Jessie’s life is sorted.
Everyone’s getting married and having babies and Catherine’s got a thesis and a hangover.
What would you risk to build a better world?It’s been a harsh winter.
When two 9-year-old boys kiss in the school playground of a small town, two sets of parents are told to ‘do something about it’ – but neither of them is entirely sure what.
Extended run at Summerhall, Fringe 22, and shortlisted for Adrian Pagan Playwriting Award and BBC Writersroom.
Hangxiety, The Fear, Sunday Scaries – all the while handling the patriarchal pressures of being 30 and single.
Have you had the experience of sitting through a play and thinking, “If I’d known that was how it was going to end I’d have paid far more attention to all the details in the …
The Queens of Cups draw upon their years teaching, in OffFest nominee Bad Teacher.
“All it takes is one experiment to turn the universe on its head.
I Can’t Hear You by Natasha Brotherdale Smith is a queer, female led two hander.
Set in an unspecified time and without a location, No Particular Order resonates across the ages, through civilisations and empires, dictatorships and democracies and more, vividly…
Simple acts can often have huge repercussions.
Fragments of a Complicated Mind is the first of any works I have come across by multidisciplinary artist Damilola DK Fashola, exploring the many facets of blackness and how it is p…
Walk Swiftly And With Purpose is a coming-of-age narrative, which calmly sets ablaze the Prime of Miss Jean Brodie, History Boys, and Dead Poets’ Society and, with a short sharp …
The title does not playfully refer to the role of women in theatre as available at The Globe with Nell Gwynn at the moment.