transformed into a remarkable installation and immersive theatre, musical, video, sound, and light performance area.
Sometimes a good performance doesn’t fulfill the purpose of normal theatre.
It’s a strange and unsettling thing being stood stock-still for a few minutes, gazing into a stranger’s eyes.
I can count on one hand the number of plays that have sent shivers down my spine: Us/Them is one such show.
This is a wonderfully complex piece; part intertwining story, part vocalised ruminations of Jack Klaff, a Fringe veteran who gives a stunning performance.
In 1923, Marlene Dietrich made the transition from stage to cinema through a bit part in German silent comedy The Little Napoleon.
Both touching and humorous, It Folds is an experimental exploration of grief, death and the human condition.
On the surface Jenna Watt’s new show Faslane sounds like it should be a simple comparison of the reasons for and against renewing the Trident nuclear base; it turns out to be jus…
Yinka Kuitenbrouwer welcomes you into her shed, pours you a cup of tea, gives you a house-shaped biscuit, and the words come out in a torrent.
The sheer size of the Edinburgh Fringe Festival means that any performer that manages to distinguish themselves from the wild, multifarious pack is left at a critical crossroad.
“You come in like a lion and you leave like a lamb”.
With the feel of an interactive workshop rather than a theatrical ‘show’, The Castle Builder is a lo-fi exploration of outsider art that alternates between informal lecture and…
Ontroerend Goed’s World Without Us imagines a future in which humanity has simply ceased to exist, and it’s surprisingly soothing.
It’s hard to imagine a more appropriate venue than the Demonstration Room at Summerhall for Nick Cassenbaum’s coming of age tale.
Picture the scene: two women in letterbox face paint — a pair of punkish, postmodern clowns — sit on a couple of threadbare armchairs underneath an enormous screen, sipping bee…
Fifteen-year-old David Ralfe knows that with “warmth, guidance, and gentle nudging”, Kate, his anorexic girlfriend, can be guided towards a healthier existence.
Following its run at the Royal Court in London, Tim Crouch’s play reflects on our modern-day obsession with artists’ lives and how this interferes with and indeed obscures our …
Annie Siddon’s (almost) one-woman show, How (Not) To Live In Suburbia, is an absolute treat from Siddon’s first smile to the audience as she takes the stage, until she exits.
There comes a time in most good plays when you realise you’ve become completely lost in a moment due to its sheer brilliance.
Never underestimate the power or repercussions of a gift.
Most Fringe shows think they can squeeze two hours into fifty minutes.
Taking multimedia representations of young women as its inspiration, If There’s Not Dancing at the Revolution, I’m Not Coming picks apart a medley of references to Titanic, Disney …
At first glance, there are other plays by Shakespeare that would offer more fruitful parallels with the Kurt Cobain story than Macbeth.
Gin is on the up.
Mungo Park proved that any true Scotsman would do almost anything to avoid spending another bloody day in Selkirk.
On 10 January 1992, the container ship Ever Laurel, several days out from Hong Kong en route to Tacoma, Washington, hit a storm in the North Pacific Ocean.
In the near-century since Czech writer Karel Capek first gave us the word “robot” (in his play R.
To Breathe starts with its six performers standing in a circle, staring at the audience, just breathing.
This award-winning devised piece from Two Destination Language clearly deserves its second festival run.
Forced Entertainment have a legendary reputation for creating innovative, engaging and challenging theatre and performance.
Barry Bonaparte’s Travelling Circus is in trouble.
Sarah Calver begins her spirited, witty show with a disclaimer: this show is ideally watched in Berlin at 10pm while a couple of pints down.
Here is what happens in A String Section: five women cut the legs off the chairs on which they are sitting.
At a certain point in Confirmation’s 85 minutes of perspective-smudging, you just want to get up and scream – so inescapably does Chris Thorpe’s script put you face-to-face w…
We are on the border between England and Scotland, life and death, fluid and solid.
Dutch jazz punk veterans The Ex, have been going for thirty-five years.
Islands is a bit madcap.
Four people are onstage at the start of this play: Sean Campion and Scott Turnbull, the actors playing a mother/daughter pair, and a real-life mother/daughter pair.
Donald Torr was, apparently, the best big brother any little girl could have, especially growing up on the outskirts of 1960s’ Aberdeen.
Go ahead and sip the gunpowder green tea poured into dainty cups by Tom Barnes and Matt Wilks, the handsome, engaging young performers of The Litvinenko Project.
Ventoux is the story of two cyclists, one forbidding mountain and a potent rivalry.
