Cathartic Party presents Second Life an ecofeminist thriller about vintage clothing, exploring grief, trauma and the possibility of redemption, brought to life by a fusion of dance…
Jacob Marley is dead and condemned to an eternity of carrying a heavy chain, forged in life; a life to which he can no longer return except to recount the tale of his miserly busin…
‘Oliver Twist’, Charles Dickens’ dark tale of crime and punishment, is stunningly re-imagined in this award-winning stage adaptation, recognised by The Queen for its part in Dicken…
Using original texts from the 1840s, Stephen Smith faithfully brings Edgar Allan Poe’s words to life on stage, performing four of the most terrifying examples of gothic literature:…
When the waters of the world dry up, who will be left victorious in the aftermath?It has been three months since the water dried up; three months or what seems like a lifetime for …
An Unofficial & Unwarranted Sequel to Shakespeare’s ‘A Midsummer Night’s Dream’ It’s a hot summer’s eve in suburban London.
Under the Radar, a sharp, witty and macabre comedy about gender, power and consent, performs at the Old Red Lion theatre from 15th March.
“MOVING, ORIGINAL, DECISIVE THEATRE” - Broadway BabyMeet Billie.
An Existential comedy for the Age of Anxiety:Simon wants a better world.
In a tragifarce that resonates as much today as it did when it was written fifty years ago, three friends weigh up a life unlived versus risk taking.
‘It’s only a matter of time before you jump off the balcony for a front page spread’.
‘It’s only a matter of time before you jump off the balcony for a front page spread’.
‘It’s only a matter of time before you jump off the balcony for a front page spread’.
The Bandaged Woman, from Theatre63, comes to The Old Red Lion Theatre, examining the trials and tribulations of being born into a privileged life.
Something strange is afoot at the Belvedere psychiatric clinic.
A stony silence filled the air at the end of act one of Joe & Ken at The Old Red Lion Theatre, Islington, the old stomping ground of the eponymous couple who lived just down th…
A brand new show from the award winning Elegy.
Acclaimed German director Gabriele Jakobi has adapted a classic Franz Kafka short story into a provocative drama featuring American actor/director Robert McNamara.
Saving Britney is a hilarious and heartbreaking look at celebrity obsession, sexuality and growing up in the early noughties.
When thrust into the circus, it can never be easy to tame the lions.
It’s Halloween, and mother’s birthday, and sisters Jocasta and Jupiter are making their annual visit.
Chekhov’s tragicomedy in a bittersweet, multi-disciplinary new adaptation.
The taught new thriller Skin In The Game opens the door on an inner-city Birmingham family in turmoil.
‘Theatre On Tap’, is a play in a pub, made in a day.
In her article for the British Library on Restorations Comedy Diane Maybankobserves that “little can be gained from removing the plays from their historical settings”.
Actor/scriptwriter Charlie Ryall leads an entertaining troupe of actors from Mercurius Theatre Company in her play Indebted to Chance at the Old Red Lion Theatre.
Let’s Summon Demons is a semi-immersive folk horror play in the round.
Northern Ireland, 1983.
Lovers of scary stories, unite.
The Teind: A personalised horror story, just for you.
Fred Strangebone has created a monster… Inspired by the greatest horror story of all time with help from a grotesque buffoon, Fred wants to demonstrate his scientific and psycho…
Balancing work and love is a struggle, but what if your job is killing people? A hitwoman is trying to reconcile these two aspects of her life.
A difficult look at a physically and mentally abusive relationship, Is This Thing On? uses a mixture of physical theatre and words to take us on an uncomfortable journey through th…
Exeter, 1984.
Lovers of scary stories, unite.
Whose bodies were used to create the monster of Frankenstein? No Exit meets Saw in this squirm-inducing twist on a horror classic.
The division in our post-Brexit, post-truth Britain stems from the difference between people who can accept dramatic change, and those who cannot.