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Titus Andronicus
- Review
- ★★★
- Ben Blyth
- Edinburgh Fringe
- 6th Aug, 2011
As avid Arden-readers will know, Peter Brook wrote an open letter to Shakespeare in 1957 “giving us full marks for saving your dreadful play”.
Thirty Two Teeth
- Review
- ★★
- Ben Blyth
- Edinburgh Fringe
- 25th Aug, 2011
JamJar’s follow up to Following Wendy is a disappointment on the scale of Grease 2, The Matrix Reloaded and Godfather 3 combined.
Malfi
- Review
- ★★
- Ben Blyth
- Edinburgh Fringe
- 24th Aug, 2011
The spirit of John Webster has never been better captured than in the rat-jabbing guttersnipe seen in Shakespeare in Love.
Penny Dreadful's Etherdome
- Review
- ★★★
- Ben Blyth
- Edinburgh Fringe
- 13th Aug, 2011
The Assembly’s Bosco space is a strange one - one part church, one part yurt - it hints at tent revivalism with a Romany aesthetic.
101
- Review
- ★★★★
- Ben Blyth
- Edinburgh Fringe
- 4th Aug, 2011
I have had a dream, past the wit of man to say what dream it was, but it happened at 11am in the dark recesses of C’s soco building.
Antony and Cleopatra
- Review
- ★★
- Ben Blyth
- Edinburgh Fringe
- 18th Aug, 2011
EGTG are not your average fringe company.
Nobody's Home: A Modern Odyssey
- Review
- ★★★★★
- Ben Blyth
- Edinburgh Fringe
- 12th Aug, 2011
It is the mark of truly great theatre when the audience leave the auditorium and cannot stop talking about the play.
Belt Up's The Boy James
- Review
- ★★★
- Ben Blyth
- Edinburgh Fringe
- 5th Aug, 2011
For all the excellent performances and wonderfully controlled aesthetic, this production amounts to nothing more than average; because it’s Belt Up, that’s disappointing.
A Day in November
- Review
- ★★★★★
- Ben Blyth
- Edinburgh Fringe
- 6th Aug, 2011
A Day In November is a beautifully controlled and tenderly delivered reflection on the mind’s descent towards death.
The Infant
- Review
- ★★★★
- Ben Blyth
- Edinburgh Fringe
- 6th Aug, 2011
Two of my favourite things are Les Enfants Terribles and Theatre of the Absurd.
I, Malvolio
- Review
- ★★★★★
- Ben Blyth
- Edinburgh Fringe
- 22nd Aug, 2011
‘I am not mad’ trills a terrific Tim Crouch, commencing a thoroughly engaging hour of intelligently devised and wonderfully executed theatre.
Babbling Comedy 2
- Review
- ★★★★★
- Ben Blyth
- Edinburgh Fringe
- 9th Aug, 2011
The short audience queue didn’t bode well for Babbling Comedy 2 (when playing for laughs, a C of empty seats is a performer’s worst nightmare), and I found myself preparing to …
Fear and Misery of the Third Reich
- Review
- ★
- Ben Blyth
- Edinburgh Fringe
- 9th Aug, 2011
You know you’re onto a loser when (and I counted) five audience members are asleep during your one-hour production.
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