Following a sell-out run at the Royal Court and THREE Olivier wins including BEST NEW PLAY, BEST ACTOR for John Lithgow and BEST SUPPORTING ACTOR for Elliot Levey, the play everyon…
“I wanted to put you bang in the picture.
“We just have to wait for the Gullyman to show his face” A god, a ghost or a trick of the light.
Iranian playwright Nassim Soleimanpour (White Rabbit, Red Rabbit, NASSIM) and director Omar Elerian (NASSIM, Misty, two Palestinians go dogging) push the boundaries of Soleimanpour…
A year has passed since her home invasion, but Faye isn’t sure she’s over it.
“This is the first time I’m talking about this in all of these years so I – I’m in – I I’m in this world but I’m not.
"But I do have a job.
“Shisha lounges are an essential part of the Muslim experience bruv, like the Fillet o Fish” Chunkyz Shisha Lounge is a home away from home for Jihad, Rashid and Asif, …
A Royal Court Theatre and Access All Areas co-production IMPOSTER 22 BY MOLLY DAVIES, CO-CREATED WITH KIRSTY ADAMS, CIAN BINCHY, HOUSNI HASSAN (DJ), DAYO KOLEOSHO, STEPHANIE NEWMA…
“We’ve got another 10 minutes before shit really hits the fan.
“I do love some David Attenborough, but even he can be a bit of a miz bag now, always going on about climate change … You don’t want to think about the end of th…
“Ladies, Gentlemen, and then all the legends that have realised gender is a trap – introducing the Sound of The Underground.
“Congratulations! Your pain is commercially viable.
The stage has seen plenty of made-up Jews.
A slippery new thriller in which nothing is as it seems and nobody is who they are.
Brecht would have felt at home watching two Palestinians go dogging at the Royal Court Theatre, Jerwood Studio.
Viv (Katherine Parkinson) has lost her shoe on her London commute.
One party gone wrong and a constellation of friends, family, and sacrosanct values falls apart.
In Midnight Movie, Eve Leigh presents a universe of bedrooms where disabled people are unable to sleep due to the pain of having a body which is, right now, ‘glitching’.
Statistics show that last year the most common reason cited in UK divorce papers was "irreconcilable bathroom habits”.
If The Royal Court’s reputation for producing work that’s a little ahem, “arty” has put you off making a visit recently for fear of Death by Pretension, then the enjoyable …
There are a number of uses for the word ‘epic’ and this production of Suzan-Lori Parks’ highly stylised play clearly sets out to be defined by them all.
Whilst always a welcome promoter of new writing and new experiments in theatre, more recently The Royal Court’s choice of programme has been called divisive at best and pretentio…
If someone was to lose their grip on the concept of time as being linear, then the accepted psychological structure of how things happen, when, where and with whom, may break dow…
Caryl Churchill rarely does interviews and never discusses the meanings behind her plays (even her stage directions are scant) - so I would be building myself up for a fall if I …