Later is our programme of late-night one-off performances from the hottest companies and artists at the Fringe.
Everything is awesome in Dill’s life.
Caste-ing explores the experiences of three black actresses using beatboxing, rap, song and spoken word.
A blisteringly funny play about what we eat and who we love, exploring class, queerness, cultural appropriation and the cost of gentrification.
Maybe after this we’ll occupy the theatre.
We all live under the same sky.
Toye is preparing for his piano exam to enter a prestigious music school.
‘I’m 36, I’m a comedian, and I’m about to kill my boyfriend.
A contemporary thriller with ancient roots.
BFFs Kathy and Stella host Hull’s least successful true-crime podcast.
One island, split in two with a thundering crack: half for the fishermen and half for the farmers.
Max has done something stupid.
In a bizarre but glorious amalgamation of all things good, Parakeet stands as a protest piece that calls for greater measures against climate change and, well, a commitment towards…
Richard Gadd pours a free cup of tea to a stranger at a bar – she comes back.
"It looks nice.
I’m not gonna pretend like I know a lot about the UK's schooling system, because I don’t.
Daughterhood by Charley Miles seeks to tell the story of two sisters separated by nine years of age and half a decade lived separately, coming back together to try and work out who…
Exploring the experiences of those seeking refuge in the UK, The Claim is a compelling examination of language, power and storytelling.
When Dexter’s mum is sent to jail for getting mixed up in a jewellery robbery, it’s up to Dexter and his best friend Winter to get her out.
When Katie was little, she was brave: climbing trees and riding bikes too fast.
I can’t imagine that anybody has nostalgia for life in their early teen years.
Meet Leah and Chris: raised on Harry Potter, New Labour and a belief that one day they would be as special as their parents promised.
How to Spot an Alien might seem like an obscure skillset for 21st century children, but for Jelly and Jonjo, the two protagonists of Paines Plough’s annual offering for young aud…
After their five star runaway success with All We Ever Wanted Was Everything, Middle Child were always going to suffer from difficult second album syndrome and it’s a real shame …
The Paines Plough Roundabout is an incredibly versatile venue.
What’s a ‘square go’? Noun: A rammy.
Home is a powerful concept.
Free speech is a right fiercely protected in today’s society.
‘The history of England jumps off its axis.
Being a small-time drug dealer in Cardiff is tough.
Sherman Theatre: Regional Theatre of the Year – The Stage Awards 2018.
Welcomed back to Edinburgh after its rave performances last year, Scorch is new writing for one performer.
As the friend with whom I went to see the show so emphatically said, All We Ever Wanted Was Everything is ‘everything’.
As a white Irish person, reviewing a person of colour’s experience of their treatment in the UK feels disingenuous.
The worldwide smash-hit is back in Edinburgh for one week only.
Dirty Protest’s Sugar Baby was an entertaining hour of theatre at Paines Plough’s Roundabout, Summerhall.
Writer Monsay Whitney’s Box Clever is one of the most important shows up at the Edinburgh Fringe this year.
I’ll make no bones about it: Pike St.
Celebrate five years of silly songs and satirical anthems from the multi award-nominated musical comedy stars.
Though common in film and literature, it is rare to see a play which fits the bill of psychological thriller.
This cleverly written piece by Sam Steiner may be back for a third year at the Fringe, but Walrus Theatre has still managed to create something fresh in this wonderful, captivating…
Written by award winning playwright Elinor Cook, Out of Love is a stunning piece of new writing which conveys the absolute power of female friendship, something which is often over…
Manwatching is a monologue written by an anonymous woman to be performed by a famous comedian.
Lying seems to be getting more and more fashionable.
Johnny and Paddy return with another hour of rip roaring music based satire.
We begin with a boy meeting a girl.
Join award-winning comedian Des Clarke at the recording of a brand new stand-up TV show featuring the comedy stars of today and tomorrow.
The stellar reputation of Paines Plough’s championing of new writing for the theatre means that each new offering is welcomed with a great deal of anticipation.
Duncan MacMillan and Jonny Donahoe’s Every Brilliant Thing (which first came to the Fringe in 2014) has the largest cast you’ve ever seen for a one man show.
One of the things I’ve noticed about this year’s Fringe is the number of stellar one-woman shows, and Prime Cut Productions’ Scorch is the best so far.
In any romantic relationship, one finds oneself developing an intimate, coded language of in-jokes and pet names, a dialect that reflects a couple’s time together.
Ethan, William and Fiona are about as different as three almost-teens can be.
Theatre Uncut commissions playwrights to respond to current events, then make the resulting plays available online so that anyone can perform them.
How do we choose what we believe? Do we believe what we see with our eyes? Or do we believe what others find believable? What happens when these two things contradict one another? …
In this play, the North/South divide is a reality.
It is difficult to know where to start with Violet Fox’s autobiographical show about her fraught relationship with her mother – I’ll take a note from her and start at the beg…
The Human Ear is a production that is crafted with all the beautiful complexity of the appendage to which its title refers.
Lungs is a) a remarkable piece of writing by Duncan Macmillan and b) a remarkable show brought to life by director, George Perrin, and actors, Sian Reese-Williams and Abdul Salis.
Every Brilliant Thing is quite simply brilliant.
Johnny has accidentally told his niece that he can single-handedly stop climate change and so he embarks on a musical adventure with his bandmate Paddy to save the world.
It’s amazing how much you can get out of the word ‘Ak’ – the only word in the troll language.
I have written a play – a real humdinger.
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