A celebration of the enduring friendship between the brilliant and tragic composer and war poet, Ivor Gurney, and Marion Scott, writer and trailblazer of women musicians, written a…
With this new comedy show, the Amused Moose Best Debut Show winner revisits the unsolicited feedback she once received; ‘Louise Atkinson – sounds good, looks like a mess’; and di…
‘Hilarious’ **** (TheWeeReview.
Winner of the Amused Moose Best Debut Show, nominee for NextUp! biggest Award in Comedy and nominee for Comedians Choice Award, Louise Atkinson brings you a show about how we false…
Leicester Mercury Finalist, British Comedian of the Year semi-finalist, Funny Women semi finalist, Louise Leigh’s “imaginative, brilliant” (The Scotsman), “Hare-brained” …
‘You’re supposed to be totally fucking crazy when you’re young! Crazy, but in a fun way’From the comfort of her flat, an excitable, precocious, irrepressible woman with…
Scottish Jazz Awards 2022 Best Vocalist nominee Louise Dodds and Elchin Shirinov (All About Jazz Top 200 living jazz pianists) will be performing an exclusive set from their critic…
It’s very common to leave a comedy show with a new perspective or having learnt something.
Debut hour from Geordie rising star with a show all about class, chaos and coming out.
Midlife gets dark, but Louise Leigh is determined to see the funny side.
A work-in-progress comedy show from Amused Moose Finalist and Harrogate New Comedian of the Year finalist, Louise Atkinson.
Midlife gets dark, but Louise Leigh is determined to see the funny side.
A work-in-progress comedy show from Amused Moose Finalist and Harrogate New Comedian of the Year finalist, Louise Atkinson.
A work-in-progress stand up comedy show from Amused Moose Finalist & Harrogate New Comedian of the Year finalist, Louise Atkinson.
What do you do when Ms Alzheimer’s – a hideous and befanged monster – comes to live with you? Local author and journalist, Susan Elkin, talks about her new book, …
What if your favourite characters didn’t quite like the way they were written? What if they decided enough was enough? When an unnamed author is found dead, his characters are br…
Leicester Mercury Comedian of the Year finalist Louise Leigh was supposed to write her Magnum Opus: a searing commentary on men, menopause and menthol rub, a meditation on the natu…
Ivor B Gurney and Marion M Scott had a very special friendship.
A celebration of the friendship between the First World War poet and composer, Ivor Gurney, and violinist, musicologist and champion of women musicians, Marion Scott.
Romancero Books with the support of the Office for Cultural and Scientific Affairs of the Spanish Embassy in London presents the Festival of Queer Spanish Literature in London…
Romancero Books with the support of the Office for Cultural and Scientific Affairs of the Spanish Embassy in London presents the Festival of Queer Spanish Literature in London…
An hour of stand-up from two rising-stars in the world of comedy.
Faye and Fiona feel like Thelma and Louise except they’re stuck in South London with a beat up 1999 Honda Accord (and they haven’t shot anyone.
Faye and Fiona feel like Thelma and Louise except they’re stuck in South London with a beat up 1999 Honda Accord (and they haven’t shot anyone.
Louise Dearman is a leading British actress, singer and international concert soloist.
Two of the first ladies of musical theatre join Paul Taylor-Mills in an intimate one-off concert.
Gabby Best’s Edinburgh show 10,432 Sheep is about her struggle with insomnia, and her approach to coping with life in general.
Louise recently received two reviews.
Rising stars Louise Young and Anja Atkinson make their Fringe debut.
You can never be entirely sure if the material a comedian is sharing is true, based in truth, or completely fabricated.
Pindos is former Cambridge Footlight Milo Edwards’ debut hour at Edinburgh Festival Fringe.
Can you be a perfect wife and mother and stay true to your inner weirdo? For years, Louise Leigh has been listening to the voice telling her that to be a proper woman you have to b…
From the comfort of her flat, an excitable, precocious, irrepressible woman with a dirty mouth and a lot to say discusses life, her many opinions and her best friend, all the while…
If character comedy tickles your funny bone then look no further than An Audience With Yasmine Day at Pleasance Courtyard.
Not many comedy fans would turn down the chance to see the legendary Whose Line Is It Anyway? gang live.
Rising stars Louise Young and Neil Harris make their Great Yorkshire Fringe debut.
A (nearly) solo show, Definitely Louise explores one young woman’s rage and loneliness.
Easily Amused? Louise Leigh is.
Amused Moose National New Comic finalist and So You Think You’re Funny? semi-finalist 2018 comes to Brighton.
