Let’s tackle head-on what a younger theatre-goer may think when they see a play called Maggie and Me; “who is Maggie?” is my bet.
At first glance, The Ugly One looks somewhat clinical.
Three, as the song goes, is a magic number.
"Best leave history in the history books—get on with living.
Within a cluttered clearing in some woods that's neither town nor countryside and so somehow feels like nowhere, an unnamed Man (David McKay) sleeps the sleep of the just-finis…
“In my day, we trusted people.
Most stand-up comedy these days is based on the lives of the people standing behind the microphone, albeit reshaped to varying degrees to ensure their material matches the “rule …
It’s mildly amusing to see two grown men briefly falling into a childish bragging-match about their fathers—one a retired Church of Scotland minister, the other a former Bis…
There’s little obvious theatrical artifice on show; just four actors, in casual clothes, sitting or lying on the plain black floor of an empty stage as the audience comes in.
During the early years of the British Broadcasting Corporation, its first Director-General Lord Reith established the BBC’s mission as being to “inform, educate and entertai…
“O, what a tangled web we weave,” Sir Walter Scott wrote in his epic poem Marmion, “when first we practise to deceive!” It’s a life lesson we can only hope unfortunat…
“Keep going,” actor Andy Clark says repeatedly to the musicians behind the glass screen in the unsubtly-named Limbo Studio created on stage, ensuring that we find our seats …
In 1983, the BBC published a retrospective about “the first 25 years” of the by-then globally famous BBC Radiophonic Workshop.
For at least some of its audience, it’s enough that Grain in the Blood reunites actors Blythe Duff and John Michie—long-time compatriots on STV’s Taggart.
It has become traditional for Lung Ha Theatre Company – Scotland’s principal theatre group for people with learning disabilities – to present at least one large show every…
David Leddy’s apocalyptic fable International Waters certainly starts as it means to go on; loud and bold, with the memorable image of four gas-masked figures performing a tab…
Writer-performer Amy Conway’s new piece takes the form of a verbatim performance of three interviews: one with her mother, one with her grandmother, and one with herself.
With typical modesty (not), Glasgow-based Vanishing Point describe themselves as “Scotland’s foremost artist-led independent theatre company, internationally recognised and …
In the run-up to Mike Bartlett’s play Cock opening at the Tron Theatre, a lot of people – myself included – clearly couldn’t help have some innocent adolescent fun with …
Megan Barker’s courageous new adaptation of Henrik Ibsen’s Ghosts follows the story of Helen Alving as she attempts to arrange funding for a children’s home.
Glasgow based playwright Stef Smith’s latest play, The Beat Goes On, ushers us into the lives of Lily and Peter, a couple of Sonny and Cher tribute artists who practice in their …
Unexpected pre-show choice of “Easy Listening” music notwithstanding, Phoebe Waller-Bridge’s Fleabag is an exciting theatrical ride, slipping from laugh-out-loud humour to…
Those who don’t know history, according to the Irish statesman Edmund Burke, are destined to repeat it, while the Bible insists more than once that the sins of the father will b…
There’s a strong whiff of Farce about Cardinal Sinne from the off; only that particular genre, after all, requires quite so many doors in a set—in this case three interior d…
Nikoli Gogol’s The Gamblers (premiered in 1843) is relatively rarely-performed, at least in comparison with the writer’s most famous work, The Government Inspector.
Louis is one of Canada’s most respected teachers of classical literature.
There’s no doubting that Philip Ridley’s debut play, even now, feels like a strange beast; a modern fairytale of two infantalised and orphaned twins, Presley and Haley, somehow…
A common factor in the best sitcoms–and dramas, for that matter–are situations from which the characters can’t escape, most notably from each other: the binds of family (t…