Penelope is the conclusive episode of Ulysses and the first time Joyce explores the inner workings of Molly Bloom’s consciousness.
This play attempts to shed light on topics the company, Angry Bairds Productions, believe ‘no one wants to talk about’: Religious extremism; Islamophobia, drug addiction, suici…
An uncompromising voice reads out the Taliban’s manifesto and we are reminded that, from 1996-2001, women in Kabul were not allowed to seek any form of medical support when sick;…
A disused kitchen basement is the setting for a revival of Harold Pinter’s The Dumb Waiter, this environment instantly creating a close proximity between actor and spectator.
If you’re looking to travel back through the years and witness witty portrayals of your schooldays, then this show will transport you.
Unsettling, rich with seamless physicality and melancholic tableaux, the pupils from The City of London Academy certainly capture the poignancy of Sarah Kane’s final play.
Steven Berkoff and Jay Benedict flamboyantly meander across the minimalist stage and poetically begin to explore the theatrical world.
Norman Kreeger, played by David Calvitto, has recently published a book on 21st century extremism and appears as a guest on Issues in Focus, a late night political talk show to sha…
‘Why is it easier to speak to a stranger than it is to my own daughter?’ Rosa, an elderly woman approaching the end of her life, asks Stella, a Nigerian immigrant reluctantly i…
We learn from the outset of the play that two of the three pigs are dead.
A blue football rests in the middle of a chalk circle; traumatised Edward, played by Alex Austin, moves nervously around the edges of the stage; a television set flicks on and off…
For the first few minutes of the play, written by and starring Ben Moor, it seems as if we are about to witness a melancholic reflection on a lost marriage and the quiet despair on…