I must admit I was sceptical walking into C +1 on Chambers street on this afternoon to see The Rep Theatre Company’s latest show.
Young company LUND have created a collage of testimonies from current, former and aspiring young servicemen and women in their new show Playing Soldiers.
Drawing from the likes of renowned theatre company DV8, All Might Seem Good mixes verbatim accounts of fate with physical theatre: mixing the highly natural with the highly stylise…
The spaghetti-strewn finery of a New York dinner party is transformed into a scene of untold carnage in The Wives Of Others - a gleefully bloody comedy by Tom Stuchfield.
Originally taking the form of a classic children’s novel, it is only natural that this rendition of Holes by Louis Sachar is performed entirely by a young cast.
As a fan of Arthur Conan Doyle’s enigmatic and famously hyper-intelligent super sleuth, I was intrigued to see this production by the appropriately-named Tobacco Tea Theatre Comp…
Sondheim’s most famous flop, Merrily We Roll Along, was his last notable collaboration with Hal Prince.
It is hard to tackle a subject such as campus rape in America and get the tone right.
There are a fair number of improvised comedies this year, but Degrees of Error’s Murder She Didn’t Write is causing a particular buzz.
Whether you’ve never heard of Saki before or consider yourself a die hard fan, this production is sure to please.
What Edinburgh Fringe would be complete without a trip to Shakespeare for Breakfast? Now in its 25th year at the festival, the group have not lost their touch.
Seeing Care Takers is like watching all the episodes of a fabulous five-part drama series in one sitting.
In the beginning it all seemed so straightforward.
I’m a lover of musical theatre but I’m prepared to be really honest here: the genre is crammed with suitable material for a hilarious and even brutal send-up.
The Improv Musical from the University of Warwick return for their third stint at the Fringe, and while providing some light and silly entertainment, fails to land any punches eith…
Twist Theatre Company’s R’n’B infused musical adaptation of the infamous Scottish history play, billed as Shakespeare meets Empire, is a messy but still engaging and enjoyabl…
From Benedict Cumberbatch on the TV to Robert Downey Jr on the big screen, Arthur Conan Doyle’s classic Victorian novels Sherlock Holmes have been brought back so many times, and…
CAPA College are in Edinburgh bringing with them a collection of talented young dancers and a showcase of conceptually ambitious routines.
Ricardo Garcia doesn’t introduce himself when he walks on stage: he’s not here to show off, he’s here to guide you through Scotland’s history and folklore with flamenco rhythms.
The description of The Amazing Sketch Show states that their sketches are ‘some of the funniest, silliest and zaniest sketches’ to be found at this year’s Fringe.
Bear Pit Theatre present a sweet show which narrates different generations’ experiences of when they were 17.
Every year the Fringe is swarming with many improvised shows, with very few original ideas.
The Comedy of Errors is a challenging Shakespeare play to stage – it requires a deft touch whether you play it for laughs or more seriously.
Sir Arthur Conan Doyle’s most famous creation is given a shaky new lease of life in this parody adventure by Tobacco Tea.
The Cambridge Theatre Collective offer up a largely genderbent production of Shakespeare’s bloodiest tragedy, set in a high school.
Bringing jazz and Korean traditions together, SE:UM have found the perfect recipe in their atmospheric show Korean Breath.
Pippin is a difficult musical, and in the past has been staged as a fully-fledged acrobatic circus (Les 7 Doigts de la Main did a great job).
Mwathirika is definitely an engrossing show.
If ever there were a production which vociferously defends the ability of young people to make theatre with the impact of a professional standard (whatever that actually means) thi…
Dr Sara Chris (Sam Wheatley) is a frustrated eco-activist who wants to help save the world; after an ill-advised deal with the Devil she achieves the power to get what she wants, b…
Stephen Sondheim’s score for his self-described “black operetta” Sweeney Todd, The Demon Barber of Fleet Street, must rank among his most complex and challenging works, if on…
Attempts on Her Life has a notoriety surrounding it that most shows would kill for.
There’s a huge difference between comedy and black comedy that seems to have eluded the Lincoln Company in their production of Joe Ortons’s Loot.
Playwright Jez Butterworth is best known for his Royal Court/West End triumph, Jerusalem, a quasi-supernatural piece swamped in mystery - for his latest play, The River, Butterwort…
The Secretary Turned CEO is a neon, cartoon parody of a classical opera, playing with traditional comedic characters and farcical situations in a modern setting.
The Great British Bake Off – what’s not to love? Cake, puns galore and HRH Mary Berry showing her soft spot for gin.
An atmospheric new musical about witchcraft, betrayal and friendship, Witch is a journey into dark magic, spanning across generations.
The Princess and the Pea follows the story of the lonely Prince Jethro.
Those headlines are everywhere these days: “You won’t believe what happens next,” “#8 will blow your mind,” “This video is everything”.
Improvisation in any context can be challenging, but throw in some Shakespeare and an incredibly complex collection of rhyming structures and it seems nigh on impossible.
Makoto Inoue’s non-verbal take on Shakespeare’s classic Macbeth is undoubtedly a feat.
The absurdist mindset in The Empire Builders would suggest that any endeavour to find meaning in the play is inherently flawed, due to humanity’s inability to make sense of anyth…
We all know the story of Jack and the Beanstalk – or at least, think we do.
Collegiate a cappella has become a major trend in recent years at the Edinburgh Fringe Festival.
Tokyo Tapdoare a company of Japanese tap dancers, percussionists, circus artists.
