Under the Baobab Tree

In the dank courtyard of C too, I Theatre have created an African oasis, a warm and inviting place for you to take your wee one on a damp Edinburgh morning. The simple and colourful stage entrances. Here children can laugh and sing and clap their hands whilst learning some traditional African folk tales and little bit of Swahili on the side. Before the show started the three-man cast mingled and chatted amongst the wriggling audience. We were introduced to Storyteller, who explained the importance of the baobab tree for generating stories in her home country of Kenya. She is joined by two companions to sing a song about being good and listening properly. A sneaky plan to make an inherently distractible audience behave, this preamble went on just long enough to create a twinge of impatience. The stories themselves, reminiscent of the well known Just So Stories but with a distinctly African twist, focused on a parade of animals, including Hare, Coco the Crocodile, mummy and baby Ostrich, Monkey, Lion, Hyena, and an extraordinarily camp Zebra. Most of these rich characters were created with simple and effective costumes, and the rest as beautifully made puppets. One intrigued audience member became fascinated with Coco's tail, trailing it around the stage, much to the amusement of the crocodile himself. Camp Zebra was not as successful with the audience as perhaps was intended. The particular affectations of this thespian stage-junkie were wasted on such a young audience, leading to a noticeable increase in fidgeting during his prolonged and repeated appearances.The African tales were entertaining, and simple enough to be remembered and retold. While sometimes the conclusions and morals of the stories could have been delivered with more emphasis, it is refreshing to see alternative cultures communicated naturally, effectively and with confidence. Highly recommended for a morning of light and alternative educational entertainment.

Reviews by Leila Battison

Since you’re here…

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You can donate to the charity of your choice, but if you're looking for inspiration, there are three charities we really like.

Mama Biashara
Kate Copstick’s charity, Mama Biashara, works with the poorest and most marginalised people in Kenya. They give grants to set up small, sustainable businesses that bring financial independence and security. That five quid you spend on a large glass of House White? They can save someone’s life with that. And the money for a pair of Air Jordans? Will take four women and their fifteen children away from a man who is raping them and into a new life with a moneymaking business for Mum and happiness for the kids.
Donate to Mama Biashara now

Theatre MAD
The Make A Difference Trust fights HIV & AIDS one stage at a time. Their UK and International grant-making strategy is based on five criteria that raise awareness, educate, and provide care and support for the most vulnerable in society. A host of fundraising events, including Bucket Collections, Late Night Cabarets, West End Eurovision, West End Bares and A West End Christmas continue to raise funds for projects both in the UK and Sub-Saharan Africa.
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Acting For Others
Acting for Others provides financial and emotional support to all theatre workers in times of need through the 14 member charities. During the COVID-19 crisis Acting for Others have raised over £1.7m to support theatre workers affected by the pandemic.
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The Blurb

How did the ostrich get her neck? How do crocodiles clean their teeth? Expertly crafted for 2-8 year olds, this African folktale feast introduces curious, quirky, colourful characters through enchanting puppetry, mask, music and storytelling. www.itheatre.org

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