The first show in Edinburgh was banned.
Celebrating the friendship between composer and war poet, Ivor Gurney, and musician and first woman music critic, Marion Scott; written and performed by Jan Carey.
Remember that bit in Silence of the Lambs when Bob the prison guard finally faces up to his feelings for co-worker Janine? Me neither, but this isn’t a film on Netflix: it’s an…
Adele Cliff is no mindless follower, a point she’s very keen to address.
Two award-winning acclaimed artists.
Since 1989, MTV’s ‘Unplugged’ series has achieved iconic status in modern music & pop culture.
How do we start a conversation about a better future without sounding like dreamers? This is the question that Joan Clevillé Dance’s Plan B For Utopia tries to answer as its nar…
Spring Awakening is a touching and affecting musical.
Morning People Productions’ self-written and self-directed Twenty Something is a wonderful, shrewd new play about the whirlwind of realities and disappointments in young adult li…
Exploding Whale Theatre’s coming of age romp Heroes is set against the backdrop of Bowie’s rise to superstardom in 1972.
10 Rillington Place is successful in creating a chillingly uncanny aura; a domestic scene is twisted from the familiar into the unthinkable.
As this Victorian romp reaches its climax and Sherlock Holmes whips a ladle out of his jacket to use as a weapon with a cry of “Good thing I sleep cook!” I am holding my sides …
This is what the Edinburgh Festival Fringe is all about.
Frank Sinazi, the “Leader of the Iraq Pack”, is a smooth-talking American entertainer who will not only occasionally burst into song, but also into some loud episodes of a slig…
Absolute Improv is on the whole a light-hearted and enjoyable experience without a bad bone in its body.
Pucqui Collaborative’s Changelings is a thoughtful story about two very different existences colliding and attempting to translate one another.
As a big fan of The Strange Case of Dr Jekyll and Mr Hyde, I was very excited to see Boiling Point’s spin-off.
If you are in search of some polite 1930s garden-party-esque comedy mixed in with a hilariously self-aware performance, this is certainly a play to catch.
In today’s climate of brunching, Instagram-obsessed millennials, and in a time where avocado-hand and avocado-shaped walkie-talkies are an actual reality, there is plenty of oppo…
In a Fringe riddled with long-form improvisation – especially musicals – this is one of the stand-outs.
Few people can turn the (vividly graphic) tale of a dead rabbit into stand-up, but Sasha Ellen is somebody who’s learned the hard way to take life’s hurdles with an incontrover…
An improvised rock documentary is a tall order, and Jack Left Town sets out with boundless enthusiasm, a strong absurdity curve and sick air guitar to deliver, even if some areas a…
David Attenborough meets clowning in this low-budget romp through the Earth’s depleted natural world.
Brighton’s Storyland Press is a place where the story comes first, regardless of genre or where it sits on the commercial/literary spectrum.
Starting a show with a song containing the lyrics “it’s a stupid idea and it’ll never work” feels somewhat disingenuous when the song’s fully orchestrated and lit.
Anybody who finds themselves rooting for a couple in a film or show will love the responsibility handed out by Ae-Ja Kim in Our Man.
2016’s been a bit of a bumpy year to say the least so, it was only a matter of time before we started receiving advice from extra-terrestrials.
Too often Joan of Arc is depicted as a very quiet, very pure young woman who keeps her gaze firmly on her feet or to the Heavens: not very fun at all.
Sometimes you wonder if you need the context of a previous comedian’s shows to really ‘get’ their most recent work.
Huddled underground in a nuclear bunker, Three Men in a Boot attempt to recreate history as best they can whilst staving off hunger (and potentially another Ice Age).
Pernilla Holland’s debut solo show is an ambitious but bumpy foray into character comedy.
Gillian Cosgriff is an absolute sweetheart with the pipes of a jazz singer and a wicked sense of humour to match.
What’s your favourite music album? It’s something that not everybody puts a lot of thought into, but for Gabriel Ebulue it’s a make-or-break situation when making a first imp…
“I don’t want your opinions printed,” Ashley Storrie says to any potential reviewers in the audience.
Lewis Macleod’s impersonation skills are unlike anything I’ve seen - though they are like plenty of things you will have heard.
For a drag queen, Scarlet SoHandsome is a real sweetie.
