Larry Dean’s been spending a lot of time with his granny lately.
A celebration of the enduring friendship between the brilliant and tragic composer and war poet, Ivor Gurney, and Marion Scott, writer and trailblazer of women musicians, written a…
Larry’s been spending a lot of time with his granny lately.
Three-time Edinburgh Comedy Award nominee tries some new jokes.
Three-time Edinburgh Comedy Award nominee tries some new jokes.
Three-time Edinburgh Comedy Award nominee tries some new jokes.
Original music and sharp stand-up comedy epically combust in this hour from comedian Larry Owens.
NOMINEE: Edinburgh Comedy Award 2022 (Best Comedy Show) Triple Edinburgh Comedy Award-nominee and star of Live At The Apollo returns with a blisteringly hila…
NOMINEE: Edinburgh Comedy Award 2022 (Best Comedy Show) Triple Edinburgh Comedy Award-nominee and star of Live At The Apollo returns with a blisteringly hila…
What do you do when Ms Alzheimer’s – a hideous and befanged monster – comes to live with you? Local author and journalist, Susan Elkin, talks about her new book, …
What if your favourite characters didn’t quite like the way they were written? What if they decided enough was enough? When an unnamed author is found dead, his characters are br…
American comedian from Texas offers a rollercoaster of health and staying present pursuits from London to Tokyo to monasteries to tofu and brown rice.
Double Edinburgh Comedy Award nominee and star of Live at the Apollo returns with a brand new hour of ‘confessional storytelling at its funniest’ ***** (Herald).
Ivor B Gurney and Marion M Scott had a very special friendship.
A celebration of the friendship between the First World War poet and composer, Ivor Gurney, and violinist, musicologist and champion of women musicians, Marion Scott.
Romancero Books with the support of the Office for Cultural and Scientific Affairs of the Spanish Embassy in London presents the Festival of Queer Spanish Literature in London…
Edinburgh Comedy Award nominee Larry Dean is here to try out some brand-new jokes.
Edinburgh Comedy Award nominee Larry Dean is here to try out some brand-new jokes.
The Queen’s Speech: Miranda’s revels now are ending, but island life looks such fun! 35 years after Miranda and her father Prospero left their island at the end of The Tempest, the…
Edinburgh Comedy Award nominee brings 2017’s smash-hit show back to the Fringe.
Essays about growing up a Texan cattle-raising milk-drinking gay baptist, to become a barefoot plant-based health coach.
Celebrating the friendship between composer and war poet, Ivor Gurney, and musician and first woman music critic, Marion Scott; written and performed by Jan Carey.
An hour of new material by award-winning comedian and ‘Live at the Apollo’ star, Larry Dean.
Amused Moose Comedy Award winner and Foster’s Edinburgh Comedy Award nominee Larry Dean returns to Edinburgh with a brand new hour of ‘fascinatingly funny’ (Evening Standard)…
Brighton’s Storyland Press is a place where the story comes first, regardless of genre or where it sits on the commercial/literary spectrum.
Highly respected songwriter Larry from today’s American folk tradition returns to AMC and the Fringe with original ballads and powerful contemporary messages, told with the care of…
Male stand up comedians from certain parts of Glasgow often face a significant impediment; they can’t help but sound like Billy Connolly, and so inevitably find themselves compar…
Fosters Comedy Awards 2015, Best Newcomer: Nominee, and Scottish Comedian Of The Year award-winner brings his new show to Brighton Fringe.
The sketch group the Tenderloins, stars of TruTV’s hit prank show “Impractical Jokers,” presents a night of live comedy, with a mix of stand-up, behind-the-scenes…
The host of Comedy Central’s “The Nightly Show With Larry Wilmore” discusses the first year of his inventive, acclaimed news-satire series with Mr.
At a certain point in Confirmation’s 85 minutes of perspective-smudging, you just want to get up and scream – so inescapably does Chris Thorpe’s script put you face-to-face w…
Song for The Bowdoin, Old Zeb, and Song for Gale – examples from a writer considered a leading voice in the American folk tradition.
Musical comedian Jamie Kilstein has an utterly charming stage presence.
Imagine a one-night stand you had resulted in a pregnancy and four months later you started a relationship off the back of it.
It’s 11 am – for some, the time for a late, leisurely breakfast.
