"We are the first show… in the Edinburgh Fringe Guide" magicians Malin Nilsson and Charlie Caper crow happily, claiming this as the reason for their strangely named show. This seems odd to be the sole reason to name a show, but as no other explanation is given, we just have to go with it. This sets the trend for this show which might have been inspired at the start, but doesn't exactly follow through into a satisfying result.
Caper and Nilsson struggle with integrating the two distinctive parts of their performance.
For most of her part of the show, Nilsson does magic tricks silently to music. They are very elegantly performed and she has an excellent sense of stylistic development, but they are a bit hackneyed. Even if someone only has seen a couple other magic shows, they have probably seen these illusions before. That's no problem if presented with original flair and personality, but as she does them they just come across stale and the applause is accordingly muted.
Caper delivers with such endearing cheesiness that even things that shouldn't be funny are because of his perfect presentation. An ongoing joke with a bow tie never fails to gain laughter and his great persona means that – although he also uses traditional magic in parts – it comes across as more original and compelling, if not as well rehearsed.
Caper and Nilsson struggle with integrating the two distinctive parts of their performance, but if they can solve this problem, Aaabeduation will succeed in becoming a bewitching show.