Beth Vyse’s show opens in a truly Fringe fashion: handing out ping pong balls to the audience, dressed in a voluminous blonde wig and a huge pair of joke-shop boobs, singing alon…
A status as Fringe favourite and a viral stint for her infamous “Trump is a cunt” sign at the businessman’s visit to the Trump Turnberry golf resort mean that Janey Godley’…
In terms of their brand of comedy rock, Axis of Awesome fall more into the rock than comedy genre: there’s far more liberal use of a smoke machine than your average musical comed…
Jamali Maddix creates a buzz when he enters the stage, and why not? He’s a cool guy.
Deliciously Stella is what you expect her to be: if you’ve seen the Instagram account which has become a viral hit with its piss-take of ‘fitspiration’ and other smug hashtag…
I have binge-watched six series of RuPaul’s Drag Race on Netflix and I love drag queens.
I’ve been mulling over more scholarly words to describe Neal Portenza and his show, but I honestly cannot fight the urge to call it batshit.
Callisto: A Queer Epic is a thoughtful piece of theatre which explores social conflicts that coincide with the queer lifestyle.
Rowena Hutson owes her feminist outlook on life to action heroes of the 1980s.
Parris has a seemingly natural knack for creating comedy imbued with emotional depth that doesn’t feel forced or insecure.
Beach Comet have secured themselves as masters of a B-movie musical genre, inviting guests aboard a doomed cruise liner for a riotous hour of exaggerated figures and fantastically …
Thirty seconds in and an audience member is on the stage already: Lolly Adefope doesn’t mess around.
Houdini came to Newport twice in the early twentieth century - not a piece of information you’d find at the top of Houdini’s Wikipedia page, but of utmost significance to young Ala…
Dark humour isn’t in short supply this Fringe - in case you hadn’t noticed, celebrity and political news of late has had a tangible effect on performers.
Max & Ivan are celebrating the anniversary of when they met – and having in recent years become a staple of the Fringe, it’s easy to understand why.
Standing defiantly under the glare of a neon working men’s club sign, Kiri Pritchard-Mclean tackles schema in a bold and impressive solo hour.
It’s not too likely that a straight production of The Pirates of Penzance would garner that wide an audience at the Fringe – a Gilbert and Sullivan musical isn’t the most buz…
It’s not every day you find yourself leaning forward on your seat due to the sheer suspense of a show.
Nick Hall’s one-man cold war thriller is an active piece, darting through London, Amsterdam, and under the Iron Curtain to the heart of the Soviet Union, all in the pursuit of a …
A solo exhibition showcasing new oil paintings by Brighton-based artist Louise Searle.
I went into Tim Drain’s show fully prepared for some offensive stuff.
The Graduettes starts with a great farce premise: flatmates wake up on Christmas morning to find their home robbed and their landlady dead on the floor.
Jack BK’s original written piece deals with class struggles, privilege and ignorance in a clear and effective way.
Death Actually sets out to bring ‘lethal puns and dead funny songs’ in a larger than life musical.
It’s clear that the sketch trio made of Oli Gilford, Edd Cornforth and Jake Shoolheifer have good comic potential, and bounce nicely off each other.
Susan Harrison and Andrew Gentilli are clearly good improvisers, and their joint credentials imply that BEINGS should be a highly entertaining and swift hour of long form improv co…
Matthew Giffen is a charming whirlwind of a man, commanding the audience with his larger-than-life on-stage persona.
Robert Sanders and James Sidgwick have created a lightly entertaining musical around superhero tropes and aesthetic, making for cute if not somewhat pantomime-esque hour and a half…
No amount of advance research can prepare you for Comedians’ Cinema Club.
Running Torch’s The Wishing-Chair Adventures prides itself on audience interaction.
Ed Gamble is a man who plays by the rules – his rules, which he probably has laminated and stuck up somewhere around the house.
Renny Krupinski’s script is an ambitious one: chronicling the lives of one family across three generations, The Alphabet Girl aims to show the destruction of family values and the …
Children’s entertainment should be brimming with energy, lovable and over-the-top characters, and enchanting tricks.
In theory, Eejit of Love is a fun concept: two Irish country bumpkins find themselves swept up in the allure of reality TV, testing their relationship and their own willpower.
Job losses, painful break ups and junk food - set to music! Get Your Shit Together is the perfect pick me up for 20-somethings in a similar situation, or just a nice dose of Schade…
Low energy comedian Peter Brush brings his awkward persona to rest upon matters of death and religion with a surprisingly lighthearted tone.
Tumbling across the stage with the energy of ten children’s birthday parties, Playhouse International (Romania and Australia) create a completely chaotic environment which is bound…
I’m pretty certain this is the first comedy show I’ve ever been to with an audience dance break.
