WitTank have a star in their midst. The trio have appeared on BBC3 and all three of them are involved in projects independent of WitTank at this year's Fringe. Despite all this mutual success one member of this often surreal sketch group shines brighter than the rest: Naz Osmanoglu.

Osmanoglu has always been WitTank's centre of gravity, but this year his rubber faces, flailing arms and shockingly sweaty hair completely steal the show. From his opening appearance as a weretwat - a man who tears off his jeans to reveal his chinos by the light of the moon - through his turn as the prank loving documentary filmmaker Dita Schaltz, right up until his swansong as the filthy Spanish love artist Antonio Pascera De Silvas, Osmanoglu consistently earns the lion's share of WitTank's laughs.

Kieran Boyd has the good fortune of largely playing the straight man to Osmangolu's raving lunatics, but Mark Cooper-Jones is not so lucky: called upon to play a few larger-than-life characters of his own, Cooper-Jones simply can't help but seem like he's reining it in compared to his manically energetic colleague. Comic parity is only ever achieved during a few transitionary sketches so brief that it is WitTank's writing that prompts the laughs, not their performances.

The imbalance doesn't totally spoil the show, which is riotously funny at times, but it definitely affects WitTank's momentum. While WitTank are still good for a laugh, it might be that Osmangolu, Boyd and Cooper-Jones are best enjoyed separately these days, allowed to thrive on their own terms rather than running the risk of appearing as pale reflections of each other.

Since you’re here…

… we have a small favour to ask. We don't want your money to support a hack's bar bill at Abattoir, but if you have a pound or two spare, we really encourage you to support a good cause. If this review has either helped you discover a gem or avoid a turkey, consider doing some good that will really make a difference.

You can donate to the charity of your choice, but if you're looking for inspiration, there are three charities we really like.

Mama Biashara
Kate Copstick’s charity, Mama Biashara, works with the poorest and most marginalised people in Kenya. They give grants to set up small, sustainable businesses that bring financial independence and security. That five quid you spend on a large glass of House White? They can save someone’s life with that. And the money for a pair of Air Jordans? Will take four women and their fifteen children away from a man who is raping them and into a new life with a moneymaking business for Mum and happiness for the kids.
Donate to Mama Biashara now

Theatre MAD
The Make A Difference Trust fights HIV & AIDS one stage at a time. Their UK and International grant-making strategy is based on five criteria that raise awareness, educate, and provide care and support for the most vulnerable in society. A host of fundraising events, including Bucket Collections, Late Night Cabarets, West End Eurovision, West End Bares and A West End Christmas continue to raise funds for projects both in the UK and Sub-Saharan Africa.
Donate to Theatre MAD now

Acting For Others
Acting for Others provides financial and emotional support to all theatre workers in times of need through the 14 member charities. During the COVID-19 crisis Acting for Others have raised over £1.7m to support theatre workers affected by the pandemic.
Donate to Acting For Others now



The Blurb

Like a battering ram to the funny-bone, stars of BBC3’s Live at The Electric rocket back to the Fringe with a lavish parade of inventive characters and sketch magnificence. ‘Hilarious’ (Independent). ***** (List). ***** (Comedy.co.uk). www.wittank.com.

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