It begins with a simple yet beautifully plucked tune followed by eerie voices echoing out until they fill the room. And then comes a voice, a man reading out his letter to David Cameron, appealing to the old prime minister to let him cross the English Channel and finally find a home in the UK. Although the name
This play has you gripped to your seat in anticipation for almost the entire show
Naturally, such action-packed tales are difficult to bring to the stage, yet The Flame Collective have managed it phenomenally. Much of the staging is set out in a very physical manner with masterful choreography that uses human bodies to represent many of the awful situations the characters have to go through. And when the action begins to slow down, the actors’ powerful monologues make you feel as if you are right there in that moment of their past, every single one brimming with emotion.
Technical sound effects aren’t needed in this play; all the sounds are added by either the actors on stage or the two musicians in the back, providing a depth of tone to the play with a violin and an oud, a Turkish instrument descended from a lute. With the actors beautiful harmonies laid on top of that, it sounds like it should be too much, but the combination is perfect for building the tension in the more exciting scenes.
Deeply emotional and hard hitting, this play has you gripped to your seat in anticipation for almost the entire show. With both tense action and deeply touching monologues, Walls flows along perfectly, it’s audience eager to find out the ending to these very human stories – and hoping they’re happy ones.