The Cabaret of Dangerous Ideas is an initiative set up to ‘take the academics out of their ivory towers and engage with the public’.
The In Conversation series at New Town Theatre in George Street is an hour of chat with a celebrity guest each day.
Fundamental Theater Project’s Dickless is a tale of rumours, girls, a headless cat and bizarre sexual conquests in the small-town of Dunningham.
Within his immaculate MI5-style office set up as an escape room experience for up to ten people, Agent November offers willing accomplices the opportunity to take on the role of sp…
Set at some point in a dystopian, not so distant future, one Scottish man is trying to go about his day to day life, living each moment as it comes, not in search of anything that …
Many appreciate conscientious objectors because they seem on the right side of history.
George Orwell once wrote a fairy tale in order to avoid accusations of criticising reality.
This is the forgotten story of a controversial gang that robbed the streets of London for over a hundred years.
Touch is the new one-woman play from Asylon Theatre exploring the difficulties of genuine human connection.
Youth Music Theatre UK have done something rather remarkable in their new production of Macbeth.
Vagabond: Where Will the Wind Take You? is the story of three vagabonds, or clowns, called Cazzo, Lazzo and Pazzo.
Not the End of the World is based on the novel by Geraldine McCaughrean which reimagines the story of Noah’s Ark from the point of view of Noah’s daughter, Timna, as she grappl…
Suitability: 16+ (Restriction).
In a piece that is at times frightening, at times energising and constantly absorbing, solo-performer Vangeline is our white-collared conductor, guiding us through a piece which ab…
It’s fitting that, given how this is the centenary of its original publication by Edinburgh-based publisher Blackwood’s, that at least one version of John Buchan’s classic th…
In 1942, a girl traded some food for a Persian bear cub.
The rise of feminist critique in the world of opera has given life to some fascinating discussions.
Amina Khayyam’s Yerma is a beautiful rendition of Federico Garcia Lorca’s classic text.
Ruth Rodgers-Wright plays an excellent Nina Simone in this 70-minute performance that combines many of the musician’s most enduring and striking melodies with the story of her rela…
Galileo lived in age when the church reigned supreme, faith was more important than fact and dogma denied discovery.
Conceived and performed by stage magician Janne Raudaskoski, The Outsider is a spectacular piece of theatre illusion.
This piece of surrealist theatre successfully dramatises the issues it sets out to explore and uses neat theatrical devices to do it.
My Rabbi follows the story of two best friends: an atheist man (whose family are mostly Muslim) and a Jewish man.
A beautifully ragged caravan hung with various bits and bobs sits in a corner of the stage.
Sunshine is a very experienced performer in the traditional Japanese art form of comic storytelling, Rakugo.
During last year’s Fringe, LR Stageworks presented Silence in Court, an interactive courtroom drama, which proved such a success both that original production and this brand new…
The plot runs as follows.
“This is not The Rocky Horror Show stage production” - a significant point of clarification in the Fringe programme lest anyone might think that this is the real thing.
If you’re after an easy-to-watch family show, then Circus Incognitus may just be what you’re looking for.
Referendum and Dumber, from Ten Clowning Street, is irredeemably awful.