Welcome to the Edinburgh Spiritual Emergency Support Group.
This show is wondrously delightful.
Antiwords is a piece inspired by Václav Havel’s play Audience, featuring an awkward dialogue between a dissident playwright and a drunken brew master.
Dr Niamh Shaw is that relatively rare thing – a skilled and engaging stage performer who also happens to be a scientist and engineer, with both a degree and PhD to her name.
The Letter J’s production of Grandad and Me is simple, moving and effective.
A space at Summerhall has been transformed into a forest.
A gallery space with assorted artworks: chainsaw, feathered headdress, a map of the world.
Who knew that a Dusty Springfield favourite could provide such an effective description of man’s descent into unspeakable evil? Ewan Downie and Jonathan Peck from Company of Wolv…
This charming double bill from Puppets Being Theatre uses poise and precision to bring to life ingenious paper creations.
It’s easy to get lulled by the constant flow of shows at the Fringe, to give in the mid-afternoon slump and the heavy-eyed semi-slumber.
Sachli Gholamalizad moved from Iran to Belgium when she was five.
Is this a music concert? Is it a piece of theatre? Can it be both? Might it be neither? These are the questions that may well fly around your mind after experiencing The Great Down…
The Gomaar Trilogy has stylish puppetry and heartfelt sincerity – but its confident aesthetic fails to enliven a tired story of a male artist trying to accommodate his creative i…
Garry Roost is both writer and performer in this broad, jumbled examination of the life of the troubled artist, Francis Bacon.
Following the success of Anatomy of the Piano last year, Will Pickvance is back with an enthralling adaptation of his work for younger theatre-goers.
Igor and Moreno move.
It’s hard these days to find comics, amongst the slick and edgy big leagues, with a genuine sense of mischief.
Mitch (Eric Sigmundsson) loves movies.
A charming storytelling piece that fuses spoken word and music, Fable from the Flanagan Collective charts the story of ‘J’.
“Good girls should be seen and not heard”.
A shamelessly monotonous cycle of intrigue, We This Way casts Seth Kiebel in a haunting light, his deadpan but deft delivery commanding an hour of interactive, communal ‘point-an…
That the character of Paul Abacus was created in 2009 – three years after TED talks became available to watch online – is no surprise at all.
With the title Some People Talk About Violence one would be forgiven for thinking Barrel Organ’s new show is serious and depressing.
Shift is a collective of poets that includes Rachel Amey, Bram Gieben, Harry Giles, Jenny Lindsay, Ali Maloney, Rachel McCrum and Sam Small.
“Doesn’t she look lovely?” Louise Mothersole and Rebecca Biscuit coo again and again, spitting irony.
A really specific, niche or academic inspiration for a show, adapted in a completely unexpected style that still absolutely suits the material with high levels of audience interact…
Pay attention as this breathtaking production desiccates, then dissects childhood trauma via its exploration of Wittgenstein and semantics: there’s a wordless sucker punch in Can…
I have never before been moved from laughing to tears pouring down my face – in the space of one sentence – until I saw this piece.
When life gives you lemons, sometimes you shouldn’t make lemonade.
A crucifix, a menorah, the smell of incense.
In his softly accented English, German photographer Volker Gerling introduces you to unforgettable faces in his quiet but compelling Portraits in Motion.
Billed as “a story of women’s courage, of sisterhood and pride”, A Bench on the Road is a work in progress based on the true experiences of Italian immigrants, Scottish-bo…
Nikoli Gogol’s The Gamblers (premiered in 1843) is relatively rarely-performed, at least in comparison with the writer’s most famous work, The Government Inspector.
Alison Jackson has made a name for herself creating fake behind-the-scenes photographs and videos of celebrities with look-alike models.
Professors White Fang and Dr.
Sleight & Hand’s purposefully heavy-handed opening speech casts a shadow over its self-conscious remainder: this piece of new writing by Chris Bush is so knowing you’d really…
Replaceable Things features John De Simone’s Panic Diary and Thomas Butler’s Replaceable Parts for the Irreplaceable You, performed by Scottish contemporary music company Ensem…
Some shows take the audience on challenging yet rewarding journeys through layers of meaning, interpretations, and staging.
The Waste Land Sisters fuses Chekhov’s The Three Sisters with T.
It takes a hell of a lot of stage presence to pull of a one-man cabaret musical inspired by Euripides’ The Bacchae, but Hawksley Workman is certainly up to the task.
The World Mouse Plague is a complex, experimental illusion of a play.
