We’ve all had our fair share of embarrassing moments, and at The Brunswick Chris Mayo, complete with a projection of various photos, is happy enough to share some of his most gutting experiences. Based on his personal struggle to discover who he is, (don’t worry this does not include a stereotypical trip abroad of self-discovery), Mayo starts from the ripe old age of 4 up until his present day self.
He explains from the beginning that this is a work in progress, preparing for the Edinburgh Fringe (2013), and is still in the process of finalising a succinct show. That in mind, Mayo’s skittish, boyish charm comes across well, and although more of a sustained giggle as opposed to a raucous laughter, the material is good. Comprised of memories of growing up and casting auditions, Mayo communicates a genuine feeling of being a wee bit lost. Some of his gags take too long to explain and there are some issues regarding repetition which seem to come from his jumpy, jittery style of performance. Perhaps some of the most successful lines are the more natural asides which need to be emphasised more to boost the performance.
Although the audience is fairly small and quiet, Mayo does succeed in making a connection and there are times when a few ‘awws’ are audible concerning some of his misfortunes. Mayo also includes audience participation reconstructing a particular casting audition, complete with him dropping his trousers so it would appear that he’s not that shy after all!
Near the end of the set the tone takes on one of disappointment, verging on self-pity, bringing the mood down ever so slightly so the closing lacks punch or gusto. Overall Mayo is endearing and honest but perhaps nerves get the better of him at times, producing an over-energetic delivery. In general for a work in progress, it does need bulking out. It will be interesting to see how the show develops and how audiences’ responses will shape this skinny show into a neater, more substantial performance.
