When Alice (Cooper) Met (Prince) Harry

There are reasons to be sceptical coming into When Alice (Cooper) Met (Prince) Harry. The show's Edinburgh Festival Fringe programme entry promises 'quirky and touching solo comedy' with little further detail and its posters, though they certainly scream 'eclectic', don't shed any further light on the show's content. There's a reason for this: the less you know about When Alice (Cooper) Met (Prince) Harry coming in, the better the show will be. Keep that in mind before deciding if you want to read on.

So you're reading on? Well alright then, but just know that this sentence is your last chance to escape this review without encountering some spoilers. On entering a conference room with seating for a maximum of 15 people, audience members find a leaflet purporting to be from a group called Edinburgh Free Talks. The leaflet explains that today's talk is to be delivered by Alice Mary Cooper and is titled 'A brief history of contemporary theatre; theory and practice'. Unsurprisingly, audience members wonder if they've come to the wrong venue. Others, as the show's start time comes and goes without any sign of Cooper, speculate that they might be the subjects of an elaborate psychological experiment. When Cooper finally arrives, wrapped in tin foil and wearing a clown nose as her alter ego Fifi, it seems they might not be too far from the truth. Alice has been hit by a bus, Fifi explains. Fifi will take it from here.

What follows are 50 of the most baffling, uncomfortable, and hilarious minutes you could ever hope to live through. Even after the initial surprise is revealed, Cooper keeps the crowd from ever really settling in with a series of comic twists and turns, delivered with stunning physicality that's made all the more impressive by the frankly miniscule space she is working in. To say any more here would only detract from the pleasure of the show. If audience interaction freaks you out, this show is not for you. If you like to leave shows safe in the knowledge that you've understood what just happened, this show is not for you. If you want to see free, ambitious and wildly funny alternative comedy of a kind that only the Fringe can offer, then When Alice (Cooper) Met (Prince) Harry is most definitely for you.

Since you’re here…

… we have a small favour to ask. We don't want your money to support a hack's bar bill at Abattoir, but if you have a pound or two spare, we really encourage you to support a good cause. If this review has either helped you discover a gem or avoid a turkey, consider doing some good that will really make a difference.

You can donate to the charity of your choice, but if you're looking for inspiration, there are three charities we really like.

Mama Biashara
Kate Copstick’s charity, Mama Biashara, works with the poorest and most marginalised people in Kenya. They give grants to set up small, sustainable businesses that bring financial independence and security. That five quid you spend on a large glass of House White? They can save someone’s life with that. And the money for a pair of Air Jordans? Will take four women and their fifteen children away from a man who is raping them and into a new life with a moneymaking business for Mum and happiness for the kids.
Donate to Mama Biashara now

Theatre MAD
The Make A Difference Trust fights HIV & AIDS one stage at a time. Their UK and International grant-making strategy is based on five criteria that raise awareness, educate, and provide care and support for the most vulnerable in society. A host of fundraising events, including Bucket Collections, Late Night Cabarets, West End Eurovision, West End Bares and A West End Christmas continue to raise funds for projects both in the UK and Sub-Saharan Africa.
Donate to Theatre MAD now

Acting For Others
Acting for Others provides financial and emotional support to all theatre workers in times of need through the 14 member charities. During the COVID-19 crisis Acting for Others have raised over £1.7m to support theatre workers affected by the pandemic.
Donate to Acting For Others now

The Blurb

Fifi was never meant to be the star, but today she is. A playful and touching physical comedy; an intelligent fusion of sincerity and humour with flavours of Amelie and BBC comedy. ‘Outstanding' (ArtsHub.com.au).

Most Popular See More

SIX

From £39.00

More Info

Find Tickets

Back to the Future - The Musical

From £24.00

More Info

Find Tickets

The Play That Goes Wrong

From £27.00

More Info

Find Tickets

The Phantom of the Opera

From £30.00

More Info

Find Tickets

The Lion King

From £35.00

More Info

Find Tickets

Matilda the Musical

From £24.00

More Info

Find Tickets