Richard Herring: Talking C*ck - The Second Coming

Every man in the audience stiffened as a pulsating phallus inflated on the screen in front of us at the start of the show. A premise sold as 'Man's Answer to the vagina monologues' it was always going to be an interesting hour. Herring tiptoes and vaults around the direct issue of manhood without ploughing down the heart of the matter to carefully pick out the laughs.

The most striking element of this show is how impeccably written it is. Herring’s comedic formula applies to every second of the show and leads to witty recalls to previous jokes and astounding ad libs. Without becoming crass or vulgar, Herring doesn't deviate from his self imposed mission to examine the male genitalia for the entire hour. It is therefore impressive that he drums up so much material from a singular touchy topic without generating any offence to audience members.

Unfortunately the slide-show wasn't working for my visit so the audience only caught glimpses of images. This obviously detracted from the show in the first ten minutes but once we realised Herring was professional enough to pound his comedy home without multimedia aids we felt that much more secure in the act. There weren’t as many women laughing as men, but this is completely due to a solid 60% of jokes being found in the deepest darkest depths of male observational comedy. There are still laughs for women in this show.

If you fancy an hour of intelligent observational humor whilst having a good look at your own sex drive - run for a ticket. Not many shows in Edinburgh feel quite like this one.

Since you’re here…

… we have a small favour to ask. We don't want your money to support a hack's bar bill at Abattoir, but if you have a pound or two spare, we really encourage you to support a good cause. If this review has either helped you discover a gem or avoid a turkey, consider doing some good that will really make a difference.

You can donate to the charity of your choice, but if you're looking for inspiration, there are three charities we really like.

Mama Biashara
Kate Copstick’s charity, Mama Biashara, works with the poorest and most marginalised people in Kenya. They give grants to set up small, sustainable businesses that bring financial independence and security. That five quid you spend on a large glass of House White? They can save someone’s life with that. And the money for a pair of Air Jordans? Will take four women and their fifteen children away from a man who is raping them and into a new life with a moneymaking business for Mum and happiness for the kids.
Donate to Mama Biashara now

Theatre MAD
The Make A Difference Trust fights HIV & AIDS one stage at a time. Their UK and International grant-making strategy is based on five criteria that raise awareness, educate, and provide care and support for the most vulnerable in society. A host of fundraising events, including Bucket Collections, Late Night Cabarets, West End Eurovision, West End Bares and A West End Christmas continue to raise funds for projects both in the UK and Sub-Saharan Africa.
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Acting For Others
Acting for Others provides financial and emotional support to all theatre workers in times of need through the 14 member charities. During the COVID-19 crisis Acting for Others have raised over £1.7m to support theatre workers affected by the pandemic.
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The Blurb

Knob, d*ck, schmuck, the yoghurt-spitting sausage, the honourable member for F*ckinghamshire, the pink lighthouse that wants you on its rocks, Spurt Reynolds, Jack the Dripper, Rumpleforeskin... 'Man's answer to the Vagina Monologues' (Guardian).

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