Buy cheap tickets for Boozr
Conversations We Never Had, As People We'll Never Be

A couple has thirty minutes to decide whether to erase the memory of their failed relationship. A perfect dilemma for a drama, with scope to go in many directions. Unfortunately, the script can’t decide which direction to take.

There are a lot of good qualities to this play... the script, however, meanders without any through-line or consistency

There are lots of good qualities to this play: the discussions are insightful and expose dramatic revelations and conflicts; there are engaging flashbacks with good jokes about embarrassing situations, trying to impress, and passive-aggression. The characters feel real, and the chemistry between the actors is good.

The script, however, meanders without any through-line or consistency. The opening monologue divides people into two types. Yet these types don’t fit the characters. It is pointed out that anything said in the 30 minutes will be wiped. Yet this idea is not developed.

The focus may be relationships, but if the play is based on a science fantasy premise there needs to be clear rules. It is not discussed what happens if one person wants to keep the memories. The flashbacks are like shared visions, yet ‘the kiss with Sam’ has two versions. Does that mean the other flashbacks are untrustworthy?

The final scene repeats their first meeting, including all the very particular circumstances and details. So is the ending a flashback or has fate engineered them to meet again? And did they wipe their memories or not? Is the ending meant to be ambiguous, or is it just unclear?

Good for exploring a relationship, not so hot for plot.

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Reviews by Mark Harding

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Since you’re here…

… we have a small favour to ask. We don't want your money to support a hack's bar bill at Abattoir, but if you have a pound or two spare, we really encourage you to support a good cause. If this review has either helped you discover a gem or avoid a turkey, consider doing some good that will really make a difference.

You can donate to the charity of your choice, but if you're looking for inspiration, there are three charities we really like.

Mama Biashara
Kate Copstick’s charity, Mama Biashara, works with the poorest and most marginalised people in Kenya. They give grants to set up small, sustainable businesses that bring financial independence and security. That five quid you spend on a large glass of House White? They can save someone’s life with that. And the money for a pair of Air Jordans? Will take four women and their fifteen children away from a man who is raping them and into a new life with a moneymaking business for Mum and happiness for the kids.
Donate to Mama Biashara now

Theatre MAD
The Make A Difference Trust fights HIV & AIDS one stage at a time. Their UK and International grant-making strategy is based on five criteria that raise awareness, educate, and provide care and support for the most vulnerable in society. A host of fundraising events, including Bucket Collections, Late Night Cabarets, West End Eurovision, West End Bares and A West End Christmas continue to raise funds for projects both in the UK and Sub-Saharan Africa.
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Acting For Others
Acting for Others provides financial and emotional support to all theatre workers in times of need through the 14 member charities. During the COVID-19 crisis Acting for Others have raised over £1.7m to support theatre workers affected by the pandemic.
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Performances

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The Blurb

Have you ever wondered what your life would look like without the memory of the person who changed the way you see the world? After buying and consuming a pill online, Gina and Frankie are given thirty minutes to decide whether or not to erase their relationship from their memories, forever. In this queer love story, witness all the conversations that you wish you could have as people you will never be. If you got the chance to erase "that" person from your life, would you take it?
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