The Loving Earth Project, started by a few Quakers in 2019, now comprises over 400 textile panels exploring responses to climate change and environmental breakdown.
NYT return with a magical portmanteau production of love, friendship and forgotten messages that connect people across warzones and Christmas wish lists in a collection of heart-wa…
What defines a hero in the 21st century? Is it machismo and the ability to rescue people from burning buildings, or can we rethink what we mean by heroism to take in compassion, co…
Tibetan Monks Sacred Dance is a special experience, not quite a religious rite and not quite a performance show as five Tibetan monks from the Tashi Lunpo Monastery in South India …
In view of the recent violence in Charlottesville, KKK sympathisers in the White House and, even on our end of the pond, much of the sentiment behind Brexit, a discussion of the in…
Emily Dickinson is flitting about the meeting room in the Quaker Meeting House.
Set in the airport returning home after a lads’ holiday to Malaga, Departure Lounge takes a look at the fragility of hegemonic masculinity and its effects on teenage life.
Harold Pinter’s short play, One for the Road, concerns torture, and you can assume it’s talking about state-sanctioned torture, given Rising Phoenix Repertory’s decision to t…
It’s hard to imagine a more emotionally-gruelling hour of theatre: three women held prisoner by an abusive patriarch finally free themselves from his clutches by shooting him in …
Even plays were buried by the bombs of World War I.
This was a hugely disappointing hour of theatre.
Hecate’s Poison is a one-woman version of Macbeth, performed by Players Tokyo’s T.
Caught between the youthful conviction that just because you can’t see something it doesn’t mean it isn’t real and a growing realisation that “nothing’s easy to understan…
Douglas Kay and Martin Philip of The Sorries are likeable, witty, and talented performers, and they put on a great show here.
Drifting down the river is a rather appropriate metaphor for describing the experience you have when watching this show.
The challenge for any writer tackling the well-worn topic of WWII is to find a particular niche or angle which has not previously been given adequate treatment.
The concept of YOLO or You Only Live Once for those of you who aren’t in the know about these kinds of things, has been a trendy phrase for the past couple of years.
Set above the pleasantly dilapidated Quaker’s Tearoom on Victoria Street, Scotland’s Refurendumfest is a series of 15 debates dealing with the intricacies of the big yes/no.
With The Three Peaks, the Dunnington Players explore not only the three peaks of Yorkshire but also what can happen to us over the course of a year.
Bringing a show to the Fringe is a daunting prospect even for established theatre companies.
With such a wonderful title, it’s a shame that The Bee-Man of Orn is not as thrilling as it sounds.
From the critically acclaimed SU Drama company comes a double play performance that combines Brien Friel’s Afterplay and an original piece named The White Peacock.
Shirley Lauro’s drama All Through the Night opens badly, but it gets better.