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Wonders at Dusk

It would be hard to imagine a more appropriate setting for an evening of magic and illusion than this. As the sun sets, you enter The Dome, take in the grandeur of the entrance hall and await the call to ascend the golden staircase. There is a moment of anticipation for what is to come; magic is already in the air. Expectations have been set sky-high to match the endless windows, countless mirrors and glittering chandeliers adorning the ceiling. Thankfully, you won’t be disappointed.

Do you believe in magic? Maybe. Do you believe in the power of illusion, words and chance? Possibly. Will you enjoy this show? Definitely.

Scott Silven was not an ordinary boy. Using anecdotes artfully scattered throughout the evening, we are regaled with events from his childhood, such as memorising the words from text books or visualising shapes amongst the stars. This is more than idle banter; Silven’s subtle progression from storytelling to showmanship, flitting between each almost imperceptibly, is one of the joys of the set. The wonder of this show arises not only from the logic-defying acts that take place, but on the narrative crafted by these anecdotes. The focus is not upon a razzle-dazzle performance but on the concepts of choice, free will and fate: are our choices our own, Silven asks, or are our decisions predefined? By the end of the evening you will have found your answer.

It would be wrong to go into too much detail, suffice it to say that the grand reveals when they came left myself and other audience members with jaws ajar, some volunteers visibly in disbelief at their unwitting part in the illusions of the evening. With perfectly executed hand gestures and cuttingly clear articulation, not a hair is out of place in Silven’s character. Even seemingly spontaneous moments retain a sense of this confident direction; there is no doubt that this man is entirely in control. This can sometimes be detrimental - it becomes hard to fully believe in the implied ‘failure’ of an act, and a forced hesitation can jar at times with the expectant silence of the audience - but there is a comforting security in knowing that we are always in safe hands. Even when Silven is wrong, it seems, he is right.

The entire evening is a wonderfully enjoyable indulgence. Do you believe in magic? Maybe. Do you believe in the power of illusion, words and chance? Possibly. Will you enjoy this show? Definitely.

Reviews by Kay Tee

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Since you’re here…

… we have a small favour to ask. We don't want your money to support a hack's bar bill at Abattoir, but if you have a pound or two spare, we really encourage you to support a good cause. If this review has either helped you discover a gem or avoid a turkey, consider doing some good that will really make a difference.

You can donate to the charity of your choice, but if you're looking for inspiration, there are three charities we really like.

Mama Biashara
Kate Copstick’s charity, Mama Biashara, works with the poorest and most marginalised people in Kenya. They give grants to set up small, sustainable businesses that bring financial independence and security. That five quid you spend on a large glass of House White? They can save someone’s life with that. And the money for a pair of Air Jordans? Will take four women and their fifteen children away from a man who is raping them and into a new life with a moneymaking business for Mum and happiness for the kids.
Donate to Mama Biashara now

Theatre MAD
The Make A Difference Trust fights HIV & AIDS one stage at a time. Their UK and International grant-making strategy is based on five criteria that raise awareness, educate, and provide care and support for the most vulnerable in society. A host of fundraising events, including Bucket Collections, Late Night Cabarets, West End Eurovision, West End Bares and A West End Christmas continue to raise funds for projects both in the UK and Sub-Saharan Africa.
Donate to Theatre MAD now

Acting For Others
Acting for Others provides financial and emotional support to all theatre workers in times of need through the 14 member charities. During the COVID-19 crisis Acting for Others have raised over £1.7m to support theatre workers affected by the pandemic.
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Performances

Location

The Blurb

At the top of a chandelier lit staircase, illusionist Scott Silven awaits. Join him in the stunning surroundings of the Dome, one of Edinburgh's most iconic and breathtaking buildings, as he orchestrates an awe-inspiring evening of mind reading and illusion. With a cocktail in hand, ascend the stairs, immerse your imagination, and experience wonders at dusk... Complete sell-out 2013-2015. 'The ultimate sparkling diamond of this year's Fringe' ***** (SGFringe.com). 'With formidable style, unbelievable talent and even recognition from David Blaine, Scott is not to be missed' ***** (WhatsOnStage.com). 'A festival experience like no other... unforgettable' ***** (BroadwayBaby.com).
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