Paddy and Mick were born and raised in Derry and have always dreamed of something more, but when they’re torn apart as children and reunite as adults in London, they discover the…
Jessie’s life is sorted.
Four people.
Jessie’s life is sorted.
Everyone’s getting married and having babies and Catherine’s got a thesis and a hangover.
What would you risk to build a better world?It’s been a harsh winter.
When two 9-year-old boys kiss in the school playground of a small town, two sets of parents are told to ‘do something about it’ – but neither of them is entirely sure what.
Extended run at Summerhall, Fringe 22, and shortlisted for Adrian Pagan Playwriting Award and BBC Writersroom.
Hangxiety, The Fear, Sunday Scaries – all the while handling the patriarchal pressures of being 30 and single.
Have you had the experience of sitting through a play and thinking, “If I’d known that was how it was going to end I’d have paid far more attention to all the details in the …
“All it takes is one experiment to turn the universe on its head.
I Can’t Hear You by Natasha Brotherdale Smith is a queer, female led two hander.
Set in an unspecified time and without a location, No Particular Order resonates across the ages, through civilisations and empires, dictatorships and democracies and more, vividly…
Simple acts can often have huge repercussions.
Fragments of a Complicated Mind is the first of any works I have come across by multidisciplinary artist Damilola DK Fashola, exploring the many facets of blackness and how it is p…
Walk Swiftly And With Purpose is a coming-of-age narrative, which calmly sets ablaze the Prime of Miss Jean Brodie, History Boys, and Dead Poets’ Society and, with a short sharp …
The title does not playfully refer to the role of women in theatre as available at The Globe with Nell Gwynn at the moment.