Fasten your knickerbockers and hold onto your bonnets: Austentatious is back for a fourth year of frilly-meets-filthy improvisation, based exceptionally loosely on the collected wo…
Punching pigeons comes surprisingly easily to Martha McBrier, whose hour of engaging and funny storytelling draws on run-ins with pesky birds of all kinds, all the while unmasking …
Welcome to the house party.
There’s a very fine line between watching an actual, heart-in-mouth onstage breakdown and one that’s convincingly feigned.
‘Hi, Eric Swineblade,’ says a bluetooth-enabled gumph-bot at the door, proffering his executive, solutions-providing hand.
Pay attention as this breathtaking production desiccates, then dissects childhood trauma via its exploration of Wittgenstein and semantics: there’s a wordless sucker punch in Can…
I’m going to start by dismissing the notion that we’re due something entirely new from Joseph Morpurgo, because such thinking ignores the staggeringly high standards to which t…
Alfie Brown has a real problem with moral absolutism.
Scottish Comedian Of The Year Award winner returns to the Fringe with his debut hour.
You probably expect misdirection from magic, but it’s a rare thing for it to move you.
That the character of Paul Abacus was created in 2009 – three years after TED talks became available to watch online – is no surprise at all.
The opening salvo of this musical Game of Thrones pastiche has such brazen, devilish promise that for a while I entertained the possibility of being blown away by it.
It’s 1975 and Laurence Olivier begins the day in his New York hotel suite.
Scottish Comedian Of The Year 2013, Larry Dean brings his first solo show to the Brighton Fringe.
For three decades the Guggenheim Museum has hosted Works & Process, a popular lecture-demonstration series in which artists discuss works in progress.
Luca Villani certainly gives you plenty of Bach for your buck.
It might be difficult to see why someone would bother writing a comedy pastiche of a girls’ boarding school when a perfectly good one already exists in Daisy Pulls It Off.
This one-off recital was a showcase of first-year talent from a group of four classical pianists from Edinburgh Napier University.
Sleight & Hand’s purposefully heavy-handed opening speech casts a shadow over its self-conscious remainder: this piece of new writing by Chris Bush is so knowing you’d really…
There’s certainly more than a touch of the Manic Pixie Dream Girl to 22-year-old Rachel Sermanni: the floaty blue dress, the bare feet, the frequent tipping of toes.
The World Mouse Plague is a complex, experimental illusion of a play.
Playing with form is a bold move, one for which Ross Macfarlane, the director of this one-man show, must be praised.
‘Only at the Fringe,’ you might hear from the uninitiated, shaking their heads at the madcap eccentricities on display daily and greyly on the Mile.
If your experience of Fringe plays has become stale, Nothing is likely to change your mind.
The Sydney Theatre School’s production of Shakespeare’s Measure for Measure grapples gallantly with its intricate material, but fails to leave much of an impression.
This is a show about seeing patterns in the random; about time’s ability to change perception; about coming to terms with death and working through depression.
SCOTY winner and Scottish Comedy Awards nominee.
Should Capitalism Be Criminal? was the first discussion in a series entitled Cabaret of Dangerous Ideas, which is essentially a leftie version of Question Time, set in a yurt in…
When seeing a piece of new writing it can be best to have no expectations, to let the play lead you where it will.
This engaging one-man play by Alex Oates is a novel take on the descent into drug-dealing: our protagonist, Geordie lad Bruce Blakemore, begins buying cocaine through a shady websi…
What sounds can you make with just your body? Most us can manage the usual: speaking, shouting, applause.
You might find yourself wondering how far into the past you’ve strayed during this excellent piano concert by Steven Worbey and Kevin Farrell.
Cormac Friel’s hour-long set on masculinity, relationships and competitiveness is full of sparkling one-liners and cheerful narration, but suffers from his tendency to rush throu…
Dan Schreiber is a fact-obsessed Aussie who has spent parts of his life in Hong Kong and London and most of it in denial of being a complete and utter geek.
“Who here is a guard llama?” Confused? So is the attempted narrative arc of Rhys Nicholson’s set, supposedly an hour-long look at protectors (guard llamas) and protected (she…
It’s hard to imagine an audience that won’t enjoy this show, based (exceedingly loosely, one hopes) on the boarding school experiences of WitTank’s cast of three: Mark Cooper…
The amount of energy going into Kitten Killers’ non-stop hour is one of its greatest assets.
The line-up of this comedy showcase changes daily, making each viewing unique.
