Set in cell for suspected witches in Medieval Britain, three women question what it means to stand in solidarity with women through exploring the vastness of obstacles hindering bo…
It's a very difficult thing to talk about Artificial Intelligence Improvisation by Human Machine.
24th May 2015 was the day that Ireland became the first country in the world to legalise same-sex marriage by popular vote.
The first thing to say about this show is that it made me re-think my (fairly nebulous) relationship with high-end fashion labels.
Craigslist, for those unfamiliar, is a site where people can advertise jobs, sell things and also meet people for 'casual encounters' – which basically means no strings a…
Meet ‘Gorgeous’ George O’Connell (Rob Ward) and Dane ‘The Pain’ Samson (John Askew), two hard as nails boxers both raised by their traditionalist fathers to defend themse…
In this delightfully satirical and shoddy retelling of Macbeth, spunky Heidi Niemi commands the stage with focus, hilarity and precision.
“The average person will speak 123,205,750 words in a lifetime”.
We are presented with two bodies: a loud Jamaican dance hall music and disco lights.
My first venture to the Marlborough could not have been more welcoming.
Sarah-Louise Young and Michael Roulston remain on top form with their new laugh-out-loud spin-off Cabaret Whore, in which Young’s comic character La Poule Plombée is finally g…
Mamoru Iriguchi performs live, rigged up with a screen around his face and a projector above his head.
As soon as Taylo Aluko, in the guise of Paul Robeson, takes to the stage we know we’re in for a treat.
Thoroughly entertaining, cleverly written and immaculately performed.
To bully or be bullied? That is the question.
Ascending the back stairs of the Marlborough to be greeted by the towering and magnificently coiffed Dr Sharon Husbands, doesn’t quite give an accurate taste of what follows.
“Meta, self-referential bullshit” – the play’s words, not mine.
“I normally hate audience participation,” says the man sitting next to me.
Devised storytelling and physical theatre combine to create a series of rather unconvincing everyday encounters in Yes No Maybe.
Intuit This is a crash course in the art of absurdist comedy, throughout the audience sees the influences of Alan Partridge, The Mighty Boosh and The Fast Show to name a few.
The premise of this show, delivered by the North London theatre company Chickenshed, is both stirring and foreboding.
Male escorts, homosexuality and football: Away From Home takes on a lot in its one hour slot, and it scores perfectly in terms of tone, performance and narrative.
Ryan the Lion’s flying pants landed on my head.
The provocative, punny title, combined with my interest in hearing women speak frankly about their sexuality in contemporary society led me to believe that this would be a performa…
I was relieved when Sailor (Matt Robertson) ran onstage starkers, as I was pretty sure that the stage adaptation of Magic Mike wouldn’t require the pen and soggy bit of paper I�…
International burlesque performer and comedian Zoe Charles’ Memoirs of a Slutsky is an interesting, hilarious and heart-warming account of her less than conventional journey to a…
Two sisters reveal themselves in a physical, biographical piece directly examining their relationship, sexuality, experiences and choices.
String, Styrofoam, and a very large cardboard box – this is a show like no other.
Perfect comic timing, razor sharp writing and the most dynamic and talented performers I have seen in a long time.
Welcome to Alice and Harry’s house party.
Rarely has there been a version of more woe than this of Juliet and her Romeo.
The top deck of a disused city bus late on a Tuesday night is not where you might expect to find one of the most thoughtful shows I have seen at the Fringe so far, especially consi…