Scott Agnew: Pride (In The Name of Love)

Scott Agnew is a really nice guy who has a strong stage presence and has some very good lines.I really liked his early material about the power of Glaswegian swearing. The bus driver bit and the umlaut joke were very good. The problem is that the humour fades in the second half. Now, he did have a very difficult, dead audience the night I saw him – they just were not giving anything – but a strong comedian has to rise above that.The stories about a cross-cultural relationship where the boyfriend’s family causes disaster and about a boy friend on drugs were affecting, and after one a woman said she wanted to hug him – and meant it! But they do need to be interspersed with some humour to keep the audience alive. They were also rather ordinary stories – awful experiences for Scott, yes, but they do need to have individualising details and to be brought alive so that we can visualise them.It is very dangerous to take a dip into seriousness for the second half of a comedy show. You need first to get the audience really fired up and on your side. Despite some good material, this didn’t happen here. And then you need to have a mixture of laughter and tears later, not just honest to goodness describing of relationship problems.I was very much with Scott, but I could sense that the audience wanted more. I think Scott would do well to have a larger number of gags in his show and to mix up the serious and the rib-tickling, not just about splitting his show in half as he did here. Keep at it, mate, but have us rolling about laughing more.

Since you’re here…

… we have a small favour to ask. We don't want your money to support a hack's bar bill at Abattoir, but if you have a pound or two spare, we really encourage you to support a good cause. If this review has either helped you discover a gem or avoid a turkey, consider doing some good that will really make a difference.

You can donate to the charity of your choice, but if you're looking for inspiration, there are three charities we really like.

Mama Biashara
Kate Copstick’s charity, Mama Biashara, works with the poorest and most marginalised people in Kenya. They give grants to set up small, sustainable businesses that bring financial independence and security. That five quid you spend on a large glass of House White? They can save someone’s life with that. And the money for a pair of Air Jordans? Will take four women and their fifteen children away from a man who is raping them and into a new life with a moneymaking business for Mum and happiness for the kids.
Donate to Mama Biashara now

Theatre MAD
The Make A Difference Trust fights HIV & AIDS one stage at a time. Their UK and International grant-making strategy is based on five criteria that raise awareness, educate, and provide care and support for the most vulnerable in society. A host of fundraising events, including Bucket Collections, Late Night Cabarets, West End Eurovision, West End Bares and A West End Christmas continue to raise funds for projects both in the UK and Sub-Saharan Africa.
Donate to Theatre MAD now

Acting For Others
Acting for Others provides financial and emotional support to all theatre workers in times of need through the 14 member charities. During the COVID-19 crisis Acting for Others have raised over £1.7m to support theatre workers affected by the pandemic.
Donate to Acting For Others now

The Blurb

Critically acclaimed Glasgow stand-up explores what he and others have done for love and whether they should be proud of it. Winner of the Scottish Comedian of the Year 2008.

Most Popular See More

Back to the Future - The Musical

From £24.00

More Info

Find Tickets

Matilda the Musical

From £24.00

More Info

Find Tickets

Wicked

From £25.00

More Info

Find Tickets

The Lion King

From £35.00

More Info

Find Tickets

The Phantom of the Opera

From £30.00

More Info

Find Tickets

The Mousetrap

From £30.00

More Info

Find Tickets