Follow the scandalous true story of Suffragette-turned-fascist Mary Richardson in this time-bending cabaret.
A memory: South London reggae pioneer Sutara Gayle AKA Lorna Gee hears her radio debut from Holloway Prison.
Can (online) dating help bridge political divides? In Swiping Right, Sophie Anna Veelenturf explores what happens when political opposites connect.
Step into a world where the boundaries between audience and performers dissolve.
‘Why I shot Andy Warhol and other chit-chat’ Nona Demey Gallagher and Lieselot Siddiki are bringing Up Your Ass, Valerie Solanas’ infamous 1965 comedy.
GO! is at the crossroads of contemporary dance, martial arts and digital technology.
Masterful storytelling, daring dance and subversively stupid conversations from this unstoppable artist.
Joanna has always spoken her mind.
A young man embarks on a thrilling journey from his small hometown to the big city, where he finds solace and joy in the vibrant LGBTQ+ scene.
For those that missed Lewis’ entirely sold-out run in 2024, you’re in luck – his life-changingly beautiful show is back, reduxed – if you managed to snag a ticket last time to …
Berlin, 1933.
A female street clown accidentally becomes famous overnight at Chickadee TV Studios as Chickadee the Sexy Clown.
Upside-down or right side up? On purpose or by accident? How do you like your eggs? From the mischievous minds of Full Out Formula comes I Think It Could Work, a daring and playful…
Panoptikum amazes, entertains, and frightens.
A thrilling, saucy rendition of Shakespeare’s classic tragedy, Macbeth.
‘What if our aloneness isn’t a tragedy? What if our aloneness is what allows us to speak the truth without being afraid?’ A Jewish actor and predominantly Jewish team bring to life…
Aspiring nihilist (and accidental optimist) Wayne Stewart wrestles with meaning and purpose as he reflects on why he walked 650 miles across France alone in July 2021.
KISS explores what happens when women enter a world created by men.
Shell is a fantastical one person show that weaves between realities and awakens a wanting you may have forgotten was there.
Dusky Seaside Sparrow, Cinnamon-coloured Cryptic Tree Hunter, Problematic Flasher, Fire Millipede From Hell.
You Heard Me is for anyone who has been underestimated, or told to shut up.
Not to be missed, hugely inventive, an extraordinary show, This is Not Romeo and Juliet choreographed by Danish Palle Granhøj is experimental but with broad appeal.
DON McEnroe and Björn GNU face each other once again in the ultimate duel we all have been waiting for! A nerve-wracking battle of finger knitting, tango wrestling, dirty tricks a…
The dance pieces of this double bill have very different styles and atmospheres, The Flock is an austere, almost scientific study, Moving Cloud is a euphoric, high adrenaline party…
Carpentry and circus collide.
in TESTO by Wet Mess, Wet Messifies transitions, testosterone and the edges of drag.
It’s tough being a deaf kid.
Morag’s death left a silence in her place.
Witness to a horrifying tragedy, a signalman is haunted by a mysterious figure standing by a railway tunnel.
In 2022 a show was cancelled while it was still in rehearsal.
Join us for a sip of mezcal at this Day of the Dead-style theatrical experience.
Caught in a storm and looking for help, Murdo knocks on the door of a dark, old house and the family inside seems to be expecting him.
This is not a show about mental health.
In the game of televised warfare, it is unclear who’s allowed to say ‘we’ anymore.
Fringe favourites 21Common return for a dance spectacular, mashing karaoke carnage and feats of physical endurance with chucking-out time at the Grand Ole Oprey.
Everyone has a wall in their heart.
From Frankenstein to The Invisible Man, James Whale directed some of the greatest movies of all time.
‘I got very little, little to no media training, so.
In a holding room, participants wait.
Figs in Wigs are back and this time they’ve got their period (dresses).
Dances Like a Bomb is a dance and physical theatre piece by Irish Dance Company Junk Ensemble.
Come and enjoy a night in celebration of one of the world’s most beloved entertainers, the one Ms Judy Garland.
Report To An Academy is not Franz Kafka’s best work, but Robert McNamara brings the elusive central character with precision and animal rage that is very watchable.
Dancer and performer Elliot Minogue-Stone presents pop art, contemporary dance and cabaret in his brand-new mish-mash show, Groovicle at Zoo Southside.
Look into the human face of greed – live acting, visuals and a binaural soundscape that gives you the chills.
Inspired by Shakespeare’s Titus Andronicus, featuring original text and music which depict the extreme cruelty resulting from retaliation.
Elizabeth Holmes claims her biotechnology will revolutionise medicine – and people believe her.
Writer/performer Jenny Witzel tells her story of living on a boat in an “up-and-coming” neighbourhood in South-East London.
A guitar, microphone and stool wait expectantly on an empty stage.
La codista / The queuer is a deceptively simple show about a woman who waits in line for other people.
Banana is a wacky hour of outside-the-box clown comedy that makes you smile from ear to ear.
Travellers! Come along the journey of your life to the land of holiday wishes, dreams.
