The Heresy Machine, by Seth Majnoon, claims to be about Alan Turing.
A young man waited outside the Greenside Royal Terrace Venue for Éowyn Emerald & Dancers to appear after their performance.
The first point to make clear is that My Name is Dorothy has nothing to do with The Wizard of Oz.
Spring Awakening is a touching and affecting musical.
It’s impossible to miss the irony in the name of the production company behind Priscilla: Queen of the Desert – Car Crash Productions.
Adapted and performed by Jennifer Jewell, Goblin Market is a solo performance, with Jewell taking on the roles of two young sisters and the goblins they encounter.
Shove on some Dr.
‘Wholesome’ is how a lady I spoke to after the performance described Felix Holt: The Radical.
Created, written, and performed by students from Oxford University, Queenside Productions new musical Pawn is an impressive, if imperfect, piece of new student writing that, whilst…
Following its woefully short-lived run at the Adelphi Theatre in 2015, the only opportunity to catch this upbeat musical is now in the hands of amateur theatre companies.
With the parliamentary Labour party at apparent loggerheads with a huge chunk of its ordinary party members, and a Prime Minister arguably governing without a strong mandate, the g…
Tackling an adaptation of The Great Gatsby, one of the most famous and beloved novels ever written, is not a task taken on lightly but it is one the Nottingham New theatre rises to…
Éowyn Emerald and Dancers, make a welcome return to Edinburgh in their usual Greenside, Royal Terrace location.
The story of a relationship told entirely out of sequence as a play within a play.
Ever wondered, or perhaps dreaded, what it would be like if your search history could talk? With a host of zany characters and one wonderfully surreal party, You Tweet My Face Spac…
Trust me, Fringe magic still happens.
Richard III is one of the most fascinating Shakespeare plays I know, and it is always interesting to see new interpretations by different companies.
A surprisingly funny show made up of a series of bizarre vignettes including film, speeches, dance (there is some dancing in clogs, but nowhere near as you expect from the title), …
In our fast-paced and demanding consumer culture, a production that takes time to examine and appreciate the joys and sorrows found in everyday life can be a real gem.
Something is rotten in the state of Russia.
Undermined was going to be called Shafted, but a guy named Godber had already beaten Danny Mellor to it.
A technical marvel, Perceptual Landscape is an alarming watch.
Potemkin’s People is one of two shows performing on alternate nights under the joint title of Elysium Fields from B-Land Productions.
Described as a ‘backwards love story’, Waitless is an interesting twist on the genre of romance.
At once frenetic and contemplative, Budge3 is an intricate knot of elastic energy, dance that is fit to burst at any moment.
Six passengers travel on the tube from Stratford to Ealing Broadway.
When William Shakespeare is kidnapped by Oberon, the fairy king, it is up to his team of Avengers to rescue him and keep Oberon from re-writing his plays (and the sonnets.
John Cameron and Stephen Trask’s big, ballsy, gender-bending musical detonates upon Greenside’s Royal Terrace stage with a blast that can be heard clear across Edinburgh.
Macbeth gets the prequel it never needed in Chiaroscuro’s portrait of the thane as a young warrior.
Tackling a subject such as ‘the inner landscape of female identity’ is risky – the area is broad and the mission statement itself very vague.
The California Musical Theatre Ensemble’s abridged version of A Chorus Line feels like a high school production.
Harry Buckoke’s Occupied is an intelligent and refreshingly light-hearted dissection of the 2011 occupation of Lady Margaret Hall by students of Cambridge University.
“There was a Cabaret.
There are four productions of Simon Stephen’s Punk Rock being performed at the Fringe this year and ArtsOne Drama School is the first to wade into its murky world of teenage an…
Everyone knows the story of The Wizard of Oz, but you don’t know it quite like this.
Betty Oops is a two woman mask and music performance that balances the mundane and the absurd to surprise and entertain.
The scene is Renaissance Europe.
Éowyn Emerald and Dancers made a successful debut at last year’s Fringe and are back again this year with another varied programme of short dances.