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Within

Within is one man’s quest to find the meaning of life. During a period of malaise, Joe happens upon a social media app called ‘Within’, where he’s guided by an AI named S.U.E on a quest to find the happiness inside himself - the wonder of the world ‘within’. Written and performed by Joe Furey, we become voyeurs of Joe’s journey of self discovery as he connects with S.U.E., the Spiritual Unification Enabler, who promises to develop a complete plan of who and what he is and to present him with the key to eternal happiness.

A raw, visceral and contemporary analysis of the nature of happiness and of connection.

There’s a real skill in what Furey has achieved, in that he’s taken an outlandish concept and sprinkled it with enough relatability that it becomes totally plausible. Initially, our protagonist is skeptical of S.U.E. She asks intrusive questions, which aim to emotionally reduce him and break him down - yet they start off familiar enough to the audience, that we go with it. He’s asked if he sleeps well; if he smokes; takes alcohol and exercise. And then the questions deepen. Does he ever ponder his inferiority? Is he a porn addict? The grip tightens, as S.U.E. has access to all his search histories and account details. Joe’s character flits between impatience, challenge and excitability.

As the questions deepen in intensity, with suicidal thoughts being raised, the air becomes palpable as Joe’s resolve to defeat S.U.E. heightens. And when he eventually disables her, the result is a sucker punch of reality that he has completely lost control of S.U.E. and of himself.

Within is a thought provoking commentary on the nature of our interactions with social media and the placating energies it holds over us. It questions the congruence at play within its structures and players, and how ultimately inescapable its reach is. Furey is a flawless performer, understated in parts, whilst injecting high energy and intrigue into key moments which prevent us ever becoming comfortable in our conclusions. Within is a raw, visceral and contemporary analysis of the nature of happiness and of connection, and is a perfect example of little nuggets of genius within the Fringe.

Reviews by Jodie McVicar

Gilded Balloon Teviot

Mandy Muden: Is Not the Invisible Woman

★★★★
Army @ The Fringe in Association with Summerhall

Dead Equal

★★★★
The Fawlty Towers Dining Room at the Hilton Edinburgh Carlton Hotel

Fawlty Towers Live Themed Dinner Show

★★★★★
Greenside @ Nicolson Square

Within

★★★★
Assembly Roxy

Pops

★★★★
National Museum of Scotland

Museum Late: Fringe Fridays

★★★★

Since you’re here…

… we have a small favour to ask. We don't want your money to support a hack's bar bill at Abattoir, but if you have a pound or two spare, we really encourage you to support a good cause. If this review has either helped you discover a gem or avoid a turkey, consider doing some good that will really make a difference.

You can donate to the charity of your choice, but if you're looking for inspiration, there are three charities we really like.

Mama Biashara
Kate Copstick’s charity, Mama Biashara, works with the poorest and most marginalised people in Kenya. They give grants to set up small, sustainable businesses that bring financial independence and security. That five quid you spend on a large glass of House White? They can save someone’s life with that. And the money for a pair of Air Jordans? Will take four women and their fifteen children away from a man who is raping them and into a new life with a moneymaking business for Mum and happiness for the kids.
Donate to Mama Biashara now

Theatre MAD
The Make A Difference Trust fights HIV & AIDS one stage at a time. Their UK and International grant-making strategy is based on five criteria that raise awareness, educate, and provide care and support for the most vulnerable in society. A host of fundraising events, including Bucket Collections, Late Night Cabarets, West End Eurovision, West End Bares and A West End Christmas continue to raise funds for projects both in the UK and Sub-Saharan Africa.
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Acting For Others
Acting for Others provides financial and emotional support to all theatre workers in times of need through the 14 member charities. During the COVID-19 crisis Acting for Others have raised over £1.7m to support theatre workers affected by the pandemic.
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Performances

Location

The Blurb

Joe is lost and in an existential rut when, by chance, he stumbles across an app that guarantees spiritual enlightenment. However, through the unreliable guidance of an AI named SUE, his journey takes a turn for the strange. First Place at the SOLO International Festival, 2018.
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