Before digital TV made it a thing, “watching on catch-up” used to mean spending your Sunday afternoon in front of the EastEnders omnibus.
The human brain doesn’t allow us to remember pain.
The National Theatre continues its support of new writing at the Dorfman with Dixon and Daughters: an emotional play dealing with the far-reaching effects of historic child abuse.
You may assume a play with the title Romeo and Julie, that is billed as a “modern love story inspired by Shakespeare's Romeo and Juliet”, would include elements recognisabl…
Many years ago, I employed Fay Ripley to do a voiceover for a TV ad.
In 2017, David Eldridge’s play Beginning dramatised an awkward conversation between two white, financially comfortable, urban-dwelling, adult Gen X-ers, caught in that time of em…
Playwright Ben Weatherill is right to call Jellyfish a love story.
It was only towards the very end of last year that it was announced – or rather whispered, hidden away as it was somewhere in the list of actors always included in the National T…
“Racist comments don’t belong in a play about mothers and shit.
An exquisitely detailed design of a picture box façade-free house.
There’s little to evoke more anxiety and dread than the phrase ‘Traditional Family Christmas’.
theatregoers may be playing catch-up when it comes to playwright
When the voice of Bryony Kimmings - writer and
director of this piece and “performance artist by trade” - asks at
the start “how could you make a show about illness and death wit…
Calling the run-down Greek shack that acts as
the entire setting of this play a ‘Villa’ and then naming it after Thalia
(representing comedy as the Greek Goddess of Festivity), A…
Over three hours into Annie Baker’s Pulitzer
Prize-winning comment on the everyday existence of the everyman, The Flick, one of the characters says
that (his) “life may be depr…
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