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What Girls Are Made Of

Scruffy indie kids have inherited the world and Cora Bissett rules supreme.

Scruffy indie kids have inherited the world and Cora Bissett rules supreme.

Cora Bissett was seventeen and at school when her teenage band, Darlingheart, secured one of the biggest record deals in Scottish music history and shot to fame. Her star flew fast and fell rapidly, but when Darlingheart were soaring through tours with Radiohead and Blur, rushing from school concerts to big-shot record companies, they were on top of the world.

And on top of the world is how I felt from start to finish. Bissett's performance as herself is raw and honest; she has the audience in the palm of her hand and never let's go. We ride her life-affirming wave of punk rock, Patti Smith inspired dreams.

As I sat down in Assembly Hall, the woman next to me remarked how we were both behind the times, this was, after all, the big show last year at The Traverse. But Bissett's script and songs know no limits. They whisk us away from the gargantuan home of the Church of Scotland and transport us straight to the garage in Fife where Darlingheart were rehearsing. In its new staging, What Girls Are Made Of retains its intimacy and amps up its gig theatre spectacle with awe-inspiring effect.

Bissett and her band, made up of Simon Donaldson, Harry Ward and, when I saw it, the original Cathryn Stirling, ignite the stage, shining brighter than the neon borders that frame them. Donaldson and Ward pull us in with endearing performances as an array of characters from their Fife hometown and the music industry which they found themselves navigating. Seeing the original drummer, Stirling, perform with Bissett was an added treat, she is a firey wonder to behold. Songs from Blur, Patti Smith, and Darlingheart themselves burst with life; this is the ideal story for gig theatre.

The spectacle of the music powers the show, but the simple story of a daughter, turned star, turned mother that gives it heart. Bissett sits with a box of memories saved by her parents from her days in the spotlight. She triggers in us a recognition of our hopes and dreams and of our families. The beautifully timed and emotionally tender moments pepper a pitch-perfect script.

I rang my Mum after What Girls Are Made Of, reminded of where I come from and of my dreams. My face was wet with tears, but I was grinning from ear to ear. Bissett confirms in her audience who we are and what we can achieve, but more importantly, she reminds us of our inner strength, of what we’re made of.

Reviews by Jane Prinsley

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Since you’re here…

… we have a small favour to ask. We don't want your money to support a hack's bar bill at Abattoir, but if you have a pound or two spare, we really encourage you to support a good cause. If this review has either helped you discover a gem or avoid a turkey, consider doing some good that will really make a difference.

You can donate to the charity of your choice, but if you're looking for inspiration, there are three charities we really like.

Mama Biashara
Kate Copstick’s charity, Mama Biashara, works with the poorest and most marginalised people in Kenya. They give grants to set up small, sustainable businesses that bring financial independence and security. That five quid you spend on a large glass of House White? They can save someone’s life with that. And the money for a pair of Air Jordans? Will take four women and their fifteen children away from a man who is raping them and into a new life with a moneymaking business for Mum and happiness for the kids.
Donate to Mama Biashara now

Theatre MAD
The Make A Difference Trust fights HIV & AIDS one stage at a time. Their UK and International grant-making strategy is based on five criteria that raise awareness, educate, and provide care and support for the most vulnerable in society. A host of fundraising events, including Bucket Collections, Late Night Cabarets, West End Eurovision, West End Bares and A West End Christmas continue to raise funds for projects both in the UK and Sub-Saharan Africa.
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Acting For Others
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Performances

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The Blurb

Based on her own diaries, the true story of Cora Bissett's rollercoaster journey from 90s indie-kid hopeful to wised-up woman. Touring with Radiohead, partying with Blur; she was living the dream. Until she wasn't... Performing with a live band, Cora celebrates life's euphoric highs and epic lows, asking what wisdom we should pass to the next generation and which glorious mistakes we should let them make. 2018 Fringe smash, directed by Orla O'Loughlin. 'A life-changing litany of pure joy' ***** (Herald). 'Punchy, exhilarating, candid and emotionally raw' ***** (Skinny). 'Well-deserved standing ovation' ***** (BroadwayWorld.com).
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