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Who Writes This Crap

Following the success of their book ‘Who Writes this Crap,’ Joel Stickley and Luke Wright transfer their work to the stage and promise us ‘All the rubbish you read in a day rewritten.’

The promise is fulfilled with a series of mini-lectures, underpinned by Jon Dunleavy’s bleak and oddly poignant stick-man animations. Leaving no area of alphabetical abuse untouched, they span the gambit of doublespeak and syntactical horrors from reverse psychology advertisement to self-publicity. We follow our stick friend through the day, narrated and explained, as he is forced to read all the asinine dross he comes across.

Stickley and Wright rarely let the pace drop with this and thankfully avoid the straight man-funny man routine. More, they keenly side-step any poetic elitism that the pair, poets themselves, may have been expected to unleash. They approach it with terrific ingenuity, deliberately confusing spam mail with Modernist poetry and comparing Tabloid magazines with Nihilist philosophers. Moments of brilliance arise when delving into the self-proclaimed crap writing of their own teenage diaries. Wright’s volumes of poetry, spanning the years of 14 to 16 are gems of angsty rhetoric - such as the socio-political poem ‘ABORT ME! (a poem about abortion). It is worth paying your money just for those 10 minutes.

Do not expect manic guffawing or punters rolling in the isles - spilling WKDs over the popped collars of their FCUK’s. This is intelligent writing that plays out like a live-action version of Naoimi Klein’s ‘No-Logo’ filtered through the sensibilities of Chris Morris. While sharp and unrelentingly amusing, there were moments where it felt the pair pulled their punches with their anti-corporate didactics and Stickley’s legal jargon spiels where somewhat overused and somewhat under-rehearsed. Ultimately though a brilliant, uplifting and very funny hour which left the audience both gleeful and cynical at anyone willing to pick up a pen.

Since you’re here…

… we have a small favour to ask. We don't want your money to support a hack's bar bill at Abattoir, but if you have a pound or two spare, we really encourage you to support a good cause. If this review has either helped you discover a gem or avoid a turkey, consider doing some good that will really make a difference.

You can donate to the charity of your choice, but if you're looking for inspiration, there are three charities we really like.

Mama Biashara
Kate Copstick’s charity, Mama Biashara, works with the poorest and most marginalised people in Kenya. They give grants to set up small, sustainable businesses that bring financial independence and security. That five quid you spend on a large glass of House White? They can save someone’s life with that. And the money for a pair of Air Jordans? Will take four women and their fifteen children away from a man who is raping them and into a new life with a moneymaking business for Mum and happiness for the kids.
Donate to Mama Biashara now

Theatre MAD
The Make A Difference Trust fights HIV & AIDS one stage at a time. Their UK and International grant-making strategy is based on five criteria that raise awareness, educate, and provide care and support for the most vulnerable in society. A host of fundraising events, including Bucket Collections, Late Night Cabarets, West End Eurovision, West End Bares and A West End Christmas continue to raise funds for projects both in the UK and Sub-Saharan Africa.
Donate to Theatre MAD now

Acting For Others
Acting for Others provides financial and emotional support to all theatre workers in times of need through the 14 member charities. During the COVID-19 crisis Acting for Others have raised over £1.7m to support theatre workers affected by the pandemic.
Donate to Acting For Others now

The Blurb

Underbelly. 31st July – 24th August (not 12th) 16:55 (1h)
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