If Carl Knif’s Fugue in Two Voices is a joke, then it’s a dud.
Music-theatre with solo cello plus dance, Iconnotations is extraordinary: surreal, wry, expressionistic, at times baffling, profoundly sad but at the end joyous.
How do we interpret the world through our senses, particularly through sight? A mesmerically beautiful triptych of two solos and one duet, choreographed by Finnish Johanna Nuutinen…