Assassins is a show of rich thematic complexity, difficult harmonies and challenging characterisation.
There is such a plethora of Donald Trump-inspired shows at Edinburgh Fringe Festival this year, it feels like it should almost become its own genre.
I sat through an hour long fever dream yesterday entitled Timpson the Musical, and to get the recommendation out of the way, I would easily go again.
I was unsure what to expect from this performance, but "a musical about Robert Burns" already had my interest piqued.
This is one of two offerings at the Fringe this year from Iulia Benze and Kurt Murray, featuring high energy physical movement, bubble art and audience interaction.
A man enters and, La Cage Aux Folles style, he sits at a mirror that isn’t there and paints his face in lurid make-up.
For the 27th run of this Edinburgh Fringe staple, C Theatre have utilised a cast of four to present this contemporary pidgin adaptation of The Taming of the Shrew.
Music Theatre Warwick returns to the festival with their long-form, entirely improvised musical that is a rollicking good time, even if there are a few kinks that need ironing out.
Saucy Jack and the Space Vixens is the plastic-and-glitter-wearing spiritual sister of shows such as The Rocky Horror Picture Show.
There is something sad about leaving Stand and Deliver, accompanied by the sound of the Adam Ant song referenced in the title of the show.
The secret life of man’s best friend is pondered in BARK: The Musical.
I Love you, You’re Perfect, Now Change is earnestly performed by a youthful and small cast – the reason for scraping the second star – but the uninspired script and the overa…
Joseph K is a modern day adaptation of Kafka’s The Trial brought to us by students from KGS Theatre Company.
I wasn’t really in the mood for this show.
Quilliam transported us into their world with this innovative, captivating, controversial performance which examined Islamic radicalisation in a series of complex twists and turns.
A morning staple of the festival Fringe, Shakespeare for Breakfast (with its customary coffee and croissant) has provided a fun twist on the Bard’s classics at C venues for over …
How many times in the past year can you say that you felt genuinely sorry for Michael Gove? Or that you felt goose-bumps (the good kind!) when you heard Theresa May speak? Or perha…
Sugary pop meets classical opera in Leoe and Hyde’s The Marriage of Kim K.
Medea on Media is not your average spin on an Ancient Greek classic; Seongbukdong Beedoolkee’s production is fearless, irreverent, unsettling and, most surprisingly, a lot of fun…
Korean performance company GGIRIPROJECT aims to create the perfect collaboration between music and martial arts, a pursuit that has resulted in the catchily-titled Monkey Dance: Th…
Putney Light Operatic Society are bringing a famous English haunting back from the dead with their new musical The Poltergeist of Cock Lane, composed by Steven Geraghty and written…
There’s something charming about a fairy tale told in a fundamentally unique manner.
From the Bronze Age to Brexit, get ready to laugh and learn with More or Less Theatre as they present to you a whistle-stop tour through European history that can be enjoyed by bot…
Staging Wittgenstein is a difficult production to categorise.
Told through contemporary and ancient physical storytelling techniques, the National Theatre of China’s Luocha Land is a visual treat.
Within the last few years, the improvised musical has become a standard of the Fringe, with at least four in Edinburgh this summer.