As promised in the blurb, In-Transit Dance Company deliver a fast-paced and energetic dance performance, to the degree that at times the onstage action is almost dizzying. The four young dancers, embodying the white undergarments they wear, hurtle from wall to wall in the intimate black-box venue. It is empty except for a few random garments strewn around the stage, which is highly appropriate to the subject matter, bringing an effective physical reality to the piece. They leap and roll around the stage, sometimes in unison and other times in chaos with only the occasional welcome pause, all to the familiar mechanical sounds of the hum and groan of a 60° cycle.What the young dancers lack in experience, technique and clarity of movement, they make up for in attack, and the sheer energy expended in 35 minutes of relentless spinning and pulsating is impressive. Unfortunately the concept, however interesting in theory, is, in reality, much like watching an actual wash cycle - both mesmerising and mundane.As the piece progresses I started to wonder where it might lead, but the potential is left largely undeveloped and the conclusion of the cycle marks the end of the show, leaving me with the disappointment of an end point that was in fact visible from the very beginning. The work falls short on movement vocabulary and would be more effective boiled down to a shorter cycle.