The Patrick Turpin Three Minute Interview

At this year’s Edinburgh Festival Fringe, Patrick Turpin presents an hour of sentimental mush, misguided enthusiasm, and some divvy chat about his Dad. Part stand-up, part anecdotal love-in; we’re promised that this will be Turps at his sassy best...

It’s at 12.30pm and will put people off their breakfasts (although in my experience, Scottish breakfasts are quite good at putting people off their breakfasts).

“My Edinburgh Fringe show is called A Brother For Jonathan, and it’s a bit of a wolf in sheep’s clothing.

“It’s supposed to be a confessional, heart-felt, and empowering hour about teenage anxiety, self-consciousness and the struggles of childhood (yawn!), but really it’s just about my balls (and sneakily finding new secret ways to talk about my balls). It’s at 12.30pm and will put people off their breakfasts (although in my experience, Scottish breakfasts are quite good at putting people off their breakfasts).

“In all seriousness, this show is just my 2014 submission for the Foster’s Edinburgh Comedy Award competition we all enter every year. So sue me (for anything but failing to meet the required entry criteria).”

Tell us about your involvement with the production company, Berk’s Nest.

“I met these guys when I was 22 (four years ago), and they are like family. Berk’s Nest have had a hand in all of the shows I’ve done in Edinburgh over the last three years, and if it wasn’t for them I would be a far worse performer than I am today.

“They give me the confidence to take risks, and I owe them a lot because of that. They are an incredibly conscientious, passionate and intuitive bunch, and it feels like they’re building something authentic (rare at a festival dripping with so much bloody money, am I right!? #fuckmoney #hateGove).

“When you’re a solo performer being part of something larger is so incredibly valuable. I think my show is quite good, and that is down to them.”

How do you describe your comedy to those that might not have seen you before?

“All I can focus on is the word ‘might’ in that question. By that I mean, not that many people ‘might’ have seen me…

“I would describe my comedy as pretty stupid. It wallows around in self-ridicule, awkward turns of phrase, and fairly obtuse cultural references. It’s also a bit observational as well – which is sometimes seen as a bit of a dirty word in comedy at the moment, but if it’s done intelligently then it can be really quite lovely.

What advice would you give your seventeen year old self?

“Oi, Turpy! The Creative Zen will never overtake the iPod.”

If you were curating a stand up show for television, who would be your guests?

“Mae Martin, Glenn Wool, Ivo Graham, Jack Barry, Lou Sanders, Paul Foot, Annie McGrath, Phil Wang, and David Elms. All doing a tight-5… or a loose-7.”

Broadway Baby Listing and Edinburgh Fringe Box Office: http://www.broadwaybaby.com/shows/patrick-turpin-a-brother-for-jonathan/700186

Twitter: @explorepatrick

Facebook: /patricklaurencechildturpin

Since you’re here…

… we have a small favour to ask. We don't want your money to support a hack's bar bill at Abattoir, but if you have a pound or two spare, we really encourage you to support a good cause. If this article has either helped you discover a gem or avoid a turkey, consider doing some good that will really make a difference.

You can donate to the charity of your choice, but if you're looking for inspiration, there are three charities we really like.

Mama Biashara
Kate Copstick’s charity, Mama Biashara, works with the poorest and most marginalised people in Kenya. They give grants to set up small, sustainable businesses that bring financial independence and security. That five quid you spend on a large glass of House White? They can save someone’s life with that. And the money for a pair of Air Jordans? Will take four women and their fifteen children away from a man who is raping them and into a new life with a moneymaking business for Mum and happiness for the kids.
Donate to Mama Biashara now

Theatre MAD
The Make A Difference Trust fights HIV & AIDS one stage at a time. Their UK and International grant-making strategy is based on five criteria that raise awareness, educate, and provide care and support for the most vulnerable in society. A host of fundraising events, including Bucket Collections, Late Night Cabarets, West End Eurovision, West End Bares and A West End Christmas continue to raise funds for projects both in the UK and Sub-Saharan Africa.
Donate to Theatre MAD now

Acting For Others
Acting for Others provides financial and emotional support to all theatre workers in times of need through the 14 member charities. During the COVID-19 crisis Acting for Others have raised over £1.7m to support theatre workers affected by the pandemic.
Donate to Acting For Others now