It’s your classic love story, really: inflatable crocodile meets mannequin head, they fall for each other but soon enough cracks show and they fall apart.
Mae Martin is an absolute gem on the Free Fringe.
When I was in high school Glee became really popular, and I loved it because it seemed so new and cool and sexy.
Lance Jonathan (Peter Michael Marino) has had enough of sitting around as understudy on his dads’ ship the S.
Katherine Ryan makes it clear from the moment she wanders onto the stage and discusses the logic behind R&B song Smell Yo Dick that she doesn’t give a rat’s ass what you think.
Iain Stirling has an excellent way of working a crowd.
David Elms brings his muted comedic style in the form of musical vignettes.
I think I’ve found my new favourite musical, thanks to Tangram Theatre and their amazing piece on one of the 20th century’s most important scientists.
2015 has surely been a bumper crop for satire.
“Did she fall or was she pushed?” posits the Mad Hatter (Annie Neat), as Three Mugs of Tea embark on their consumerist take on Alice in Wonderland.
Blind Summit bring a mastery of puppetry to the stage, layering meta-narrative upon verbatim performance upon crime headline in an original look at the aftermath of the Jack and th…
Feminasty is a rollercoaster of irreverent, witty humour with a real agenda at hand.
Before the podcast officially begins, we’re invited to watch a clip of Yorkshire born and bred actor Mark Addy in action.
Tom Stade seems to have gone out of his way to be anything but the Canadian stereotype.
Feeling spiritual? Sara Pascoe has invented her own religion and we’re all invited! Eschewing the other faiths on offer, Pascoe takes to the stage with her “scripture” professing…
Cariad Lloyd prefaced the show with an announcement - her double act partner, Louise Ford, had left Edinburgh in the last few days due to unforeseen circumstances.
From the moment I sat down, I knew this was a quality production.
In a new adaptation of Luigi Pirandello’s disturbing masterpiece, Cambridge ADC chop, change and miss the point entirely.
After my initial panic at being stuck in a room where the mean age of the audience was about four, I began to relax to the dulcet tones of the performing quartet.
Walking through the opulent interior of the Brunswick Town hall, we head for the police cells.
As their sinuous bodies glided and writhed over the stage, stirring to the wailing undertones of the soundtrack, I was mesmerised.
I was thrilled to experience a piece of theatre performed in its traditional style but with a fair number of contemporary tweaks to keep the audience on its toes.
Having interned in an NGO’s office this summer, I found this narrative of two asylum seekers caught in the complexities of the UK Border Agency’s claims system incredibly accur…
I had anticipated a stunningly original production of Woyzeck by the Theatre Oikos company, considering their level of fringe experience and the quality of their text.
Tin Girl Story is an interesting production but I am unsure as to whether 29 Shoes Theatre Company chose the appropriate setting, or listing for their creation.
On entering Venue 13 I am blown away by the inspired set pieces.
An author, two actors and an audience member discuss Tim Crouchs last play, an unnamed and violence-filled two-person production whose effects on the actors and writer are slowly…
Maybe it was the ‘sold out’ sign at the box office, or the massive queue, which I waited at the end of, anticipation intensifying with the perceived popularity of the productio…
Newton Faulkner, armed with a guitar and a flask of tea, saunters on stage, chatting to the audience as he sets up.
The hour-long musical and cultural immersion created by the Blueswater Collective would have received a perfect five stars if they had started as strongly as they finished.
I give this production four stars with some trepidation, as I am not entirely sure whether it is just my sense of Western artistic norms that is holding me back, or if in fact Qing…
This was a hilarious, fun and candy-full show.
Normally when someone is not laughing, and everyone else is, it is because they don’t get the joke.
What I have always loved about Gilbert and Sullivan musicals is the tongue-in-cheek, ‘taking the mick’ style that is elemental to their popularity.
There is something about small performance spaces - their cosiness, their character - but most of all I enjoy how up-close and personal the actors can be in such venues.
I have always been of the belief that children’s shows require an element of the surreal for both the captivation of the children, and piquing the interest of the parents that pa…
Very occasionally we might have an original idea, and when we do we like to tell others about it; however nothing can be compared to the smugness of Michael Pinchbeck and Ollie Smi…
This play is stunning in its simplicity and endeavour.
There tends to be controversy around plays, and films, that resurrect the character of Hitler for the sake of performance.
I have very mixed feelings about this multi-genre one-woman play.
As the company’s shiny programme will tell you, ten is a very significant number, not least for the total of performers in the production of Interno 10/B.