A celebration of the enduring friendship between the brilliant and tragic composer and war poet, Ivor Gurney, and Marion Scott, writer and trailblazer of women musicians, written a…
Rahul met a girl at the Edinburgh Fringe - classic! But why is she still on his mind? Why is Rahul so unlucky in love? It’s probably because he is a Tuesday date.
Rahul met a girl at the Edinburgh Fringe - classic! But why is she still on his mind? Why is Rahul so unlucky in love? It’s probably because he is a Tuesday date.
What do you do when Ms Alzheimer’s – a hideous and befanged monster – comes to live with you? Local author and journalist, Susan Elkin, talks about her new book, …
What if your favourite characters didn’t quite like the way they were written? What if they decided enough was enough? When an unnamed author is found dead, his characters are br…
Tuesday Night Sleeping Club: a night-and-action radio.
Ivor B Gurney and Marion M Scott had a very special friendship.
A celebration of the friendship between the First World War poet and composer, Ivor Gurney, and violinist, musicologist and champion of women musicians, Marion Scott.
Romancero Books with the support of the Office for Cultural and Scientific Affairs of the Spanish Embassy in London presents the Festival of Queer Spanish Literature in London…
“Keep Calm & Practice Mindfulness” &n…
“Keep Calm & Practice Mindfulness” &n…
“Keep Calm & Practice Mindfulness” &n…
The dandy kings of cabaret Joe Morose, Dusty Limits & Des O’Connor invite you to Theatreland’s former lavatory & Oscar Wilde’s forgotten cottage for a royal flush of vaudev…
A celebration of musical theatre every week at Ye Olde Rose & Crown in Greenwich.
Fireball of the cabaret apocalypse, avantguardian, all singing, all raging wonder.
Celebrating the friendship between composer and war poet, Ivor Gurney, and musician and first woman music critic, Marion Scott; written and performed by Jan Carey.
What’s uglier than a $0.
Brighton’s Storyland Press is a place where the story comes first, regardless of genre or where it sits on the commercial/literary spectrum.
iDolls aims to explore the dynamics between social media and feminism by combining various forms of theatre, dance and spoken word.
Sometime in between Jak Soroka cracking eggs on her naked body and Sam Reynolds dry humping someone in the audience, you realise nights at Dive’s C U Next Tuesday cabaret can get…
A surprisingly moving hour of theatre, Something Borrowed deals with the struggles of a 21st-century, 20-something feminist trying to reconcile the desire for the perfect fairy tal…
Chap-hop, the hottest trend since hipster beard balm that makes your beard smell like woodsmoke and whisky, hits the Fringe this year in the form of Mr B’s Guide to Modern Life.
In Violin Variations, Ian Peaston invites the audience to share his passion for experimenting with his electric violin and looping set-up.
This show is wondrously delightful.
Life in America is diverse to say the least.
For a youth theatre troupe, Barnum seems an intimidatingly large production.
Doug Segal opens the show with a unique and refreshing approach to mentalism - it’s easy, you can do it too, and here’s how.
Foodies Festival attendees are welcomed with some free cider, ice-cream, and a range of other delicious freebies to try.
Everything I love about the Edinburgh Fringe can be summed up by a group of people rocking out to the guitar solo in Bohemian Rhapsody in the middle of the street with little or no…
The rise of feminist critique in the world of opera has given life to some fascinating discussions.
Reginald D Hunter returns with his signature brand of close-to-the-bone humour in his new show Bitchproof.
In a new adaptation of Luigi Pirandello’s disturbing masterpiece, Cambridge ADC chop, change and miss the point entirely.
Backed by ethereal, moody themes produced by the aptly titled Ragged Ragtime Band, Rex Ingram’s silent film version of The Magician was brought up from the vault to revel in the …
Oh dear.
A delightful hour of salacious and cheeky comedy, Larry Dean: Out Now! is a hilarious window into the life of Larry.
An author, two actors and an audience member discuss Tim Crouchs last play, an unnamed and violence-filled two-person production whose effects on the actors and writer are slowly…
There is definitely a reason why Simon Callow has his name at the beginning of the title of this beautifully performed monologue.