Fifty minutes of the classic Rat Pack numbers with a full swing orchestra, bringing a little bit of that onstage banter that the trio are known for, and adding in the two Burelli s…
What would the word be like if homosexuality was the norm? Zanna Don’t is here to answer that question and bleed the concept dry, long after the amusement has left the building.
Shakespeare for Breakfast is to Fringe as dawn is to day: whilst you could technically have one without it, it really wouldn’t feel very right.
In its second year at the Fringe, The Improv Musical is a fun, heart-warming comedy by Music Theatre Warwick, despite failing to live up to its improvised appearance.
If you’re looking for an enjoyable, happy-go-lucky hour of rhythm and blues entertainment, then look no further than this show.
Hypnotist Theatre have a story they wish to yell at you, loudly, while writhing in semi-darkness so we cannot actually see whose story it is.
Green Snake, brought to the Fringe by the National Theatre of China, promises to be a modern take on a old Chinese myth.
Verbatopolis is the name an ageing anthropologist has given to his series of lectures, delivered for you by a talented group of actors who illustrate the scenes he has studied.
Alain Fournier’s Le Grand Meaulnes is the inspiration for this in-house created musical which sees the return of Shrewsbury and Severn Opera group to the Edinburgh Fringe.
Cambridge Shortlegs and Pembroke Players return to the Edinburgh Fringe with their production of The Penelopiad, an adaptation of Margaret Atwood’s novella.
King Ubu was performed only once in playwright Alfred Jarry’s life.
There are some very charming elements to this show, but for me I felt there was not enough actual dancing for the children.
Returning to the Fringe for a ninth year running, the Gargoyles are a class act.
Lianna is a young woman with learning disabilities.
Cambridge University Musical Theatre Society have brought their leisurely afternoon stroll Sunday in the Park with George to this year’s Edinburgh Festival Fringe.
Movin’ Melvin Brown is in town doing two different high-energy shows on alternating nights.
Wellington College make their return to the Edinburgh Festival Fringe this year with the wacky jukebox musical Return to the Forbidden Planet.
In 2007, Eurobeat: Almost Eurovision exploded on the Edinburgh Fringe and has appeared practically every year since with a few tweaks.
Infinity Repertory Theatre update Shakespeare’s comedy to the 21st century as a musical with a rollicking rock’n’roll aim in mind.
Movin’ Melvin Brown: The Ray Charles Experience is an entertaining soirée of song and dance in homage to the great soul music pioneer of the 1950s.
Melvin Brown has got the moves, and this suave dude who appears in a suit and gold satin shirt also has a killer voice.
Avenue Q (School Edition) retains the fun of the hit Broadway show but tones down the language and content, making it a suitable show for all the family to enjoy.
This ambitious re-imagining of Hamlet asks the audience to vote on the gender of both Hamlet and Claudius, and subsequently shuffles the genders of Ophelia and Gertrude according…
This exuberant, toe-tapping spectacular is a sure-fire crowd pleaser.
It takes a brave soul to attempt to tackle ancient Greek comedy with a modern audience.
Philip Ridley is one of the most controversial playwrights of the past decade and Mercury Fur is arguably his most savage, brutal and poetic work to date.
“There has not been a single incidence of Zombieism anywhere in the world to date,” according to Doctor Austin of the Zombie Institute for Theoretical Studies, but “this does…
Playing Landscapes is an exciting opportunity to see a four person dance company from Macao.
Michael Puzzo’s popular play is a solid piece of theatre—it knows exactly what it wants to achieve and pulls it off.
Two plays for the price of one, Siblings is a double bill of original writing; Brothers and Sisters.
With a free croissant and tea in hand, Shakespeare for Breakfast almost had me sold before kick-off.
These Blues Brothers take a cliché and put their own mark on it.
The seemingly unwavering appeal of swing music has made the Rat Pack Live an irresistible draw to Fringe audiences year after year and this packed house proves that this year is no…
Et Tu Elvie takes two of the most popular cultural figures from history– Elvis and Shakespeare– and turns their pairing into a surprisingly niche musical.
Jez Butterworth’s debut play exploded onto the Royal Court stage two decades ago, with its colourful array of hapless 1950s gangsters getting high on slimming pills and getting s…
Brush is a new piece of experimental theatre from the Korean theatre company, Haddangse.
Forget Fire, named after a line in a poem by W.
Not be confused with the Milton epic, Leodo: Paradise Lost follows the story of a young girl lost at sea and transported to a magical island beyond the horizon, Leodo.
The now infamous case of the 1924 ‘thrill killers’ Leopold and Loeb is a well-mined source of theatrical material, from Patrick Hamilton’s 1929 play Rope, in turn transform…
You wake up at the Edinburgh Festival Fringe.
The students from Music Theatre Warwick join a hoard of performers hoping to entertain at the Fringe with an improvised musical.
Triumphantly sailing into Edinburgh come Audacious Productions with their frankly magnificent production The Odyssey: An Epic Musical Epic.
Produced by C theatre, The Snow Queen is a charming adaptation of Hans Christian Andersen’s classic tale by Karina Wilson.
Sometimes in this show, there’d come some songs like this.
Durham University Light Opera Group’s production of How to Succeed in Business without Really Trying is a masterfully polished piece of theatre.
Growing up as a kid in the 1970s, my first experiences of academic lectures were either snatches of TV programmes aimed at those studying courses with the Open University (thankful…