It should be a speakeasy with small round tables and lowballs of stiff drinks on the rocks – but it ain’t.
Out of the darkness, six women emerge wearing evening dresses.
On the day that the Edinburgh weather turned from sunshine and showers to rough, autumnal wind, an ambitious project arrived at Summerhall.
Raymondo is a piece of magical realist storytelling which combines an evocative musical accompaniment with an endlessly strange and beautiful script.
Summerhall’s steeply tiered Demonstration Room gives off the air of an amphitheatre, but its back wall houses very modern projections.
20 Stories High Young Actors Theatre Company’s Tales from the MP3 is an original and dynamic production.
“We are not going to tell you a story,” the cast disconcertingly warns the audience in the opening minutes of Wuthering Heights.
This is a very weird play.
As anyone who’s ever dealt with a three-year-old can tell you, keeping their attention can be a Herculean task.
Alexandra Kazazou’s slim but muscular frame seems to fill the stage, such is the sheer power she exudes.
Soiled bodies writhe across across a primordial swamp in earthbound exploration, rising from time to time in contorted gestures.
The Man Who Almost Killed Himself is a funny and tragic true story inspired by the work of anthropologist Andrew Irving in Uganda and Eastern Africa.
This was supposed to be a review of a stand-up comedy show.
If you’ve been flyered by Theatre Santuoui, you may have been bewitched by the intricate game that unfolds before your eyes in their ingenious paper creation.
Biding Time (Remix) holds some interesting ideas and memorable visuals, but it’s often hard to decipher what the aim of the company’s design and concept really is.
After a successful career in London as a playwright and actor, William Shakespeare has returned home to his wife in Stratford.
If your experience of Fringe plays has become stale, Nothing is likely to change your mind.
What happens when the past collides with the present? If the philosophical is made tangible, does it still have the power to transform? And can myths ever hold any relevance to our…
The latest offering from the award winning Sh!t Theatre is an all singing, all dancing critique of the pharmaceutical industry which is at all points informative and entertaining.
Birdwatchers’ Wives is effectively a one-woman show, with the climax being seven-foot Rita (the Great Crested) Grebe competing in a ‘bird-off’ – an avian version of X Facto…
What would life be like if you could plan every detail ahead of time and guarantee your happiness? Such certainty of outcome is surely something that everyone has wished for at s…
In a fusion of intense physicality, vocalisation and performance, we open to a backlit monk-like figure chanting in Italian.
The Flood provides a haunting, tragic insight into one of the most devastating events in modern history.
A domestic drama in a literal sense, 30 Bird’s abstract piece circles themes of cultural identity, sex, politics… and who does the washing up.
At the beginning of Maria Addolorata, a man and a woman in caricature-like costumes sob uncontrollably and blow their noses.
Performers Christine Devaney and Hendrik Lebon polled a group of children on what they’d like to see in a show.
The Eradication of Schizophrenia in Western Lapland, by theatre company Ridiculusmus, is about the creation of an experience.
“This is a difficult story to tell,” performer Katherina Radeva warns us in Bulgarian through her translator and fellow performer, Alister Lownie, at the start of Near Gone.
This unpretentious production is as unflinchingly fearless as it is heart-warming.
It’s a rare show that can successfully entertain children of all ages.
With over 3000 shows descending on Edinburgh this month, the city is attempting to squeeze a Fringe venue out of every possible space available.
Blood Orange is a modern tragedy of politics, race, religion and ethics.
A young woman who’s spent her entire life in Limerick, Ireland wishes to leave home and explore the world.
Klip describes itself as “a collage of carefully chosen coincidences”.
There are no actors in this show.
Dann Rail is an eccentric resident of a town called Quinnipak.
This is a show about seeing patterns in the random; about time’s ability to change perception; about coming to terms with death and working through depression.
If this show was a stick of rock, it would have “Anger” written all the way through it in blood red: specifically anger at the medical, commercial and political establishments …
A man and a woman have come together to tell us about Diderot’s novel, Jacques the Fatalist and his Master.
Who was first unfaithful: woman or man? A scientific experiment designed to recreate the garden of Eden and answer this question “once and for all” is the premise of this he…
This one-woman show begins with a deluge of diagnoses handed out to the audience members by the performer.
Science-theatre is in vogue at the moment.
Duck lives a typical duck existence: she eats snails, swims in ponds and sleeps peacefully at night.
The early nineties is a period that doesn’t often get a lot of attention.
Held at The Traverse, a theatre that prides itself on supporting new writing in all its forms, Pre:View gave its audience an exciting insight into the process of perfecting play sc…