Discover this iconic Flemish play by Cyriel Buysse.
A dance performance exploring the working body across two seemingly distant sectors: agriculture and dance.
‘Breathtaking, heart-stopping, terrifying’ ***** (Cherwell.
After a slow and rocky start, Ontroerend Goed’s Funeral becomes an emotionally resonant space for processing a person’s grief.
Gerry Carroll – Young.
‘Why do I speak English??’ I have been asked this in an accusatory manner.
‘Stand-out dance of the summer’ (Guardian on 201’s Skin).
‘I think I might be ill.
Jaz Woodcock-Stewart from award-winning company Antler collaborates with choreographer Morgann Runacre-Temple.
‘Awesome late-night hilarity’ (ThreeWeeks) will be too good to miss.
The Relentless Approach of Better Times is Emma Smith’s testimony to the importance of galvanised positive action in response to forced mass migration, climate change and political…
Kat is a woman (has been for quite a while now).
It’s a day like any other.
Firsthand is an audiovisual artwork – an outcome of residency by artists Marta Adamowicz and Robert Motyka on the concept of home through the connections with the remembered and …
Blood Red Lines was developed with and performed by victims and survivors of the tragedies of South Armagh, border counties and Dublin in the darkest days of the Irish Conflict.
Originally published in 1915, The Rainbow was extraordinarily ahead of its time as Lawrence explores the experiences of three generations of Polish women living in Nottinghamshire …
Heroes.
From the Heart of the Incident is the extraordinary story of Dr Issam Bassalat Hijjawi, a highly respected and much-loved Edinburgh medical doctor and Palestinian activist held in …
Jazz, pop, classics.
A poetic, subtle and witty dance performance on conventions, expectations and perception.
Saber Came to Tea is an entertaining short play with original music and magic that tells the story of one young woman’s defiant stand against the constraining social norms of her f…
We all have a mother, and an opinion about how she should be.
Award-winning political theatre based on the movie about the harmless, loser boxer Rocky, who against all odds defeats his own inferiority and unreasonable loser life.
‘I’m still waiting for my child.
After years of patching up a rapidly deteriorating airport on an island lost in a Foie Gras scandal, Lick is staring down the propeller of a cargo plane.
Saved is a multi-layered, retro-mechanical music show built around rescued 70s home organs.
“You can disappear into the timelessness of motion.
A Roots Mbili Theatre and Sheffield Theatres co-production.
Join Art27 Scotland Artist in Residence Elaine Cheng as she explores the binaries of Hong Kong and China through her new sonic composition, discussion and tales of the life of thos…
A grenade hits Joe Bonham in WW1.
Argentinian dance music greets us as we enter the space for two-man physical theatre experience Un Poyo Rojo, but the vast majority of the show takes place in silence.
Billed as part Brazilian street dance and part Scottish ceilidhe with everyone invited to share the dance floor and a whisky, this suggested a rather more joyful, carnivalesque exp…
Circus is inherently exciting to watch – the whole point of it is to see human bodies interact with the world in a way you didn’t think was possible.
James Stuart – or Stuart James – is passed out at his desk as the audience file into the space.
How To Use A Washing Machine is a charming two-hander from emerging company Slam Theatre.
A mixture of mythology, memory and music.
What’s done is done.
There are 36 shows at the Fringe by trans performers, according to the TransFringe hashtag on Twitter, and Edalia Day’s Too Pretty to Punch might be the only one that’s both ce…
I’m not sure how to explain The Fun Club Presents… Three performers – Sara Page, Franny Anne Rafferty and Alistair McPhail – in a room, all in animal face-paint, talk obliq…
The National Theatre of China have brought their visually stunning production of Life On The Silk Road to Zoo Southside.
Punk and theatre aren't the strangest of bedfellows, but there is something that often feels false when collectives of art school graduates and professionally-trained actors at…
A woman stands downstage right, a spotlight illuminating her from one side.
ĐẸP is a Vietnamese word that translates as ‘beautiful’, and is also the starting point for Dam Van Huynh’s dance work that explores the nature of the human condition, tak…
Profundis choreographed by Israeli-born Roy Assaf, is amusingly and slickly performed by the National Dance Company Wales but is more of a ‘five-finger exercise’ for dance stud…
Folk is Caroline Finn’s first piece for the Cardiff-based National Dance Company Wales since becoming its Artistic Director two years ago.
EastEnders fans will remember experiencing shock and upheaval at the revelation that the culprit of a long-running murder whodunnit was 10 year old Bobby Beale.
Confronting head-on complex ethical dilemmas that co-exist with modern Western imperialism, this new play written by Rory Horne is urgent, engaging and also deeply entertaining.
A good storytelling piece is lovely.
Static Assembly attempt to give us an insight into the lives and rivalry of Thomas Edison and Nikola Tesla but really just leaves the audience confused.
Temper Theatre once again return to Edinburgh to gift audiences with a performance well worth three times the ticket price.
With one of the longest titles you’ll come across it feels as though this show will have a lot to unpack.
Glimpses of a toxic relationship.
