How to Win Against History
  • By Liam Rees
  • |
  • 9th Aug 2017
  • |
  • ★★★★★

When viewing a show as celebrated and adored as How to Win Against History there is always the risk that it’ll never be able to live up to the hype. Such concerns were quickly dispelled after the first song in Seiriol Davies’ masterful musical.

Has some seriously intelligent arguments bubbling away underneath the glitz and glamour

How to Win Against History is all about the life of Henry Cyril Paget, the most fabulous aristocrat you’ve probably never heard of. He enjoyed living lavishly, dressing up in women’s clothing and putting on extravagant plays that no one came to see. After his death, aged 29, his family attempted to destroy any memory of this blemish on their reputation and succeeded until Davies and the creative team decided to fill in the blanks that history tried to erase.

In doing so, they rail Britain’s stiff-upper-lip attitude, patriarchy and the challenges of ‘making it’ in the arts using all the subversive wit and humour they can muster. They also add in plenty of fabulous Gilbert & Sullivan-esque, music-hall style songs that not only fit Paget’s doomed dream of ‘mainstream success’ but also subvert and mock Britain’s own culture and history.

Davies may be the undisputed star of the show as Paget, but Matthew Blake certainly gives him a run for his money as everyone from Paget’s discontented wife to a ham-Shakespearean actor, accompanying Paget on his extravagant endeavours. Meanwhile, Dylan Townley provides pitch-perfect musical support whilst never letting himself fade into the background. Verity Quinn’s design and Dan Saggars’ lighting perfectly evoke the dilapidated glamour of Paget’s unconventional Victorian lifestyle. Alex Swift’s direction is subtle and unobtrusive, though influential with every scene, transition and musical number effortlessly flowing into the other. Eve Leigh’s dramaturgy ensures not a moment of stage time is wasted.

All of this results in a show that’s not only outrageously fun to watch but also has some seriously intelligent arguments bubbling away underneath the glitz and glamour.

Reviews by Liam Rees

Pleasance Courtyard

UNCONDITIONAL

★★★
Pleasance Courtyard

Signals

★★★
Summerhall

Everything Not Saved

★★★
CanadaHub @ King's Hall in association with Summerhall

Daughter

★★★
Pleasance Dome

Lights Over Tesco Car Park

★★★★
CanadaHub @ King's Hall in association with Summerhall

Chase Scenes

★★★

Performances

Location

The Blurb

The solid gold and sparkly diamond-studded hit of EdFringe 2016 returns. Henry Cyril Paget, the fifth Marquis of Anglesey, whose star burned brightly, briefly and transvestitely at the height of the British Empire, stalks the stage again in Seiriol Davies's fierce, fabulous, tragi-gorgeous, hilarious, riches-to-rags extravaganza about being too weird for the world, but desperately not wanting it to forget you. 'A work of genius' ***** (Daily Telegraph). 'Gleeful, ludicrous – a larky collision of Gilbert & Sullivan and Monty Python' **** (Time Out). 'Deliriously entertaining' ***** (WhatsOnStage.com).