Charlie Dupré’s Macblair reimagines the political life of Tony Blair as, to quote the production’s marketing, ‘a Shakespearean tragicomedy’.
Company of Rogues invites us into an intriguing, yet convoluted, tale of a time-travelling gent sent to redeem himself by saving a schizophrenic in 1980s Australia.
For a one-man play, Enda Walsh’s Misterman feels almost mythically large in its intensity.
A finely-woven, patterned rug hangs from the ceiling, its design typical of the region.
It’s 54 years since the last conscripted British citizens returned to civilian life after completing their National Service.
The Iconoclasts is a perfect example of why one should never go into a show with any expectations.
Siren Theatre Co’s Good With Maps is a multi-faceted story masterfully guided by Jane Phegan who takes us through this one woman show.
There’s certainly a lot going on in Alpha: physical theatre, beat poetry and live music combine as the company confides their desires and secrets with their audience.
It is a rare treat to hear a dramatised performance of Shakespeare’s first published work, Venus and Adonis.
This mesmerising adaptation of Stefan Zweig’s novella gives you no choice but to be completely immersed into a tiny room with a Nazi prisoner, as he attempts to cling to sanity u…