They say a mother’s love is unconditional, but can you truly still love your child after they commit the most heinous of crimes? Put The Book Down’s Mine brings to light the ex…
In Korea when somebody dies, people say they have gone ‘over the moon’ or ‘crossed the river’.
When reading the marketing blurb for Luna Park, I must confess I wasn’t entirely sure what to expect.
Through innovative movement and a thought-provoking script, Clown Funeral’s dark yet comedic The Murderer comments intelligently on society’s inability to forgive and forget, by …
Hip Hop is a strange medium with which to tackle the homosexual experience.
The setting is intimate, and encroaching on the personal space of a frail man, in a battered armchair listening to the television (news of the Gulf War is on – the year is 1991) …
I you are looking for a bombastically visual hip hop dance show, and you don’t mind a nonsensical and cliché plot, this is the show for you.
The difficult relationship between political and personal affairs are addressed in the devastating drama Generation Zero.
Ghost Dance, or Dawns Ysbrydion as is the Welsh title, uses three female dancers to explore the parallels between the displacement of Native Americans and the Ghost Dance of 1890 �…
Killing most of an hour, and murder to sit through, The Ted Bundy Project does bait-and-switch on its audience.
This is the first year of the ‘iF Platform’ – a new showcase featuring the UK’s top disabled artists and integrated arts companies.
For those who like their dance without frills, Last Man Standing provides an hour of unrelenting raw movement.
There is dance and there is Scottish Dance Theatre.
I was slightly apprehensive when going to review Tribe, having seen a lot of pretentious, uninspiring, or just simply bad physical theatre and dance pieces this Fringe.
The room smells of Deep Heat.
This is a mesmerising, funny and well-crafted example of modern choreography, which explores what you can achieve when you are put under restrictions.
Hula House, created by Permanently Visible Productions, is an immersive, semi-interactive look at the life of sex workers.
Discoteque Machine, brought to us by Gianmarco Pozzoli and Alice Magione is a morphsuits show.
Joan, Babs & Shelagh too is a difficult play.
We must be nearly at saturation point with plays and particularly monologues about war veterans.
A hotel room in Vienna, 1950.
123,205,750.
This is a show with an ambitious script, which shows real emotional intelligence.
Transit Cabaret by Six Faux Nez is described as ‘A silent show, like a silent movie, a clever, poetic and festive mix of music, gesture and underground cabaret-theatre.
This piece of new writing from Ben Maier is the latest addition to the succession of plays at this year’s Fringe which in some way seek to deal with issues of mental health.
Takibox’s Beyond the Body is an intriguing exploration of physicality, a performance that promises to look towards an extension, a transcending of state.
Entering into a world of 1950s dating, Last Chance Romance is a fun hour for any adult.
This show by Wales-based company Harnisch-Lacey Dance’s show mixes contemporary dance with breakdancing and elements of parkour.
Jo Fong’s An Invitation is about as elusive and complex as a performance at the Fringe is likely to get.
La Loba is a mythological woman who wanders the Earth collecting animal bones, bringing dead creatures back to life with her singing, and occasionally laughing at humans.
The Curious Incident Of The Frog In My Sightline is curious indeed.
This is a solid performance of a classic play which, while it doesn’t amount to a re-telling in anything but the literal sense, does a creditable job of rendering the whole thing w…
The lights go down and, from out of the dark, a sound comes.
The simple pleasure of play is at the heart of Brooke Laing’s enchanting storytelling.
Combining contemporary and African dance, four dancers put on an impressive physical display in Kaneish Dance Theatre’s Tabula Rasa.
‘Pss’ is one of those sounds that extends beyond itself.
In a deserted bar in a dusty town somewhere in the Australian outback, a barman prepares himself for the drudgery of a long day.
Please Don’t Cry (At My Funeral) isn’t exactly the show advertised.
Taking a bite into Chekhov is no mean feat at the best of times.
From a cool, air-conditioned distance, the 3 Reasonable Women’s Chlorine is a thematically jam-packed, A-Level drama-mare of a show.
Café Ruse is a kooky, energetic piece of theatre that’s quite unlike anything else I’ve seen on the Fringe.
Patch of Blue return to the Edinburgh Fringe with their scrumptious offering of Beans on Toast: a triumph of simplicity which still captures the imagination and the heart.
“Gossip,” we’re told, “travels fast in a valley.
Arcos describe themselves as a ‘multimedia dance company’ and they certainly deliver.
Lenka Vagnerová and Company have two shows on at this year’s Fringe, Riders and La Loba.
Super Tramp is based on the real life of Shane Fox who, at the age of fifteen, was told a piece of information that changed his life forever.
You know that scene in every crime show ever, when the police finally show up at the serial killer’s lair to find a treasure trove of strange, coded messages pinned to the wall…
Curious Directive have hit the Fringe this year with epic sci-fi drama Pioneer, a space-exploration thriller of stunning proportions.
Japanese dance company LaN-T003 have been to the Fringe several times before, bringing with them an eccentric blend of video art, physical theatre and quirky slapstick.