He promises that next year he’ll bring his comedy show to the Fringe, but right now Ricky Tomlinson has serious matters to discuss.
Crime writer Mark Billingham and country band My Darling Clementine come together for The Other Half, a blend of storytelling and music about love, loneliness and broken promises.
In Owen Jones: The Politics of Hope, Jones proves himself to be an engaging and eloquent speaker without any airs of pretension.
Sandy Nelson’s comic play examines the intriguing events of the 2010 Reykjavik Municipal elections, in which comedian and actor, Jon Gnarr, became the Mayor of Iceland’s capital, d…
Glasgow-based Birds of Paradise Theatre Company is arguably Scotland’s most innovative and ground-breaking theatre company when it comes to exploring disability and producing ful…
Richard Wiseman, psychologist and bestselling author of several popular psychology books, returns to the Fringe to talk for an hour about the psychology of perception, touching on …
“The thing I was going to show you – well there’s a few things to show you – but I want to tell you something else first,” says Robin Ince some time into this intellectua…
Listening to Charlotte Green talk for an hour on any subject is an enjoyable way to spend any afternoon, but hearing her talk about her long and distinguished career as a newsreade…
Ostensibly, Worbey and Farrell’s show is a piano recital.
In a typically idiosyncratic twist Carol-Ann Duffy is collaborating with her ‘favourite’ court musician John Sampson for a reading of work from across her gargantuan oeuvre.
The second ever Scots Makar (national poet) Liz Lochhead has teamed up with saxophonist Steve Kettley for this nostalgic selection of her favourite poems from a 50-year career.
Margaret Thatcher was – still is, two years after her death – a divisive figure, loved and hated in equal measure.
Die-hard fans of classic BBC Sitcom Dad’s Army will particularly enjoy this panel discussion, Q&A and selection of nostalgic clips from Ian Lavender, aka Private Pike, and fellow…
Stand-up comedy and theatre rarely interact in meaningful ways.
Looking over my time at this year’s Fringe, there have been several topics that have come up time and time again.
When Tom Stade walks on stage you can tell he’s at home.
Ian Macpherson is perhaps best known for a joke he came up with years ago: ‘They say you play at _____ twice in your career.
Science and panto combine in this energetic family romp that means well, but ultimately fails to stick together as a whole.
Though Jane Austen is undoubtedly one of Britain’s most prominent literary names, Persuasion is perhaps her least widely read work.
The Soweto Spiritual Singers are at the Fringe with two shows, this later one at the Assembly Rooms called The Return, is an uplifting and enjoyable hour of African spirituality.
Hijinks and flying kicks abound in this piece of non-verbal physical comedy from the Hong Kong-based Tang Shu-wing Theatre Studio, last unleashed on an unsuspecting Fringe in 2012.
The Missing Hancocks is a genuine blast from the past.
You know those moments that happen on the bus, or in the street, where you eavesdrop on someone’s conversation and gain a brief window into their world? Do you ever think that yo…
Simon Singh has a very easy style and voice which belies the genius within.
Mary Beard is an unlikely rockstar.
In the lavish surroundings of the Assembly Rooms, Guardian journalists Polly Toynbee and David Walker dive straight in at the deep end.
Successful stand-ups usually have a memorable on-stage persona; it may be manic, taciturn or just ‘nice’, but it’s what they’re remembered for.
I gave up studying all forms of science at the age of 15, so on the surface, I would not be the natural choice for Jim Al-Khalili’s Quantum – Still Crazy After All These Yea…
The welcome recording over the PA tells us that this event is part of the Assembly Rooms’ ‘Enchanting ideas’ series for a ‘more discerning audience’, getting a chuckle …
Who doesn’t love a good murder? Most of Britain does apparently and this preoccupation is not a recent event.
In the ironically grand setting of the Assembly Rooms, Owen Jones gave a rallying and convincing cry against the establishment.
Prepare to be offended and amazed.
Night School is an odd ‘show’ that seems to hover somewhere between an entertaining lecture and a TED talk.
The show is narrated by a theatre director who is reflecting on his school days in 1970’s Edinburgh.
Bridge Over Troubled Lager (Volume 2) from Rory McGrath and Philip Pope is an evening of easy listening funny tunes and mild jokes.
In John O’Farrell’s 25 Years of Writing Stupid Jokes, he tells the story of his comedy career: first as a writer on the likes of Spitting Image and Have I Got News for You a…
George Galloway is best known as the fiercely pro-Palestinian Respect Party MP for West Bradford.
Jay Rayner is a real presence, a big guy with a big voice who is very comfortable with addressing an audience.
Only Ruby Wax would have the tenacity to walk on stage, hardly acknowledge the audience and make herself a cup of tea before beginning to even think about starting her show.
The Oxford Dictionary describes ‘Diva’ as: “A celebrated female opera singer, a famous female singer of popular music, or a woman regarded as temperamental or haughty”.
With three decades of performing under her belt, Elaine C.
The Fringe’s late-summer position in the calendar means that few of those who visit the Scottish capital ever experience one particular form of indigenous theatre — pantomime…
Owen O’Neill is a much better poet than he is a comic.
You’ve probably seen the posters featuring a half-naked man covered in oil- exactly what Herman Hesse had in mind when he wrote his classic philosophical novel.
In 1717, three young women strove to discover ‘what we might attain unto if we were as industrious to cultivate our minds as we are to adorn our bodies’, and so set up the soci…
Looking back at it, Tom Stade is the ideal performer to subdue the rowdy (but never disruptive) last-weekend-of-the-Fringe, Friday-night-on-George-Street, Assembly-Rooms-Ballroom c…
You might find yourself wondering how far into the past you’ve strayed during this excellent piano concert by Steven Worbey and Kevin Farrell.
Liz Lochhead’s solo spoken word show at Assembly Rooms opens with songs from Joni Mitchell’s delicately moody album ‘Blue’ on the sound system; appropriate not only for her…
Children will love this fun spectacle of bubble-blowing and even grown-ups will be impressed by the Amazing Bubble Man’s feats; not ten minutes into the show, I heard a Dad in fr…
There’s a particular pleasure in seeing someone do their job incredibly well.
Cutting through the audience with a sunburst Fender acoustic guitar, Rob Deering attempts to capture the spirit of Richie Havens at Woodstock, before singing a frustratingly catchy…
Writer and performer Jessica Sherr claims she has always been in love with the 1930s and 40s and it shows in this enjoyable and insightful one-woman show.
“What happens when you think you’re being hilarious and other people just think you are causing anarchy?” Despite beginning with a gripping premise about censors, sensitivity a…
For all its claims of being a one-man show, the stage can get pretty crowded during The Pitiless Storm.
At the risk of damning Fred McAuley with faint praise, this is an extremely competent set.
Tensions are building north of the border.
Through the 60’s and 70’s BBC television went through a golden period for producing some of the best situation comedy, amongst which was the great Dad’s Army.
“Ladies and gentlemen, I shall now bid you all good day.
You can’t help but wonder how many people fall in love with Camille O’Sullivan during her show each night.
American stand-up Tom Shillue opens by asking why he, a comic on his first run at the Fringe, has the right to stand on stage for an hour and talk about himself.
The Trouble with Being Des, according to Des Clarke, is that he has an inner demon man child inside him which makes him “weird”—not least within the context of growing u…
This topical drama casts Scotland and England in the roles of bickering husband and wife, mediated by a third party functioning as both marriage therapist and collective child of B…
Basing your second Edinburgh show on the serious medical crisis which cut short your first run at the Fringe the previous year is patently logical.
Age hasn’t softened Scott Capurro; nor, it has to be said, has marriage.