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Alex Franklin: Gurl Code

It’s hard to pinpoint exactly what it is about Alex Franklin’s Gurl Code, but this show is an example of really great comedy, constantly shifting from one gag to another, as Franklin mixes, matches and weaves these stylistically and emotionally intricate gags.

An enigmatic performer

This is a very high-energy set that zigs and zags in every direction; if we think we know where Franklin is going, she throws us off and goes in another direction entirely. The material just keeps building and building, as she creates this kind of layered sense of arbitrary nonsense to the point where what she's saying is both extremely profound and/or the most off-the-cuff quip ever.

We’re always on-edge and just waiting to see what she does next. She constantly keeps us on our toes with each new gag, that really the chaos and hysteria that unfolds is just bursting out the seams, making us think it’s one thing when it’s actually the other. It’s a multi-layered bonanza of comedy. This is partly due to the hyperactive nature of her performance, but it's also the material and how all the disparate parts of the show come together. Franklin uses rather innocuous and - to our initial perception - random topics that we get caught up in, to pepper in these huge metaphors and messages of subjectivity, identity and perception, before bringing everything back together in a really touching whole. The versatility in her ability to use all these different styles of comedy to create these ingenious gags is truly amazing.

A great strength that Franklin has as a performer is that she is incredibly connected to the audience, always engaging and making us feel really invested in the show. She knows how to create these really deep, poignant moments and diffuse them in a way in which that feeling still stays with us even though we’re laughing at something else.

Gurl Code is just such a wonderful performance by Franklin. It’s touching, it’s comically funny and Franklin is just such an enigmatic performer that she gets us to laugh along with her as she makes her way through the set. In this way, she completely controls our reactions, and it is a spell that we’re all too happy to be under.

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Reviews by Katerina Partolina Schwartz

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Since you’re here…

… we have a small favour to ask. We don't want your money to support a hack's bar bill at Abattoir, but if you have a pound or two spare, we really encourage you to support a good cause. If this review has either helped you discover a gem or avoid a turkey, consider doing some good that will really make a difference.

You can donate to the charity of your choice, but if you're looking for inspiration, there are three charities we really like.

Mama Biashara
Kate Copstick’s charity, Mama Biashara, works with the poorest and most marginalised people in Kenya. They give grants to set up small, sustainable businesses that bring financial independence and security. That five quid you spend on a large glass of House White? They can save someone’s life with that. And the money for a pair of Air Jordans? Will take four women and their fifteen children away from a man who is raping them and into a new life with a moneymaking business for Mum and happiness for the kids.
Donate to Mama Biashara now

Theatre MAD
The Make A Difference Trust fights HIV & AIDS one stage at a time. Their UK and International grant-making strategy is based on five criteria that raise awareness, educate, and provide care and support for the most vulnerable in society. A host of fundraising events, including Bucket Collections, Late Night Cabarets, West End Eurovision, West End Bares and A West End Christmas continue to raise funds for projects both in the UK and Sub-Saharan Africa.
Donate to Theatre MAD now

Acting For Others
Acting for Others provides financial and emotional support to all theatre workers in times of need through the 14 member charities. During the COVID-19 crisis Acting for Others have raised over £1.7m to support theatre workers affected by the pandemic.
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Performances

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The Blurb

In 2024, trans girl Alex (me) started HRT. Now she (me) feels the most alive she's (me's) ever felt; and she wants to make you feel alive too, or die trying. A ludicrous, musical, chaotic, joyful show about the colours of the world becoming slowly brighter and giving people furniture via the tube. Also being trans. As seen / heard on Channel 4 / HBO Max / BBC Radio 4. 'Undeniably ludicrous comedy gold' **** (Entertainment-Now.com). 'Eclectic, risk-taking and inventive' (Scotsman). 'Winningly weird... this young comic is on the way up' (Telegraph). Directed by Dom Stephens.
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