Tim Carroll’s Othello, now playing in the main house at the Royal Shakespeare Theatre, marks an RSC return to the play after a nine-year hiatus following Hugh Quarshie’s memora…
In the third of three deliciously riotous performances on the main stage in recent months, it is clear that the RSC is not so much changing true rules for odd inventions, but rever…
If Emily Burns’ immaculately realised Love’s Labour's Lost is anything to go by, there is a fresh new breeze whispering through the corridors of the RSC.
Eleanor Rhode’s new production of A Midsummer Night’s Dream at the RSC is a child’s-eye Shakespeare; a tale told in either the boring black and white of adult discourse or a …