You’d be forgiven for thinking you’d come to the wrong classroom: at times this show seems more like Sara Pascoe vs Biology, what with the fascinating nano-lectures on “spe…
Kevin Day begins his act with a long, cautious introduction, letting us know what is to come.
Byron Vincent enters the venue in pinstriped pyjamas and a pair of tatty trainers, wiping his long fringe out of his eyes.
Whatever Gets You Through The Night is a wide-spanning arts project: an album, a film, a stage show and a book have all come together under the umbrella heading of ‘somewhere in …
Bach for Breakfast is one of a number of mealtime-based concerts at Overseas House.
With a capable choir, a proficient orchestra and a perfect acoustic, it would be difficult to get Fauré’s well-loved Requiem wrong.
Roddy Woomble’s gig at the Acoustic Music Centre fell slightly flat.
A commanding, busty Titania sits with her changeling child as drab fairies dance woozily around her to crackly swing music.
In a new adaptation of Luigi Pirandello’s disturbing masterpiece, Cambridge ADC chop, change and miss the point entirely.
Mike Oldfield’s critically and commercially successful prog-rock album ‘Tubular Bells’ has been lovingly recreated by Daniel Holdsworth and Aidan Roberts as a live, two-man perform…
‘Simon Evans: Friendly Fire’ is a misnomer.
Tom Thum is amazing.
Bishops Diocesan College, an independent boys’ school in Cape Town, brings this ambitious production of Biloxi Blues to Edinburgh after their run of Master Harold.
‘I shall be remembered!’ cries Dame Elaine Montgomerie for the fifth time in her one-woman show about the life of Madame de Pompadour.
This is a one-man show with a difference: the actor is also a magician.
In this one-off show, Andi Neate’s band was small and intimate.
Most school kids don’t want to read Shakespeare.
The Not Quite Quartet is confusingly named.
A delightful hour of salacious and cheeky comedy, Larry Dean: Out Now! is a hilarious window into the life of Larry.
The Jazz Bar’s crowd on Sunday the 12th August was a bit of a mix.
‘Accident’ isn’t a word normally associated with The Zodiac Trio.
This concert bore all the hallmarks of a homecoming gig, except that very few people actually seemed to know any of MacLean’s songs.
Tim Rose and Andy Philip are two fantastic guitarists.
It’s hard to describe Discover Ben Target without spoiling its crazy, meandering plot: at the core of this show’s magic is the element of surprise.
An author, two actors and an audience member discuss Tim Crouchs last play, an unnamed and violence-filled two-person production whose effects on the actors and writer are slowly…
Smile and Nod are a sunny, engaging college improv group from California, whose show California Beach Bungalow is confident, slick and imaginative.
The premise of A Cry Too Far From Heaven is fairly simple: a former executioner in New Zealand delves into the past, a time before the complete abolition of capital punishment came…
Aizzah Fatima’s one-woman show is an exploration of modern Islamic feminism through the eyes of seven different characters, whose varied situations and outlooks on life paint a f…
Watch This Improv Troupe have set themselves up for quite a fall after confidently naming their act Nothing To Show.
‘Good luck on your journey!’ beams a girl at the entrance of this unique Fringe show.
BBC Radio 1’s Fun and Filth Cabaret is the perfect late-night entertainment show: the cream of the Fringe’s weird and wonderful crop is given short slots to impress a sizeable …
At the start of this amateurish pub stand-up set, we are told the reasoning behind its name.
Some acts let the music do the talking, but performers can vastly improve their sets with routines.
Do Not Adjust Your Stage is an interesting concept.
A Little Night Music promised a delightful evening of choice piano pieces associated with the night-time.
Edinburgh Comedy Award nominee brings 2018’s smash-hit show back to the Fringe.
Fresh from a sell-out international tour and smash-hit Live at the Apollo debut, Larry returns with a new hour of ‘unexpected and excellent’ **** (Times) thoughts on Scottishness, …
Congratulations to Tap Tap Theatre's Captain Morgan series, which has bagged our second Bobby Award of 2015.
Our first Bobby Award of the year goes to the inimitable Luke McQueen, whose playful and genre-breaking show Double Act wowed our comedy editor, Martin Walker, and t...
Wojtek: The Happy Warrior is a physical theatre ensemble retelling of the real-life story of a Syrian bear who joined the Polish army to fight in World War II.