Atomkraft is a performance with live music. Through a kind of joyfully awkward humour and audience participation it explores the itchy, antagonistic, dependent relationships between art, culture and the global systems of capital and power, as represented by the nuclear industry and large-scale urban development projects. Australia's richest man, uranium baron Roddy Magnox, holds a public consultation on his plans to build a combined world-class arts, business and leisure complex and nuclear facility in the centre of each large city in the world, in the shape of a huge black pyramid.